LEADER 05274nam 22007215 450 001 996418262903316 005 20210505160025.0 010 $a3-030-39709-2 024 7 $a10.1007/978-3-030-39709-8 035 $a(CKB)4100000010755265 035 $a(DE-He213)978-3-030-39709-8 035 $a(MiAaPQ)EBC6142640 035 $a(PPN)243229100 035 $a(EXLCZ)994100000010755265 100 $a20200321d2020 u| 0 101 0 $aeng 135 $aurnn#008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe future of music$b[electronic resource] $eTowards a Computational Musical Theory of Everything /$fby Guerino Mazzola, Jason Noer, Yan Pang, Shuhui Yao, Jay Afrisando, Christopher Rochester, William Neace 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2020. 215 $a1 online resource (XV, 242 p. 120 illus., 101 illus. in color.) 311 $a3-030-39708-4 320 $aIncludes bibliographical references and index. 327 $aPart I Introduction -- 1 General Introduction -- 2 Ontology and Oniontology -- 3 The Basic Functions of Music -- 4 Historicity in Music -- 5 Only One Restriction: Quality -- Part II Technological Tools -- 6 Software Tools and Hardware Options -- 7 New Concepts of Musical Instruments -- 8 Musical Distribution Channels: New Networks -- 9 Big Science in Music -- Part III Mathematical Concepts -- 10 Mathematical Music Theory -- 11 Serialism: Failure of New Concepts without Musical Impact -- 12 Mazzola?s Sonata Construction: A Technical Approach and its Limits -- 13 Imaginary Time -- 14 Mathematical Gesture Theory -- 15 Future Theories (Counterpoint etc.) -- Part IV Cultural Extensions -- 16 A Critique of the Western Concept of Music -- 17 Improvisation and the Synthesis Project on the Presto Software -- 18 Art Making as Research -- 19 Human and Machine Music -- 20 Music in the Diversifying Cultures -- 21 Cultural Theories of Gesture -- Part V Creative Strategies -- 22 Recapitulation of Creativity Theory -- 23 The Speci?cally Musical Walls Against Creativity -- 24 Examples of Creative Extensions in Music -- 25 Performance and Composition -- 26 Are Aesthetics and Business Antagonists? -- Part VI COMMUTE -- 27 ComMute?Towards a Computational Musical Theory of Everything. 330 $aThe idea of this monograph is to present an overview of decisive theoretical, computational, technological, aesthetical, artistic, economical, and sociological directions to create future music. It features a unique insight into dominant scientific and artistic new directions, which are guaranteed by the authors' prominent publications in books, software, musical, and dance productions. Applying recent research results from mathematical and computational music theory and software as well as new ideas of embodiment approaches and non-Western music cultures, this book presents new composition methods and technologies. Mathematical, computational, and semiotic models of artistic presence (imaginary time, gestural creativity) as well as strategies are also covered. This book will be of interest to composers, music technicians, and organizers in the internet-based music industry, who are offered concrete conceptual architectures and tools for their future strategies in musical creativity and production. 606 $aMathematics 606 $aMusic 606 $aUser interfaces (Computer systems) 606 $aApplication software 606 $aPerforming arts 606 $aMathematics in Music$3https://scigraph.springernature.com/ontologies/product-market-codes/M33000 606 $aMusic$3https://scigraph.springernature.com/ontologies/product-market-codes/417000 606 $aUser Interfaces and Human Computer Interaction$3https://scigraph.springernature.com/ontologies/product-market-codes/I18067 606 $aComputer Appl. in Arts and Humanities$3https://scigraph.springernature.com/ontologies/product-market-codes/I23036 606 $aPerforming Arts$3https://scigraph.springernature.com/ontologies/product-market-codes/415030 615 0$aMathematics. 615 0$aMusic. 615 0$aUser interfaces (Computer systems). 615 0$aApplication software. 615 0$aPerforming arts. 615 14$aMathematics in Music. 615 24$aMusic. 615 24$aUser Interfaces and Human Computer Interaction. 615 24$aComputer Appl. in Arts and Humanities. 615 24$aPerforming Arts. 676 $a781 700 $aMazzola$b G$g(Guerino),$4aut$0931562 702 $aNoer$b Jason$4aut$4http://id.loc.gov/vocabulary/relators/aut 702 $aPang$b Yan$4aut$4http://id.loc.gov/vocabulary/relators/aut 702 $aYao$b Shuhui$4aut$4http://id.loc.gov/vocabulary/relators/aut 702 $aAfrisando$b Jay$4aut$4http://id.loc.gov/vocabulary/relators/aut 702 $aRochester$b Christopher$4aut$4http://id.loc.gov/vocabulary/relators/aut 702 $aNeace$b William$4aut$4http://id.loc.gov/vocabulary/relators/aut 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996418262903316 996 $aThe future of music$92095534 997 $aUNISA