LEADER 01392nam--2200433---450- 001 990001378670203316 005 20090109175001.0 010 $a88-8363-179-X 035 $a000137867 035 $aUSA01000137867 035 $a(ALEPH)000137867USA01 035 $a000137867 100 $a20040129d2001----km-y0enga50------ba 101 0 $aita 102 $aIT 105 $ay|||z|||001yy 200 1 $aCategory management$ecome creare sintonia tra il marketing industriale e commerciale$fGianpiero Lugli, Guido Cristini 210 $aMilano$cIl sole 24 ore$d2001 215 $aXV, 269 p.$d24 cm 225 2 $aMarketing e comunicazione 410 0$12001$aMarketing e comunicazione 606 0 $aVendite al minuto$xOrganizzazione 606 0 $aMerci$xDistribuzione 676 $a658.87 700 1$aLUGLI,$bGianpiero$0361408 701 1$aCRISTINI,$bGuido$0115702 801 0$aIT$bsalbc$gISBD 912 $a990001378670203316 951 $a658.87 LUG 1 (IRA 8 42)$b38419 G.$cIRA 8$d00092431 959 $aBK 969 $aECO 979 $aMARIA$b10$c20040129$lUSA01$h1142 979 $aPATRY$b90$c20040406$lUSA01$h1737 979 $aRENATO$b90$c20040914$lUSA01$h1315 979 $aRENATO$b90$c20040914$lUSA01$h1316 979 $aRSIAV3$b90$c20090109$lUSA01$h1750 979 $aCHIARA$b90$c20110519$lUSA01$h1423 996 $aCategory management$9933171 997 $aUNISA LEADER 01102oam 2200289z- 450 001 996417139003316 005 20180613015103.0 010 $a88-430-8616-2 035 $a(CKB)5300000000018332 035 $a(EXLCZ)995300000000018332 100 $a20220316c2021uuuu -u- - 101 0 $aita 200 10$aDa Kurt Wallander a Salvo Montalbano $epolizia e poliziotti nella letteratura europea contemporanea /$fRossella Selmini 210 $aRoma$cCarocci editore S.p.A 311 $a88-290-0621-1 517 $aDa Kurt Wallander a Salvo Montalbano 606 $aDetective and mystery stories$xHistory and criticism 606 $aEuropean fiction$y20th century$xHistory and criticism 606 $aEuropean fiction$y21st century$xHistory and criticism 615 0$aDetective and mystery stories$xHistory and criticism. 615 0$aEuropean fiction$xHistory and criticism. 615 0$aEuropean fiction$xHistory and criticism. 700 $aSelmini$b Rossella$0231661 906 $aBOOK 912 $a996417139003316 996 $aDa Kurt Wallander a Salvo Montalbano$91518487 997 $aUNISA LEADER 03996nam 2200613Ia 450 001 9910781841803321 005 20200520144314.0 010 $a1-283-30929-7 010 $a9786613309297 010 $a1-61703-123-2 035 $a(CKB)2550000000062774 035 $a(EBL)794510 035 $a(OCoLC)759520667 035 $a(SSID)ssj0000537141 035 $a(PQKBManifestationID)11362117 035 $a(PQKBTitleCode)TC0000537141 035 $a(PQKBWorkID)10552648 035 $a(PQKB)10854094 035 $a(StDuBDS)EDZ0000203623 035 $a(OCoLC)767696210 035 $a(MdBmJHUP)muse850 035 $a(Au-PeEL)EBL794510 035 $a(CaPaEBR)ebr10508856 035 $a(CaONFJC)MIL330929 035 $a(MiAaPQ)EBC794510 035 $a(EXLCZ)992550000000062774 100 $a20110422d2011 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 00$aGlobal neorealism$b[electronic resource] $ethe transnational history of a film style /$fedited by Saverio Giovacchini and Robert Sklar 210 $aJackson $cUniversity Press of Mississippi$d2011 215 $a1 online resource (283 p.) 300 $aDescription based upon print version of record. 311 $a1-61703-122-4 320 $aIncludes bibliographical references and index. 327 $aIntroduction: the geography and history of global neorealism / Saverio Giovacchini and Robert Sklar -- Before the (Neorealist) revolution / Vito Zagarrio -- Soviet-Italian cinematic exchanges, 1920's 1950's: from early Soviet film theory to neorealism / Masha Salazkina -- The role of documentary film in the formation of the neorealist cinema / Luca Caminati -- "The exalted spirit of the actual": James Agee, critic and filmmaker, and the U.S. response to neorealism / Robert Sklar -- Marketing meaning, branding neorealism: advertising and promoting Italian cinema in postwar America / Nathaniel Brennan -- Neorealism: another "cinema de papa" for the French new wave? / Caroline Eades -- "With an incredible realism that beats the best of the European cinemas": the making of Barrio Gris and the reception of Italian neorealism in Argentina, 1947-1955 / Paula Halperin -- Living in peace after the massacre: neorealism, colonialism, and race / Saverio Giovacchini -- From Italian neorealism to new Latin American cinema: ruptures and continuities during the 1960's / Mariano Mestman -- Importing neorealism, exporting cinema: Indian cinema and film festivals in the 1950's / Neepa Majumdar -- Neorealism and nationalist African cinema / Sada Niang -- Documenting the social reality of Brazil: Roberto Rossellini, the Paraban -- Documentary school, and the cinema novistas / Sarah Sarzynski -- Neorealism Iranian style / Hamid Naficy -- Epilogue: neorealism, cinema of poetry, and Italian contemporary cinema / Silvia Carlorosi. 330 $aIntellectual, cultural, and film historians have long considered neorealism the founding block of post-World War II Italian cinema. Neorealism, the traditional story goes, was an Italian film style born in the second postwar period and aimed at recovering the reality of Italy after the sugarcoated moving images of Fascism. Lasting from 1945 to the early 1950's, neorealism produced world-renowned masterpieces such as Roberto Rossellini's Roma, citta? aperta ( Rome, Open City , 1945) and Vittorio De Sica's Ladri di biciclette ( Bicycle Thieves , 1947). These films won some of the most prestigious 606 $aRealism in motion pictures 606 $aMotion pictures$zItaly$xHistory$y20th century 615 0$aRealism in motion pictures. 615 0$aMotion pictures$xHistory 676 $a791.43/612 701 $aGiovacchini$b Saverio$f1963-$01468111 701 $aSklar$b Robert$0449580 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910781841803321 996 $aGlobal neorealism$93679084 997 $aUNINA