LEADER 01090nam0-22003971i-450- 001 990008108860403321 005 20100903131540.0 010 $a0-471-55774-9 035 $a000810886 035 $aFED01000810886 035 $a(Aleph)000810886FED01 035 $a000810886 100 $a20050510d1999----km-y0itay50------ba 101 0 $aeng 102 $aUS 105 $aa---a---001yy 200 1 $aLow-Speed Wind Tunnel Testing$fJewel B. Barlow, William H. Rae Jr., Alan Pope 205 $a3.ed. 210 $aNew York$cJ.Wiley & Sons$d1999 215 $aXII, 713 p.$cill.$d24 cm 610 0 $aAerodinamica 610 0 $aVelocità supersonica 610 0 $aGallerie 676 $a629.13452 700 1$aBarlow,$bJewel B.$0322608 701 1$aRae,$bWilliam H.$0497674 701 1$aPope,$bAlan$02654 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990008108860403321 952 $a00 A2589$b5107$fDETEC 952 $a13 50 21$b14622$fFINBC 959 $aDETEC 959 $aFINBC 996 $aLow-Speed Wind Tunnel Testing$9757242 997 $aUNINA LEADER 01300nam 2200373Ia 450 001 996409046003316 005 20220110234440.0 024 8 $aocn946880370 035 $a(CKB)4940000000597615 035 $a(OCoLC)946880370 035 $a(OCoLC)ocn946880370 035 $a(OCoLC)9930382900971 035 $a(EXLCZ)994940000000597615 100 $a20160418d1688 uy 101 0 $aeng 135 $aurbn#|||a|bb| 200 12$aA letter to a member of the convention$b[electronic resource] 210 $a[London $cs.n.$d1688?] 215 $a4 p 300 $aCaption title. 300 $aAnonymous. By William Sherlock. 300 $aPlace and date of publication suggested by Wing (2nd ed., 1994). 300 $aIn this edition: title has "MEMBER ... CONVENTION" and signature-mark "A" falls below the space between "the" and "Princess." 300 $aReproduction of original in: National Library of Ireland. 607 $aGreat Britain$xHistory$yRevolution of 1688 607 $aGreat Britain$xPolitics and government$y1660-1688 610 6$aNews books 700 $aSherlock$b William$f1641?-1707.$0322284 801 0$bUMI 801 1$bUMI 906 $aBOOK 912 $a996409046003316 996 $aA letter to a member of the convention$92316209 997 $aUNISA LEADER 03589nam 2200517 450 001 9910163936503321 005 20230810002051.0 010 $a0-8142-7481-1 035 $a(CKB)3710000001051669 035 $a(MiAaPQ)EBC4801592 035 $a(EXLCZ)993710000001051669 100 $a20170221h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aConjuring freedom $emusic and masculinity in the Civil War's "Gospel Army" /$fJohari Jabir 210 1$aColumbus, [Ohio] :$cThe Ohio State University Press,$d2017. 210 4$d©2017 215 $a1 online resource (159 pages) 225 1 $aBlack Performance and Cultural Criticism 311 $a0-8142-5394-6 311 $a0-8142-1330-8 320 $aIncludes bibliographical references and indexes. 327 $aA strange fulfillment of dreams: racial fetish and fantasy in Thomas Wentworth Higginson's Army life in a Black regiment -- The collective will to conjure: religion, ring shout, and spiritual militancy in a Black regiment -- One more valiant soldier: music and masculinity in a Black regiment -- Moon rise: songs of loss, lament, and liberation in a Black regiment -- Military "glory" or racial horror -- Postlude: My Army cross over. 330 $aConjuring Freedom: Music and Masculinity in the Civil War's "Gospel Army" analyzes the songs of the 1st South Carolina Volunteers, a regiment of Black soldiers who met nightly in the performance of the ring shout. In this study, acknowledging the importance of conjure as a religious, political, and epistemological practice, Johari Jabir demonstrates how the musical performance allowed troop members to embody new identities in relation to national citizenship, militarism, and masculinity in more inclusive ways. Jabir also establishes how these musical practices of the regiment persisted long after the Civil War in Black culture, resisting, for instance, the paternalism and co-optive state antiracism of the film Glory, and the assumption that Blacks need to be deracinated to be full citizens. Reflecting the structure of the ring shout--the counterclockwise song, dance, drum, and story in African American history and culture--Conjuring Freedom offers three new concepts to cultural studies in order to describe the practices, techniques, and implications of the troop's performance: (1) Black Communal Conservatories, borrowing from Robert Farris Thompson's "invisible academies" to describe the structural but spontaneous quality of black music-making, (2) Listening Hermeneutics, which accounts for the generative and material affects of sound on meaning-making, and (3) Sonic Politics, which points to the political implications of music's use in contemporary representations of race and history. 410 0$aBlack performance and cultural criticism. 606 $aAfrican Americans$xMusic$xHistory and criticism 606 $aSpirituals (Songs)$xHistory and criticism 606 $aRing shout (Dance) 606 $aMasculinity 607 $aUnited States$xHistory$yCivil War, 1861-1865$xAfrican Americans 615 0$aAfrican Americans$xMusic$xHistory and criticism. 615 0$aSpirituals (Songs)$xHistory and criticism. 615 0$aRing shout (Dance) 615 0$aMasculinity. 676 $a973.4/415 700 $aJabir$b Johari$01249822 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910163936503321 996 $aConjuring freedom$92896127 997 $aUNINA LEADER 01669nam0 22003131i 450 001 UON00351012 005 20231205104341.468 100 $a20100113d1969 |0itac50 ba 101 $aeng 102 $aUS 105 $a|||| 1|||| 200 1 $aˆThe ‰empty space$fPeter Brook 210 $aNew York$cAvon Books$d1969 215 $a128 p.$d18 cm. 5 copie. 410 1$1001UON00326957$12001 $aˆA ‰Discus Book$1210 $aNew York. 606 $aTEATRO INGLESE$xStudi$3UONC078177$2FI 620 $aUS$dNew York$3UONL000050 676 $a792.2$cCommedia e dramma sentimentale$v21 700 1$aBROOK$bPeter$3UONV111088$0203287 712 $aAvon Books$3UONV253759$4650 801 $aIT$bSOL$c20240220$gRICA 912 $aUON00351012 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI Angl VI A BRO 4 $eSI LO 22793 5 4 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI Angl VI C 0552 $eSI LO 819 5 0552 $sBuono 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI Angl VI C 0553 $eSI LO 32252 5 0553 $sBuono 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI Angl VI C 0554 $eSI LO 32250 5 0554 $sBuono 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI Angl VI C 0556 $eSI SI 5273 5 0556 $sBuono 996 $aEmpty space$942641 997 $aUNIOR