LEADER 05909oam 2200709 c 450 001 996418939403316 005 20231110214809.0 010 $a3-8394-5095-0 024 7 $a10.14361/9783839450956 035 $a(CKB)4100000011249186 035 $a(DE-B1597)549793 035 $a(OCoLC)1248759235 035 $a(DE-B1597)9783839450956 035 $a(MiAaPQ)EBC6756819 035 $a(Au-PeEL)EBL6756819 035 $a(transcript Verlag)9783839450956 035 $a(MiAaPQ)EBC6956148 035 $a(Au-PeEL)EBL6956148 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/68054 035 $a(MiAaPQ)EBC30591614 035 $a(Au-PeEL)EBL30591614 035 $a(EXLCZ)994100000011249186 100 $a20220221d2021 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMusical Composition in the Context of Globalization$eNew Perspectives on Music History in the 20th and 21st Century$fChristian Utz, Laurence Sinclair Willis 205 $a1st ed. 210 $aBielefeld$ctranscript Verlag$d2021 215 $a1 online resource (528 p.) 225 0 $aMusik und Klangkultur$v43 311 $a3-8376-5095-2 327 $tFrontmatter -- $tTable of Contents -- $tPreface -- $tPreface to the Revised and Expanded English Edition -- $tAcknowledgements -- $tList of Examples, Figures, and Tables -- $tI. Introduction: Art Music, Identity, and Reflexive Globalization -- $t1. Art Music in a Global Context -- $t2. Identity Criticism and Reflexive Globalization -- $t3. Discourses of Intercultural Composition -- $tII. Toward an Entangled History of Twentieth-Century Music in a Global Context -- $t1. Preliminaries of an Intercultural Music Historiography -- $t2. Internationalism and Universalism: Repercussions of Political and Cultural History -- $t3. The Ambivalence of the Local in Twentieth-Century Music -- $t4. Modernist Reception of Japanese and Indian Traditional Music between 1910 and 1945: Delage, Cowell, Mitsukuri, and Hayasaka -- $t5. Re-Reading the Impact of the "Cultural Cold War" on Music History: Cowell, Mayuzumi, Berio -- $t6. Categories of Intercultural Reception in Western Composition -- $tIII. Studies on the History and Analysis of New East Asian Music -- $t1. The Reception of Western Modernism in the Music of China and Japan Since the Late Nineteenth Century -- $t2. Triggering Musical Modernism in China: The Work of Wolfgang Fraenkel in Shanghai Exile -- $t3. The Travels of a Jasmine Flower: A Chinese Folk Song, Its Prehistory, and Tan Dun's Symphony 1997 -- $t4. Probing the Compositional Relevance of Cultural Difference: Key Tendencies of East Asian New Music Since the 1950s -- $t5. Intercultural Narrativity in East Asian Art Music since the 1990s -- $t6. The Impact of Traditional Music on Composition in Taiwan since the Postwar Period -- $tIV. The sh? Context -- $t1. Transformation and Myth Criticism in Works for the Japanese Mouth Organ -- $t2. The sh? as a Medium of Alterity and Self-Referentiality in Helmut Lachenmann's Music -- $tV. New Music and Beyond: Music-Historical and Cultural Entanglements -- $t1. The Rediscovery of Presence: Intercultural Passages Through Vocal Spaces Between Speech and Song -- $t2. Space-Time Movements in György Ligeti's Piano Concerto: Polymeter and Conflicting Meter in Historical and Intercultural Perspective -- $t3. Intercultural Tension in Music by Chaya Czernowin and Isabel Mundry: Variations on Identity and Musical Meaning -- $tVI. Reflections on My Own Composing as a Search for Traces in the In-Between -- $t1. Layered Fabric, Intertextuality, and Cultural Context: From Striated to Open Space -- $t2. Stratification and Analysis -- $t3. Intercultural and Multilingual Trajectories of the Human Voice -- $t4. Composition as Polyphony: Creating, Performing, and Perceiving Music Non-Hierarchically -- $tBibliography -- $tAppendix -- $tIndex 330 $aSince the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, it has become necessary for music history to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st century. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society forms the central focus and is treated as a pivotal music-historical dynamic. 410 0$aMusik und Klangkultur 606 $aContemporary Music; 20th Century; Globalization; Transnationalism; Entangled Histories; Asia; China; Japan; Korea; Music; Musicology; Interculturalism; Cultural Studies; Cultural History; 610 $a20th Century. 610 $aAsia. 610 $aChina. 610 $aCultural History. 610 $aCultural Studies. 610 $aEntangled Histories. 610 $aGlobalization. 610 $aInterculturalism. 610 $aJapan. 610 $aKorea. 610 $aMusic. 610 $aMusicology. 610 $aTransnationalism. 615 4$aContemporary Music; 20th Century; Globalization; Transnationalism; Entangled Histories; Asia; China; Japan; Korea; Music; Musicology; Interculturalism; Cultural Studies; Cultural History; 676 $a780.904 686 $aLP 19507$2rvk 700 $aUtz$b Christian$pKunstuniversita?t Graz, O?sterreich$4aut$0970257 712 02$aLaurence Sinclair Willis$4trl 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996418939403316 996 $aMusical Composition in the Context of Globalization$92780366 997 $aUNISA