LEADER 04040nam 22005175 450 001 996433049803316 005 20190920094934.0 010 $a90-485-2756-2 024 7 $a10.1515/9789048527564 035 $a(CKB)4100000006673234 035 $a(MiAaPQ)EBC5521576 035 $a(DE-B1597)513244 035 $a(OCoLC)1055040368 035 $a(DE-B1597)9789048527564 035 $a(EXLCZ)994100000006673234 100 $a20190920d2017 fg 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aChristian Metz and the Codes of Cinema $eFilm Semiology and Beyond /$fMargrit Tröhler, Guido Kirsten, Julia Zutavern 210 1$aAmsterdam : $cAmsterdam University Press, $d[2017] 210 4$d©2018 215 $a1 online resource (483 pages) 225 0 $aFilm Theory in Media History 311 $a90-8964-892-5 327 $tFrontmatter -- $tTable of Contents -- $tAcknowledgments -- $tEditorial Note -- $t1. Christian Metz and Film Semiology / $rTröhler, Margrit -- $tI. Metz and the Tradition of Film Theory -- $t2. Two Ways of Thinking / $rBellour, Raymond -- $t3. Christian Metz and his Theoretical Legacy / $rMarie, Michel -- $t4. Christian Metz for Today / $rOdin, Roger -- $t5. Thinking Cinema / $rKessler, Frank -- $t6. Barthes' Early Film Semiology and the Legacy of Filmology in Metz / $rKirsten, Guido -- $tII. Questions of Form and Aesthetics -- $t7. Christian Metz and Aesthetics / $rLefebvre, Martin -- $t8. Christian Metz and Modern Cinema / $rCasetti, Francesco -- $t9. Christian Metz, Editing, and Forms of Alternation1 / $rGaudreault, André / Gauthier, Philippe -- $tIII. Specificities of the Cinematic Code and the Imaginary -- $t10. Between Classical and Postclassical Theory / $rRosen, Philip -- $t11. Cyber-Metz? / $rKrichane, Selim -- $t12. Yes, the Image Lies Beyond Analogy / $rVernet, Marc -- $t13. The Cinematic Signifier and the Imaginary / $rDoane, Mary Ann -- $t14. Fetishism and Scepticism , or the Two Worlds of Christian Metz and Stanley Cavell / $rRodowick, D.N. -- $tIV. Narration, Enunciation, Cinephilia -- $t15. Cinema: Image or Narrative? / $rLété, Anne Goliot -- $t16. Semiotics, Science, and Cinephilia / $rPolan, Dana -- $t17. '"Theorize", he says... ' / $rBoillat, Alain -- $t18. Personal Enunciation: Presences of Absences / $rBluher, Dominique -- $t19. Metz with Deleuze / $rBaumbach, Nico -- $tTwo Interviews with Christian Metz -- $t20. Thirty Years After / $rDagrada, Elena -- $t21. The Semiology of Cinema? It Is Necessary to Continue! / $rDagrada, Elena / Pescatore, Guglielmo -- $t22. Flashback to Winter 1990 / $rTröhler, Margrit -- $t23. 'I Never Expected Semiology to Thrill the Masses' / $rBlüher, Dominique / Tröhler, Margrit -- $tPostscript -- $tConclusion -- $tIndex - Names -- $tIndex - Film Titles 330 $aA pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalization in universities worldwide. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today. 410 0$aFilm theory in media history. 606 $aFilm criticism 606 $aMotion pictures$xPhilosophy 610 $aFilm Semiology, Filmology, History of Film Theory, Phenomenology, Narratology. 615 0$aFilm criticism. 615 0$aMotion pictures$xPhilosophy. 676 $a791.4301 686 $aAP 45300$2rvk 702 $aKirsten$b Guido, 702 $aTröhler$b Margrit, 702 $aZutavern$b Julia, 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996433049803316 996 $aChristian Metz and the Codes of Cinema$92236117 997 $aUNISA