LEADER 03127nam 22004933a 450 001 996435447003316 005 20221027171559.0 010 $a0-520-97639-8 024 8 $ahttps://doi.org/10.1525/luminos.104 035 $a(CKB)5590000000537089 035 $a(ScCtBLL)ab82451b-df12-43c6-9607-d14344f1d3d2 035 $a(DE-B1597)579363 035 $a(OCoLC)1204266599 035 $a(DE-B1597)9780520976399 035 $a(EXLCZ)995590000000537089 100 $a20211214i20212021 uu 101 0 $aeng 135 $auru|||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aBrought to Life by the Voice $ePlayback Singing and Cultural Politics in South India /$fAmanda Weidman 210 1$a[s.l.] :$cUniversity of California Press,$d2021. 215 $a1 online resource 225 1 $aSouth Asia Across the Disciplines 327 $tFrontmatter --$tContents --$tList of Illustrations --$tAcknowledgments --$tNote on Transliteration and Spelling --$tIntroduction: Theorizing Playback --$tPart I. Prehistories --$t1. Trading Voices: The Gendered Beginnings of Playback --$tPart II. Playback's Dispensation --$t2. "A Leader for All Song": Making a Dravidian Voice --$t3. Ambiguities of Animation: On Being "Just the Voice" --$t4. The Sacred and the Profane: Economies of the (Il)licit --$tPart III. Afterlives --$t5. The Raw and the Husky: On Timbral Qualia and Ethnolinguistic Belonging --$t6. Anxieties of Embodiment: Liveness and Deadness in the New Dispensation --$t7. Antiplayback --$tNotes --$tReferences --$tIndex 330 $aTo produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman's historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India. 410 $aSouth Asia Across the Disciplines 606 $aSocial Science / Anthropology / Cultural & Social$2bisacsh 606 $aMusic / Ethnomusicology$2bisacsh 606 $aHistory / Asia / India & South Asia$2bisacsh 606 $aMusic 615 7$aSocial Science / Anthropology / Cultural & Social 615 7$aMusic / Ethnomusicology 615 7$aHistory / Asia / India & South Asia 615 0$aMusic 676 $a781.5/4209548 700 $aWeidman$b Amanda J.$f1970-$01262493 801 0$bScCtBLL 801 1$bScCtBLL 906 $aBOOK 912 $a996435447003316 996 $aBrought to Life by the Voice$92951119 997 $aUNISA