LEADER 01443nam 2200385 n 450 001 996397664003316 005 20221108015436.0 035 $a(CKB)4940000000065582 035 $a(EEBO)2240931891 035 $a(UnM)9959124700971 035 $a(EXLCZ)994940000000065582 100 $a19921125d1613 uh 101 0 $aeng 135 $aurbn||||a|bb| 200 12$aA booke of proclamations$b[electronic resource] $epublished since the beginning of his Maiesties most happy reigne ouer England, &c. vntill this present moneth of Febr. 3. anno Dom. 1609 210 $aImprinted at London $cBy Robert Barker, printer to the Kings most excellent Maiestie$d[1613] 215 $a[1+] p 300 $aAt foot of title: Cum priuilegio. 300 $aA reissue of STC 7759. 300 $aA fragment: title page only. 300 $aReproduction of original in the British Library. 300 $aTitle within ornamental border (McK. & F. 168[beta]). 330 $aeebo-0018 607 $aGreat Britain$xHistory$xJames I, 1603-1625$vEarly works to 1800 607 $aGreat Britain$xProclamations$vEarly works to 1800 608 $aTitle pages$zEngland$y17th cent. 701 $aJames$cKing of England,$f1566-1625.$01001019 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bCu-RivES 906 $aBOOK 912 $a996397664003316 996 $aA booke of proclamations$92318740 997 $aUNISA LEADER 02842oam 2200685I 450 001 9910785545403321 005 20230801224122.0 010 $a1-136-24143-4 010 $a1-283-58626-6 010 $a9786613898715 010 $a0-203-10272-X 010 $a1-136-24144-2 024 7 $a10.4324/9780203102725 035 $a(CKB)2670000000237934 035 $a(EBL)1016093 035 $a(OCoLC)810275263 035 $a(SSID)ssj0000704389 035 $a(PQKBManifestationID)11450656 035 $a(PQKBTitleCode)TC0000704389 035 $a(PQKBWorkID)10704958 035 $a(PQKB)10321076 035 $a(MiAaPQ)EBC1016093 035 $a(Au-PeEL)EBL1016093 035 $a(CaPaEBR)ebr10596195 035 $a(CaONFJC)MIL389871 035 $a(FINmELB)ELB137491 035 $a(EXLCZ)992670000000237934 100 $a20180706d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAesthetics after metaphysics $efrom mimesis to metaphor /$fMiguel de Beistegui 210 1$aNew York :$cRoutledge,$d2012. 215 $a1 online resource (208 p.) 225 1 $aRoutledge studies in contemporary philosophy ;$v40 225 0$aRoutledge studies in contemporary philosophy ;$v40 300 $aDescription based upon print version of record. 311 $a1-138-92146-7 311 $a0-415-53962-5 320 $aIncludes bibliographical references (p. [175]-195) and index. 327 $aAesthetics and metaphysics I: the mimetic schema -- Aesthetics and metaphysics II: from Kant to Adorno -- Aesthetics at the limit of metaphysics: intimations of the hypersensible -- Metaphor beyond metaphysics? -- Literature: Proust, Ho?lderlin -- Sculpture: Chillida. 330 $aThis book focuses on a dimension of art which the philosophical tradition (from Plato to Hegel and even Adorno) has consistently overlooked, such was its commitment - explicit or implicit - to mimesis and the metaphysics of truth it presupposes. De Beistegui refers to this dimension, which unfolds outside the space that stretches between the sensible and the supersensible - the space of metaphysics itself - as the hypersensible and show how the operation of art to which it corresponds is best described as metaphorical. The movement of the book, then, is from the c 410 0$aRoutledge Studies in Contemporary Philosophy 606 $aAesthetics 606 $aMetaphysics 606 $aMetaphor 615 0$aAesthetics. 615 0$aMetaphysics. 615 0$aMetaphor. 676 $a111/.85 700 $aBeistegui$b Miguel de$f1966-,$0849068 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910785545403321 996 $aAesthetics after metaphysics$93735063 997 $aUNINA