LEADER 03953oam 2200625 c 450 001 996418938403316 005 20231110221128.0 010 $a3-8394-5736-X 024 7 $a10.14361/9783839457368 035 $a(CKB)5220000000000068 035 $a(DE-B1597)577763 035 $a(OCoLC)1248759565 035 $a(DE-B1597)9783839457368 035 $a(MiAaPQ)EBC6752094 035 $a(Au-PeEL)EBL6752094 035 $a(transcript Verlag)9783839457368 035 $a(MiAaPQ)EBC6956330 035 $a(Au-PeEL)EBL6956330 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/68043 035 $a(MiAaPQ)EBC30591605 035 $a(Au-PeEL)EBL30591605 035 $a(EXLCZ)995220000000000068 100 $a20220221d2021 uy 0 101 0 $ager 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aStudies in the Arts - Neue Perspektiven auf Forschung u?ber, in und durch Kunst und Design$fThomas Gartmann, Michaela Scha?uble 205 $a1st ed. 210 $aBielefeld$ctranscript Verlag$d2021 215 $a1 online resource (212 p.) 225 0 $aImage$v195 311 $a3-8376-5736-1 327 $tFrontmatter -- $tInhalt -- $tStudies in the Arts? -- $t(K)Eine Einführung in die künstlerische Forschung durch eine Musikwissenschaftlerin -- $tPerformance-Ethnographie an der Schnittfläche von künstlerischer und sozial- und kulturwissenschaftlicher Forschung -- $tThe Disenchanted. Contending with Practice Based Research -- $tCurating and Writing Beyond Academia -- $tUndisziplinierte Disziplin -- $tDie Kalendarien des 10. und 11. Jahrhunderts aus dem Kloster Einsiedeln -- $tRaum in Musik und auditiver Kunst: Die Klangmittel »Tonraum« und »Umgebungsraum« -- $tScherchens rotierender Nullstrahler (1959): »Idealer« Lautsprecher oder nur Effektgerät? -- $tDie Einmaligkeit der Wiederholung beim Hören improvisierter und komponierter elektroakustischer Musik -- $tWagner on Welte: Tristan und Isolde around 1905 -- $tGiambattista Bodoni's music font and its system for joint note-tails -- $tMachine Learning and Remix: Self-training Selectivity in Digital Art Practice -- $tAutor*innen 330 $aDass Ku?nstler*innen forschen, ist nichts Neues. Was sich aber sukzessive wandelt, ist der ku?nstlerische Zugang: Die Kunst ist nicht la?nger (nur) Gegenstand, sondern vor allem auch Mittel zur Erkenntnisgewinnung. Dieser Entwicklung folgend hat die Universita?t Bern gemeinsam mit der Hochschule der Ku?nste Bern das erste Schweizerische Doktoratsprogramm fu?r Ku?nstler*innen und Gestalter*innen gegru?ndet: Studies in the Arts (SINTA). Die an diesem Projekt beteiligten Beitra?ger*innen des Bandes liefern hierzu grundsa?tzliche Erwa?gungen und Fallbeispiele sowie praktische Anwendungen in Interpretation, Musikrezeption und Design. 410 0$aImage 606 $aKu?nstlerische Forschung; Kunst; Musik; Design; Wissenschaft; Hochschulforschung; Kunsttheorie; Kunstwissenschaft; Artistic Research; Art; Music; Science; University Research; Theory of Art; Fine Arts; 610 $aArt. 610 $aDesign. 610 $aFine Arts. 610 $aMusic. 610 $aScience. 610 $aTheory of Art. 610 $aUniversity Research. 615 4$aKu?nstlerische Forschung; Kunst; Musik; Design; Wissenschaft; Hochschulforschung; Kunsttheorie; Kunstwissenschaft; Artistic Research; Art; Music; Science; University Research; Theory of Art; Fine Arts; 700 $aGartmann$b Thomas$4edt$01279342 702 $aGartmann$b Thomas$pUniversita?t Bern, Schweiz$4edt 702 $aScha?uble$b Michaela$pUniversita?t Bern, Schweiz$4edt 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996418938403316 996 $aStudies in the Arts - Neue Perspektiven auf Forschung u?ber, in und durch Kunst und Design$93582302 997 $aUNISA LEADER 05546nam 2200709Ia 450 001 9910144579203321 005 20200520144314.0 010 $a9786611239251 010 $a9783527802593 010 $a3527802592 010 $a9781281239259 010 $a1281239259 010 $a9783527612215 010 $a3527612211 010 $a9783527612239 010 $a3527612238 035 $a(CKB)1000000000377079 035 $a(EBL)481706 035 $a(SSID)ssj0000299907 035 $a(PQKBManifestationID)11223541 035 $a(PQKBTitleCode)TC0000299907 035 $a(PQKBWorkID)10241884 035 $a(PQKB)10841509 035 $a(MiAaPQ)EBC481706 035 $a(PPN)144434857 035 $a(OCoLC)181344233 035 $a(Perlego)1009005 035 $a(EXLCZ)991000000000377079 100 $a20050406d2006 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aIntellectual property management $ea guide for scientists, engineers, financiers, and managers /$fClaas Junghans, Adam Levy with contributions by Rolf Sander ... [et al.] 210 $aWeinheim $cWiley-VCH ;$a[Chichester $cJohn Wiley, distributor]$dc2006 215 $a1 online resource (190 p.) 300 $aIncludes index. 311 08$a9783527312863 311 08$a3527312862 327 $aIntellectual Property Management; Contents; Preface; Authors; Abbreviations; 1 Terminology; 1.1 The Terms of Patenting; 1.1.1 The Patent; 1.1.2 The Process of Patenting; 1.1.3 The Value in a Patent; 1.1.4 Anatomy of a Patent Document; 1.1.5 Patentability of an Invention; 1.1.6 Inventors and Applicants; 1.2 Business Brief; 2 The Economic Objectives of Protection; 2.1 Filing Strategy; 2.1.1 When to File?; 2.1.2 Where to File: National Offices and International Treaties; 2.1.3 Where to First File?; 2.1.4 Follow-up Filings and the Territorial Extent of Protection 327 $a2.2 Claim Breadth: The Scope of the Desired Protection2.3 Factors Influencing Filing Strategy and Claim Breadth; 2.3.1 The Invention, the Product and its Market; 2.3.2 Market Economics; 2.3.3 Technology Density; 2.3.4 The Commercialisation Plan; 2.3.5 The Competition; 2.4 Financial Resources and Attitude Towards Risk; 2.5 Business Brief; 3 Patenting; 3.1 Preparation; 3.1.1 Planning; 3.1.2 Assembling Material; 3.1.3 Researching the Literature; 3.2 Drafting the Patent Application; 3.2.1 Attorneys; 3.2.2 The Initial Filing as a Basis for Amended Claims; 3.2.3 Non-Obviousness; 3.2.4 Unity 327 $a3.3 Prosecution3.3.1 Formalities; 3.3.2 Representation; 3.3.3 The Process; 3.4 Strategy; 3.4.1 Overview; 3.4.2 Patenting an "Invention in Progress"; 3.4.3 Patent Deadlines Driving Development; 3.5 Conflict; 3.5.1 Opposition; 3.5.2 Revocation; 3.5.3 Infringement; 3.6 Business Brief; 4 Ownership; 4.1 The Rights of the Inventor; 4.1.1 What is an Applicant?; 4.1.2 Applicants in the United States of America; 4.1.3 Joint Applicants; 4.2 Disputed Ownership; 4.2.1 Interference Procedure in the United States of America; 4.3 Employee or Service Inventions; 4.3.1 Germany; 4.3.2 United Kingdom 327 $a4.3.3 France4.3.4 Spain; 4.3.5 Russia; 4.3.6 USA; 4.3.7 Japan; 4.3.8 Korea; 4.3.9 China; 4.3.10 Hungary; 4.3.11 Czech Republic; 4.3.12 Poland; 4.3.13 Sweden; 4.3.14 Conclusion; 5 Trademarks and Designs; 5.1 Protection of Distinctive Marks; 5.1.1 Trademark Protection; 5.1.2 Internet Domains/e-Commerce; 5.1.3 Trade Names, Company Names and Titles; 5.1.4 Appellations of Origin; 5.1.5 Enforcement of Rights; 5.2 Designs; 5.2.1 What is a Design?; 5.2.2 National and International Protection of Designs; 5.2.3 How and Where are Designs Registered?; 5.2.4 Implementation of Design Rights; 6 Licensing 327 $a6.1 Licence Agreements - an Overview6.1.1 Introduction to Licensing; 6.1.2 Subject; 6.1.3 Scope; 6.1.4 Exclusivity; 6.1.5 Term and Termination; 6.1.6 Consideration; 6.2 Sub-Licences; 6.3 Up-Front Payments; 6.4 Milestone Payments; 6.5 Non-Cash Consideration; 6.6 Taxation of Consideration; 6.7 Representations and Warranties; 6.7.1 Ownership; 6.7.2 Third Parties' Rights; 6.7.3 Other; 6.8 Maintenance and Prosecution of IP Rights; 6.9 Confidentiality; 6.10 Competition Law; 6.10.1 General Principles; 6.10.2 European Competition Law; 6.10.3 US Competition Law 327 $a6.11 Governing Law and Dispute Resolution 330 $aThis concise introduction to European patent law and global patent perspectives combines the legal and economic perspectives to adopt a unique approach that serves both inventors -- engineers and scientists -- as well as financiers and economists. Written by experts with first-hand knowledge this book is completely up-to-date, taking into account recent additions to European patent law, especially in the field of biotechnology and genetics. While concentrating on the EU, the world perspective is nevertheless represented, including US particularities. The result is a set of guidelines allow 606 $aIntellectual property$zEuropean Union countries 606 $aPatent laws and legislation$zEuropean Union countries 615 0$aIntellectual property 615 0$aPatent laws and legislation 676 $a346.24048 676 $a346.40486 700 $aJunghans$b Claas$0952438 701 $aLevy$b Adam$f1972-$0952439 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910144579203321 996 $aIntellectual property management$92153173 997 $aUNINA