LEADER 01526nam 2200337Ia 450 001 996397511503316 005 20221107143349.0 035 $a(CKB)4940000000055946 035 $a(EEBO)2240921009 035 $a(OCoLC)11985529 035 $a(EXLCZ)994940000000055946 100 $a19850501d1644 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 12$aA sacred panegyrick, or, A sermon of thanks-giving, preached to the two Houses of Parliament$b[electronic resource] $eHis Excellency the Earl of Essex, the Lord Major, court of alderman, and common councell of the city of London, the reverend assembly of divines, and commissioners from the Church of Scotland : vpon occasion of their solemn feasting to testifie their thankfullnes to God and union and concord one with another after so many designes to divide them, and thereby ruine the Kingdome, Ianuary 18, 1643 /$fby Stephen Marshall .. 210 $aLondon $cPrinted for Stephen Bowtell ...$d1644 215 $a[4], 34 p 300 $aReproduction of original in Thomason Collection, British Library. 330 $aeebo-0158 606 $aChurch and state$zGreat Britain$vSermons 615 0$aChurch and state 700 $aMarshall$b Stephen$f1594?-1655.$01001459 801 0$bEAA 801 1$bEAA 801 2$bm/c 801 2$bUMI 801 2$bWaOLN 906 $aBOOK 912 $a996397511503316 996 $aA sacred panegyrick, or A sermon of thanks-giving, preached to the two Houses of Parliament$92404001 997 $aUNISA LEADER 03154oam 2200481 450 001 9910795132103321 005 20230803211822.0 010 $a1-84888-328-5 024 7 $a10.1163/9781848883284 035 $a(CKB)4920000000126735 035 $a(OCoLC)1096224829 035 $a(nllekb)BRILL9781848883284 035 $a(MiAaPQ)EBC6481778 035 $a(EXLCZ)994920000000126735 100 $a20210708d2014 uy 0 101 0 $aeng 135 $aurun| uuuua 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $2rdacarrier 200 00$aStaged experiences /$fedited by Arthur Maria Stein, Ana Penjak, and Celia Morgan 210 1$aOxford, United Kingdom :$cInter-Disciplinary Press,$d[2014] 210 4$d©2014 215 $a1 online resource 225 0 $aCritical issues 311 $a90-04-37438-8 320 $aIncludes bibliographical references and index. 327 $tPreliminary Material /$rArthur Maria Steijn , Ana Penjak and Celia Morgan -- $tHypnagogia and Imagination: Scenographic Constructions of Venice /$rLilja Blumenfeld -- $tLanguage in Performance /$rSadia Zoubir-Shaw -- $tScenography as a Means for Youth Education and Creative Interaction in the ?Interactive Opera in Primary Schools? Research Project /$rSofia Pantouvaki -- $tLife and Liveness: Using Film in the Theatre /$rBilha Blum -- $tImagined Spaces: Motion Graphics in Spatial Experience Design /$rArthur Maria Steijn -- $tCostume Narrative: Recognition and Comprehension /$rHilary Baxter -- $tFrom Lucile?s Showroom to Ziegfeld?s Stage: Fashion, Celebrity Culture and Theatrical Spectacle /$rAnne K. Reilly -- $tBrazilian Extravaganza and Social Consequences behind It: Men, Women and Drag Queens /$rFausto Viana -- $tCostume Identity in the Globalised World /$rRosane Muniz -- $tFrom Butoh to Butohs: Produits d?Autres Circonstances (2009) by Xavier Leroy and the Image Processing of a Body Practice /$rCatherine Girardin -- $tHotel Pro Forma: The Demand for Flat Images in a Three-Dimensional Space /$rMaria Carneiro -- $tDrawing the Scene /$rFilipa Malva -- $tDe-Signing for a Dancer/Choreographer?s Visual Literacy /$rHelene Gee Markstein -- $tFrom Scenography to Narrative Environments /$rEkavi-Louise Whitlock-Blundell -- $tSituated Vagrancy /$rBenedict Anderson -- $tFrom Abstraction to Performance: Three Moves through the Visual Traces /$rAdele Anderson -- $tExperience and Perception of the Audience: Momentums of Intimacy within Performance /$rHaya Cohen -- $tImagining Absence: Performance in the Text /$rUlla Kallenbach -- $tHamlet Domesticus: Three Directors? Productions of Hamlet on the Modern Croatian Stage /$rAna Penjak. 606 $aMusic$xPerformance$xHistory 606 $aPerformance practice (Music) 615 0$aMusic$xPerformance$xHistory. 615 0$aPerformance practice (Music) 676 $a786 702 $aStein$b Arthur Maria 702 $aPenjak$b Ana 702 $aMorgan$b Celia 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bUtOrBLW 906 $aBOOK 912 $a9910795132103321 996 $aStaged experiences$93690690 997 $aUNINA