LEADER 00952nam--2200349---450- 001 990001981920203316 005 20050715101806.0 035 $a000198192 035 $aUSA01000198192 035 $a(ALEPH)000198192USA01 035 $a000198192 100 $a20040906d1977----km-y0itay0103----ba 101 $ager 102 $aDE 105 $a||||||||001yy 200 1 $aUber Peter Handke$fhrsg von Michael Scharang 210 $aFrankfurt am Main$cVerlag$d1977 215 $a393 p.$d18 cm 410 0$12001 454 1$12001 461 1$1001-------$12001 600 0 $aHandke, Peter$xSaggi 700 1$aSCHARANG,$bMichael$0195737 801 0$aIT$bsalbc$gISBD 912 $a990001981920203316 951 $aVII.2.B. 147(II t C 289)$b77173 L.M.$cII t 959 $aBK 969 $aUMA 979 $aSIAV2$b10$c20040906$lUSA01$h1110 979 $aCOPAT7$b90$c20050715$lUSA01$h1018 996 $aÜber Peter Handke$9520943 997 $aUNISA LEADER 04923nam 22006495 450 001 996445848803316 005 20211027022714.0 010 $a3-8394-5880-3 024 7 $a10.1515/9783839458808 035 $a(CKB)4970000000171272 035 $a(DE-B1597)586114 035 $a(DE-B1597)9783839458808 035 $a(EXLCZ)994970000000171272 100 $a20211027h20212021 fg 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aPowerful Prose $eHow Textual Features Impact Readers /$fed. by Mariane Utudji, R. L. Victoria Pöhls 210 1$aBielefeld : $ctranscript Verlag, $d[2021] 210 4$d©2021 215 $a1 online resource (264 p.) 225 0 $aLettre 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tExperiencing Powerful Prose -- $tPart I Emotional Experiences: Textual Features Eliciting Positive, Negative or Mixed Emotions -- $tA Psycho-Biological Approach to Suspense and Horror: Triggers of Emotion in a Passage from Lewis's The Monk -- $tRepeated Pleasure: Reading the Threesome Ménage Romance as Digital Literature -- $tNegating the Human, Narrating a World Without Us -- $tRefiguring Reader-Response: Experience and Interpretation in J.G. Ballard's Crash -- $tPart II Coming to the Fore: The Subtle Influence of Rhythm, Sounds, and Sensory Representations -- $tLives and Deaths of Gatsby: A Semantic Reading of a Key Passage in a Powerful Text -- $tIntroducing Jane: The Power of the Opening -- $tPerforming Rhythm Through Enunciation: Prose Versus Poetry -- $tThe Pictorial Paradigm of La Vallée: A Text-Image Reading of the Incipit of The Mysteries of Udolpho -- $tPart III Readers, Characters, Authors: Relations Formed by Textual Features -- $tThe Nature of the Agonistic in a Pragmatics of Fiction -- $tThe Relevance of Turning a Page: Monotony and Complexity in §25 of David Foster Wallace's The Pale King -- $tThe Language of Engagement and the Projection of Storyworld Possible Selves in Roberto Bolaño's The Savage Detectives -- $t"Smuggling in Accidental Poetry": Cognitive and Stylistic Strategies of a Stammering Teen in David Mitchell's Black Swan Green -- $tContributors -- $tEditors -- $tIndex 330 $aWhat makes a reading experience »powerful«? This volume brings together literary scholars, linguists, and empirical researchers to elucidate the effects and reader responses to investigate just that. The thirteen contributions theorize this widely-used, but to date insufficiently studied notion, and provide insights into the therefore still mysterious-seeming power of literary fiction. The collection investigates a variety of stylistic as well as readerly and psychological features responsible for short- and long-term effects - topics of great interest to those interested or specialized in literary studies and narratology, (cognitive) stylistics, empirical literary studies and reader response theory. 606 $aLITERARY CRITICISM / General$2bisacsh 610 $aCulture. 610 $aLanguage. 610 $aLinguistics. 610 $aLiterary Studies. 610 $aPsychology. 610 $aTheory of Literature. 615 7$aLITERARY CRITICISM / General. 702 $aBoisseau$b Maryvonne, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aChollier$b Christine, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aKavanagh$b Ciarán, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aLabourg$b Alice, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aMartinez$b Maria-Angeles, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aMertens$b Mahlu, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aPager-McClymont$b Kimberley, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aPöhls$b R. L. Victoria, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aPöhls$b R. L. Victoria, $4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aQuassdorf$b Sixta, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aRobert-Murail$b Constance, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aUtudji$b Mariane, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aUtudji$b Mariane, $4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aValovirta$b Elina, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aWenzel$b Peter, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aWood$b Tahir, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 712 02$aMax-Planck-Institut für empirische Ästhetik $4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996445848803316 996 $aPowerful Prose$92425142 997 $aUNISA