LEADER 03473nam 22006493u 450 001 9910449812003321 005 20210111111126.0 010 $a1-282-07134-3 010 $a0-253-11090-4 035 $a(CKB)1000000000243807 035 $a(EBL)242720 035 $a(OCoLC)475961885 035 $a(SSID)ssj0000099827 035 $a(PQKBManifestationID)11114057 035 $a(PQKBTitleCode)TC0000099827 035 $a(PQKBWorkID)10019950 035 $a(PQKB)11606496 035 $a(MiAaPQ)EBC242720 035 $a(EXLCZ)991000000000243807 100 $a20130418d2004|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAfrican Drama and Performance$b[electronic resource] 210 $aBloomington, IN $cIndiana University Press$d2004 215 $a1 online resource (285 p.) 225 0 $aAfrican expressive cultures African drama and performance 300 $aDescription based upon print version of record. 311 $a0-253-34439-5 327 $aCover; Table of Contents; Acknowledgments; Introduction; 1. King Baabu and the Renaissance Vision; 2. Dimensions of Theatricality in Africa; 3. Theatre and Anthropology, Theatricality and Culture; 4. Pre-Texts and Intermedia: African Theatre and the Question of History; 5. Soyinka, Euripides, and the Anxiety of Empire; 6. Antigone in the "Land of the Incorruptible": Sylvain Bemba's Noces posthumes de Santigone (Black Wedding Candles for Blessed Antigone); 7. Gestural Interpretation of the Occult in the Bin Kadi-SoAdaptation of Macbeth 327 $a15. Modernity's Trickster: "Dipping" and "Throwing" in Congolese Popular Dance Music16. Theatres of Truth, Acts of Reconciliation: The TRC in South Africa; 17. The Turner-Schechner Model of Performance as Social Drama: A Reexamination in Light of Anlo-Ewe Halo?; 18. Theatricality and Social Mimodrama; Bibliography; Contributors; Index 330 $aAfrican Drama and Performance is a collection of innovative and wide-ranging essays that bring conceptually fresh perspectives, from both renowned and emerging voices, to the study of drama, theatre, and performance in Africa. Topics range from studies of major dramatic authors and formal literary dramas to improvisational theatre and popular video films. South Africa's Truth and Reconciliation Commissions are analyzed as a kind of social performance, and aspects of African performance in the diaspora 606 $aTheater - Africa - History - 20th century 606 $aTheater$xHistory$y20th century$zAfrica 606 $aPerforming arts$xHistory$y20th century$zAfrica 606 $aAfrican drama$xHistory and criticism$y20th century 606 $aDrama$2HILCC 606 $aMusic, Dance, Drama & Film$2HILCC 608 $aElectronic books. 615 4$aTheater - Africa - History - 20th century. 615 0$aTheater$xHistory 615 0$aPerforming arts$xHistory 615 0$aAfrican drama$xHistory and criticism 615 7$aDrama 615 7$aMusic, Dance, Drama & Film 676 $a791/.096/0904 700 $aConteh-Morgan$b John$0866782 701 $aOlaniyan$b Tejumola$0853264 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910449812003321 996 $aAfrican Drama and Performance$92225857 997 $aUNINA LEADER 01170nam 2200349Ia 450 001 996396580803316 005 20200818211449.0 035 $a(CKB)4940000000057126 035 $a(EEBO)2240998259 035 $a(OCoLC)ocm12304886e 035 $a(OCoLC)12304886 035 $a(EXLCZ)994940000000057126 100 $a19850725d1670 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aNon-conformity without controversie$b[electronic resource] $efrom Rom. chap. 12, ver. 2 : shewing that it is every Christian's duty to be a nonconformist to this world /$fby Benjamin Baxter, Preacher of the Gospel 210 $aLondon $cPrinted by A.M. for Tho. Parkhurst ...$d1670 215 $a[24], 111 p 300 $aReproduction of original in British Library. 330 $aeebo-0018 606 $aChristian life$vEarly works to 1800 615 0$aChristian life 700 $aBaxter$b Benjamin$cPreacher of the Gospel.$01004385 801 0$bEAA 801 1$bEAA 801 2$bm/c 801 2$bUMI 801 2$bWaOLN 906 $aBOOK 912 $a996396580803316 996 $aNon-conformity without controversie$92339434 997 $aUNISA