LEADER 02669nam 2200625 a 450 001 9910457269503321 005 20200520144314.0 010 $a0-520-91066-4 010 $a1-282-75863-2 010 $a9786612758638 024 7 $a10.1525/9780520910669 035 $a(CKB)2550000000083019 035 $a(EBL)837333 035 $a(OCoLC)773565105 035 $a(SSID)ssj0000432803 035 $a(PQKBManifestationID)11317634 035 $a(PQKBTitleCode)TC0000432803 035 $a(PQKBWorkID)10376199 035 $a(PQKB)10926477 035 $a(MiAaPQ)EBC837333 035 $a(DE-B1597)518786 035 $a(DE-B1597)9780520910669 035 $a(Au-PeEL)EBL837333 035 $a(CaPaEBR)ebr10676209 035 $a(CaONFJC)MIL275863 035 $a(EXLCZ)992550000000083019 100 $a19871104d1988 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aActing in the cinema$b[electronic resource] /$fJames Naremore 210 $aBerkeley $cUniversity of California Press$dc1988 215 $a1 online resource (318 p.) 300 $aFirst paperback printing 1990. 311 $a0-520-07194-8 311 $a0-520-06228-0 320 $aIncludes bibliographical references (p. 287-293) and index. 327 $apt. 1. Performance in the age of mechanical reproduction -- pt. 2. Star performances -- pt. 3. Film as a performance text. 330 $aIn this richly detailed study, James Naremore focuses on the work of film acting, showing what players contribute to movies. Ranging from the earliest short subjects of Charles Chaplin to the contemporary features of Robert DeNiro, he develops a useful means of analyzing performance in the age of mechanical reproduction; at the same time, he reveals the ideological implications behind various approaches to acting, and suggests ways that behavior on the screen can be linked to the presentation of self in society.Naremore's discussion of such figures as Lillian Gish, Marlene Dietrich, James Cagney, and Cary Grant will interest the specialist and the general reader alike, helping to establish standards and methods for future writing about performers and their craft. 606 $aMotion picture acting 606 $aMotion pictures$zUnited States 608 $aElectronic books. 615 0$aMotion picture acting. 615 0$aMotion pictures 676 $a791.43/028 700 $aNaremore$b James$0456838 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457269503321 996 $aActing in the Cinema$91677906 997 $aUNINA LEADER 01306nam 2200313Ia 450 001 996397454903316 005 20221108090653.0 035 $a(CKB)4940000000063042 035 $a(EEBO)2264219918 035 $a(OCoLC)9922965800971 035 $a(EXLCZ)994940000000063042 100 $a20040304d1618 uy 0 101 0 $aeng 135 $aurbn||||a|bb| 200 12$aA briefe direction to true happinesse$b[electronic resource] $eAbridged out of the larger treatise, for the more conuenient vse of priuate families, and instruction of the yonger sort. /$fBy Sam. Crooke. 210 $aLondon, $cPrinted by Edward Griffin for Nathaniel Butter, and are to be sold at his shop neere S. Austins gate, at the signe of the Pyde-Bull.$d1618. 215 $a[8], 67 p 300 $aAbridgement of STC 6066 "The guide unto true blessednesse."--Cf. STC (2nd ed.). 300 $aSignatures: *?, A-D? E? (last leaf blank?). 300 $aReproduction of original in: Sion College (deposited at Lambeth Palace). 330 $aeebo-0146 700 $aCrook$b Samuel$f1575-1649.$01001160 701 $aCrook$b Samuel$f1575-1649.$01001160 801 0$bEBK 801 1$bEBK 906 $aBOOK 912 $a996397454903316 996 $aA briefe direction to true happinesse$92303197 997 $aUNISA