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010   $a3-8394-5145-0
024 7 $a10.14361/9783839451458
035   $a(CKB)5400000000002684
035   $a(DE-B1597)574036
035   $a(OCoLC)1233041668
035   $a(DE-B1597)9783839451458
035   $a(MiAaPQ)EBC6752410
035   $a(Au-PeEL)EBL6752410
035   $a(transcript Verlag)9783839451458
035   $a(MiAaPQ)EBC6956157
035   $a(Au-PeEL)EBL6956157
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/64086
035   $a(MiAaPQ)EBC30591536
035   $a(Au-PeEL)EBL30591536
035   $a(EXLCZ)995400000000002684
100   $a20220221d2021      uy         0
101 0 $aeng
135   $aur||#||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 00$aMusic - Media - History$eRe-Thinking Musicology in an Age of Digital Media$fMatej Santi, Elias Berner
205   $a1st ed.
210   $aBielefeld$ctranscript Verlag$d2021
215   $a1 online resource (300 p.)
225 0 $aMusik und Klangkultur$v44
311   $a3-8376-5145-2 
327   $tFrontmatter --$tContents --$tEditor's Note --$tAn Introduction --$t"Living in a Material World," Contemplating the Immaterial One-Musings on What Sounds Can Actually Tell Us, or Not --$tThe (Re)Construction of Communicative Pasts in the Digital Age --$tThe Narratological Architecture of Musical lieux de mémoire --$tBeethoven in 1970, Bernstein and the ORF: Cultural Memory and the Audiovisual --$tWomen's Voices in Radio --$t'Real Sound,' Readymade, Handmade: Musical Material and the Medium Between Mechanization, Automation, and Digitalization as an Impression and Expression of Reality --$tSonic Icons in A Song Is Born (1948): A Model for an Audio History of Film --$tThe Production, Reception and Cultural Transfer of Operetta on Early Sound Film --$tThe Address of the Ear: Music and History in Waltz with Bashir --$t"I've never understood the passion for Schubert's sentimental Viennese shit"-Using Metadata to Capture the Contexts of Film Music --$tConnecting Research: The Interdisciplinary Potential of Digital Analysis in the Context of A. Kluge's Televisual Corpus --$tModelling in Digital Humanities: An Introduction to Methods and Practices of Knowledge Representation --$tPlaying with a Web of Music: Connecting and Enriching Online Music Repositories --$tA Few Notes on the Auditive Layer of the Film --$tAfterword --$tList of Contributors
330   $aMusic and sound shape the emotional content of audio-visual media and carry different meanings. This volume considers audio-visual material as a primary source for historiography. By analyzing how the same sounds are used in different media contexts at different times, the contributors intend to challenge the linear perspective of (music) history based on canonic authority. The book discusses AV-Documents (analysis in context), methodological questions (implications for research, education, and popularization of knowledge), archives of cultural memory (from the perspective of Cultural Studies) as well as digitalization and its consequences (organization of knowledge).
410  0$aMusik und Klangkultur 
606   $aMusic; Sound; History; Media; Cultural History; Musicology; Digital Media;
608   $aConference papers and proceedings.$2lcgft
610   $aCultural History.
610   $aDigital Media.
610   $aHistory.
610   $aMedia.
610   $aMusicology.
610   $aSound.
615  4$aMusic; Sound; History; Media; Cultural History; Musicology; Digital Media;
676   $a780.72/1
700   $aSanti$b Matej$4edt$01370857
702   $aSanti$b Matej$pAkademie der bildenden Ku?nste Wien, O?sterreich$4edt
702   $aBerner$b Elias$pAkademie der bildenden Ku?nste Wien, O?sterreich$4edt
801  0$bDE-B1597
801  1$bDE-B1597
906   $aBOOK
912   $a996411329803316
996   $aMusic - Media - History$93401922
997   $aUNISA