LEADER 01621nam 2200385 n 450 001 996397640603316 005 20200824121433.0 035 $a(CKB)4940000000065333 035 $a(EEBO)2240918397 035 $a(UnM)ocm99891544e 035 $a(UnM)99891544 035 $a(EXLCZ)994940000000065333 100 $a19910710d1619 uy 101 0 $aeng 135 $aurbn||||a|bb| 200 14$aThe peace-maker: or, Great Brittaines blessing$b[electronic resource] $eFram'd for the continuance of that mightie happinesse wherein this kingdome excells manie empires. Shewing the idlenesse of a quarrelling reputation, wherein consists neyther manhood nor wisdome. Necessarie for all magistrates, officers of peace, masters of families, for the conformation of youth, and for all his Maiesties most true and faithfull subiects: to the generall auoyding of all contention, and bloud-shedding 210 $aLondon $cPrinted by Thomas Purfoot$dAn. Dom: 1619 215 $a[1+] p 300 $aArms of James I at head of title. 300 $aA fragment; title page only. 300 $aReproduction of original in the British Library. 330 $aeebo-0018 606 $aPeace$vEarly works to 1800 608 $aTitle pages$zEngland$y17th cent. 615 0$aPeace 700 $aMiddleton$b Thomas$fd. 1627.$0132366 701 $aJames$cKing of England,$f1566-1625.$01001019 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bCu-RivES 906 $aBOOK 912 $a996397640603316 996 $aThe peace-maker: or, Great Brittaines blessing$92297673 997 $aUNISA LEADER 02633nam 2200541Ia 450 001 9910821377103321 005 20230721005412.0 010 $a0-8166-5642-8 035 $a(CKB)1000000000723052 035 $a(EBL)433195 035 $a(OCoLC)318220476 035 $a(SSID)ssj0000263520 035 $a(PQKBManifestationID)11256232 035 $a(PQKBTitleCode)TC0000263520 035 $a(PQKBWorkID)10282165 035 $a(PQKB)10684585 035 $a(MiAaPQ)EBC433195 035 $a(MdBmJHUP)muse39977 035 $a(Au-PeEL)EBL433195 035 $a(CaPaEBR)ebr10277729 035 $a(CaONFJC)MIL525831 035 $a(EXLCZ)991000000000723052 100 $a20080319d2008 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 10$aUlrike Ottinger$b[electronic resource] $ethe autobiography of art cinema /$fLaurence A. Rickels 210 $aMinneapolis $cUniversity of Minnesota Press$dc2008 215 $a1 online resource (225 p.) 300 $aDescription based upon print version of record. 311 $a0-8166-5331-3 311 $a0-8166-5330-5 320 $aIncludes bibliographical references (p. 197-207). 327 $aCONTENTS; ACKNOWLEDGMENTS; A NOTE ON THE PHOTOGRAPHS; PREFACE; INTRODUCTION: ART/CINEMA, ART/JOURNALISM; 1. BOUNCING BIO; 2. SATANIC ARTS; 3. BETWEEN MEDIA; 4. HIT AND MISS; 5. OPERATION ART; 6. THE ART OF EVERYDAY LIFE; 7. JOHANNA'S ARK; OR, DOCUMENTARY FILM'S COVENANT WITH ART CINEMA; 8. REAL TIME TRAVEL; 9. I WAS THERE; 10. CURTAINS; 11. MY LAST INTERVIEW WITH ULRIKE OTTINGER; 12. TOTEM TABOO; 13. GOING APE; WORKS CITED 330 $aSince 1974, German filmmaker Ulrike Ottinger has created a substantial body of films that explore a world of difference defined by the tension and transfer between settled and nomadic ways of life. In many of her films, including Exile Shanghai, an experimental documentary about the Jews of Shanghai, and Joan of Arc of Mongolia, in which passengers on the Trans-Siberian Express are abducted by Mongolian bandits, she also probes the encounter with the other, whether exotic or simply unpredictable. In Ulrike Ottinger Laurence A. Rickels offers a series of sensitive and original analyses of Ottin 606 $aMotion picture producers and directors 615 0$aMotion picture producers and directors. 676 $a791.43023/3092 700 $aRickels$b Laurence A$0886893 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910821377103321 996 $aUlrike Ottinger$93985480 997 $aUNINA