LEADER 03236nam 22006255 450 001 996418940403316 005 20220505192542.0 010 $a3-11-091926-5 024 7 $a10.1515/9783110919264 035 $a(CKB)3390000000062240 035 $a(EBL)3572283 035 $a(SSID)ssj0001596264 035 $a(PQKBManifestationID)16296201 035 $a(PQKBTitleCode)TC0001596264 035 $a(PQKBWorkID)14885145 035 $a(PQKB)10246733 035 $a(MiAaPQ)EBC3572283 035 $a(DE-B1597)56575 035 $a(OCoLC)979590025 035 $a(DE-B1597)9783110919264 035 $a(EXLCZ)993390000000062240 100 $a20200623h20142004 fg 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe Jerusalem Talmud $eEdition, Translation, and Commentary$iTractate Yebamot /$fHeinrich W. Guggenheimer 210 1$aBerlin ;$aBoston :$cDe Gruyter,$d[2014] 210 4$d©2004 215 $a1 online resource (683 p.) 225 0 $aStudia Judaica ;$v29 300 $aIncludes index. 311 $a3-11-018291-2 327 $tFrontmatter --$tPreface --$tContents --$tIntroduction to Tractate Yebamot --$t??? ???? ???? ??? ????? --$t???? ??? ??? --$t????? ???? ??? ????? --$t????? ??? ????? --$t??? ?????? ??? ????? --$t??? ?? ????? ??? ??? --$t????? ???? ??? ????? --$t???? ??? ????? --$t?? ?????? ??? ????? --$t???? ???? ??? ????? --$t?????? ??? ??? ??? --$t???? ????? ??? ???? ??? --$t??? ???? ??? ???? ??? --$t??? ???? ??? ????? ??? --$t???? ????? ??? ???? ??? --$t???? ???? ??? ??? ??? --$tIndices 330 $aAuf den handschriftlichen Quellen beruhender Text, Übersetzung und Kommentar der rabbinischen Regeln der Leviratsehe, der verbotenen Ehen und der gerichtlichen Behandlung verschollener Ehemänner. 330 $aThis, the first volume of a five-volume edition of the third order of the Jerusalem Talmud, deals with Jewish marital law and related topics. The volume is concerned with levirate marriage, considering other Jewish sects at the same time, with forbidden marriages and the judicial treatment of missing husbands, with the incapability to marry, and with the status of married juveniles.The publication of one volume per year is planned. Key feature · Continuation of the well-received English-Aramaic edition 410 0$aStudia Judaica 606 $aReligions 606 $aRabbinische Schriften 606 $aTalmud 606 $aRELIGION / Judaism / General$2bisacsh 615 0$aReligions. 615 4$aRabbinische Schriften. 615 4$aTalmud. 615 7$aRELIGION / Judaism / General. 676 $a296 686 $aBD 3400$2rvk 702 $aGuggenheimer$b Heinrich W$g(Heinrich Walter),$f1924-2021,$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996418940403316 996 $aThe Jerusalem Talmud$92446148 997 $aUNISA LEADER 03766nam 2200433 a 450 001 9910812508003321 005 20221108081328.0 010 $a0-19-772298-9 010 $a0-19-045176-9 010 $a0-19-970686-7 035 $a(CKB)2550000001204371 035 $a(StDuBDS)AH24086716 035 $a(MiAaPQ)EBC431308 035 $a(EXLCZ)992550000001204371 100 $a20110223e20112009 fy| 0 101 0 $aeng 135 $aur||||||||||| 200 10$aAfrican culture and Melville's art$b[electronic resource] $ethe creative process in Benito Cereno and Moby-Dick /$fSterling Stuckey 210 $aNew York ;$aOxford $cOxford University Press$d2011 215 $a1 online resource (ix, 154 p.) 300 $aOriginally published: 2009. 311 $a0-19-537270-0 320 $aIncludes bibliographical references and index. 327 $aIntroduction; 1. The Tambourine in Glory; 2. Benito Cereno and Moby Dick; 3. The Hatchet-Polishers, Benito Cereno, and Amasa Delano; 4. Cheer and Gloom: Frederick Douglass and Herman Melville on Slave Music and Dance; Appendix: Chapter XVI from Captain Amasa Delano's A Narrative of Voyages and Travels 330 $aThis work tells how slave music and dance are used by Melville in 'Moby-Dick' in the creation of some of his most tragic and avant-garde art. Targeting how he conceived and executed his art, we find in this volume a degree of heretofore unprobed intertexuality in his work. 330 $bAlthough Herman Melville's masterworks Moby-Dick and Benito Cereno have long been the subject of vigorous scholarly examination, the impact of African culture on these works has received surprisingly little critical attention. Presenting a groundbreaking reappraisal of these two powerful pieces of fiction, Sterling Stuckey reveals how African customs and rituals heavily influenced one of America's greatest novelists. The Melville that emerges in this innovative, intertextual study is one profoundly shaped by the vibrant African-influenced music and dance culture of nineteenth-century America. Drawing on extensive research, Stuckey reveals how celebrations of African culture by black Americans, such as the Pinkster festival and the Ring Shout dance form, permeated Melville's environs during his formative years and found their way into his finest fiction. Also demonstrated is the extent to which the author of Moby-Dick is indebted to Frederick Douglass's depiction of music, especially the blues, in his classic slave narrative. Connections between Melville's work and African culture are also extended beyond America to the African continent itself. With readings of hitherto unexplored chapters in Delano's Voyages and Travels in the Northern and Southern Hemispheres and other nonfiction sources--such as Joseph Dupuis's Journal of a Residence in Ashantee --Stuckey links Benito Cereno and Moby-Dick , pinpointing the sources from which Melville drew to fashion major characters that appear aboard both the Pequod and the San Dominick . Combining inventive literary and historical analysis, Stuckey shows how myriad aspects of African culture coalesced to create the unique vision conveyed in Moby-Dick and Benito Cereno. Ultimately, African Culture and Melville's Art provides a wealth of insight into the novelist's expressive power and the development of his distinct cross-cultural aesthetic. 606 $aLiterature$2eflch 608 $aElectronic books.$2lcsh 615 7$aLiterature. 676 $a813.3 700 $aStuckey$b Sterling$01629551 801 0$bStDuBDS 801 1$bStDuBDS 801 2$bStDuBDSZ 801 2$bUkPrAHLS 906 $aBOOK 912 $a9910812508003321 996 $aAfrican culture and Melville's art$94074438 997 $aUNINA