LEADER 00950nam0-22003371i-450- 001 990000755840403321 005 20001010 035 $a000075584 035 $aFED01000075584 035 $a(Aleph)000075584FED01 035 $a000075584 100 $a20001010d--------km-y0itay50------ba 101 0 $aita 105 $ay-------001yy 200 1 $aBBPR a Milano$fa cura di Antonio Piva 210 $aMilano$cElecta$dc1982 215 $a144 p.$cin gran parte ill. 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Introduction -- $t2. From Cosmos to Chaosmos: Eco and Joyce -- $t3. Semiotics as a Solution: From a Theory of Aesthetics to the Study of Culture -- $t4. The Aesthetics of Reception and the Reflection on the Reader: From the Labyrinth to the Southern Seas -- $t5. Intertextuality: The Middle Ages, Postmodernity, and the Use of Citation -- $t6. A Theory of Medieval Laughter: The Comic, Humour, and Wit -- $t7. The Whodunit and Eco's Postmodern Fiction -- $t8. Baudolino and the Language of Monsters -- $t9. Conclusion -- $tAppendix A -- $tAppendix B -- $tNotes -- $tBibliography -- $tIndex 330 $aWhile Umberto Eco's intellectual itinerary was marked by his early studies of post-Crocean aesthetics and his spectacular concentration on linguistics, information theory, structuralism, semiotics, cognitive science, and media studies, what constitutes the peculiarity of his critical and fiction writing is the tension between a typically medieval search for a code and the hermeneutic representative of deconstructive tendencies. This tension between cosmos and chaos, order and disorder, is reflected in the word chaosmos.In this brilliant assessment of the philosophical basis of Eco's critical and fictional writing, Cristina Farronato explores the other distinctive aspect of Eco's thought ? the struggle for a composition of opposites, the outcome deriving from his ability to elicit similar contrasts from the past and re-play them in modern terms. Focusing principally on how Eco's scholarly background influenced his study of semiotics, Farronato analyzes The Name of the Rose in relation to William of Ockham's epistemology, C.S. Peirce's work on abduction, and Wittgenstein's theory of language. She discusses Foucault's Pendulum as an explicit comment on the modern debate on interpretation through a direct reference to Early Modern hermetic thought, correlates The Island of the Day Before as a postmodern mixture of science and superstition, and reviews Baudolino as an historical/fantastic novel that once again situates the Middle Ages in a postmodern context. Eco's Chaosmos demonstrates how Eco's use of semiotic theory is important for an understanding of the postmodern aspects of today's literature and culture. 410 0$aToronto Italian studies. 606 $aAmerican fiction$y20th century 606 $aGay erotic stories, American 606 $aGay men$xSexual behavior$vFiction 606 $aGay men's writings, American 606 $aLITERARY CRITICISM / European / Italian$2bisacsh 608 $aElectronic books. 615 0$aAmerican fiction 615 0$aGay erotic stories, American. 615 0$aGay men$xSexual behavior 615 0$aGay men's writings, American. 615 7$aLITERARY CRITICISM / European / Italian. 676 $a853/.914 700 $aFarronato$b Cristina$01053323 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456283503321 996 $aEco's chaosmos$92485171 997 $aUNINA LEADER 01579nam 2200373 n 450 001 996396723703316 005 20221108051748.0 035 $a(CKB)4330000000333815 035 $a(EEBO)2240926362 035 $a(UnM)99844462 035 $a(EXLCZ)994330000000333815 100 $a19910827d1603 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 02$aA treatise of the plague$b[electronic resource] $econtaining the nature, signes, and accidents of the same, with the certaine and absolute cure of the feuers, botches and carbuncles that raigne in these times: and aboue all things most singular experiments and preseruatiues in the same, gathered by the obseruation of diuers worthy trauailers, and selected out of the writing of the best learned phisitians in this age. By Thomas Lodge, Doctor in Phisicke 210 $aLondon $cPrinted [by Thomas Creede and Valentine Simmes] for Edward White and N[icholas] L[ing]$d1603 215 $a[88] p 300 $aPrinters' and Ling's names from STC. 300 $aSignatures: A-L?. 300 $aRunning title reads: The causes and cures of the plague. 300 $aThe last leaf is blank. 300 $aReproduction of the original in the British Library. 330 $aeebo-0018 606 $aPlague$vEarly works to 1800 615 0$aPlague 700 $aLodge$b Thomas$f1558?-1625.$0845266 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996396723703316 996 $aA treatise of the plague$92371064 997 $aUNISA