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200 14$aThe marrovv of modern divinity$b[electronic resource] $etouching both the covenant of works, and the covenant of grace : with their use and end, both in the time of the Old Testament, and in the time of the New. Wherein every one may clearly see how far forth he bringeth the law into the case of justification, and so deserveth the name of legalist; and how far forth he rejecteth the law in the case of sanctification, and so deserveth the name of antinomist. With the middle path betwixt them both, which by Jesus Christ leadeth to eternall life. In a dialogue betwixt Evangelista, a minister of the Gospel. Nomista, a legalist. Antinomista, an antinomian. And Neophytus, a young Christian. /$fBy E.F
210 $aLondon $cPrinted by R.W. for G. Calvert, at the Black-spread-Eagle neer Pauls$d1645
215 $a[16], 191, [1] p
300 $aE.F. = Edward Fisher.
300 $a"Evangelista .. a young Christian" bracketed together on title page.
300 $aWith initial imprimatur leaf.
300 $aAnnotation on Thomason copy: "June 2d".
300 $aReproduction of the original in the British Library.
330 $aeebo-0018
606 $aAntinomianism$vEarly works to 1800
606 $aJustification (Christian theology)$vEarly works to 1800
606 $aSanctification$xChristianity$vEarly works to 1800
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615 0$aJustification (Christian theology)
615 0$aSanctification$xChristianity
700 $aFisher$b Edward$ffl. 1627-1655.$0804835
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912 $a996396237003316
996 $aThe marrovv of modern divinity$92383836
997 $aUNISA
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181 $ctxt
182 $cc
183 $acr
200 00$aRepresentation, heterodoxy, and aesthetics $eessays in honor of Ronald Paulson /$fedited by Ashley Marshall
210 1$aNewark :$cUniversity of Delaware Press,$d[2015]
210 4$dİ2015
215 $a1 online resource (275 p.)
300 $aDescription based upon print version of record.
311 $a1-322-64349-0
311 $a1-61149-534-2
320 $aIncludes bibliographical references and index.
327 $aTitle Page; List of Illustrations; Paulson's Progress; Literature; Congreve and Swift; Reading Richardson /Richardson Reading; Art; Limits to the Artist's Role as Social Commentator: Zoffany's Condemnation of Hogarth and Gillray; On Edward Pugh and Mourning; G. M. Woodward's Coffee-House Characters; Society; The Problem of Empire: Adam Smith Tries to Draw a Line; Civil and Religious Liberty in Seventeenth-Century England: A Case Study in Secularization; Media and Method; Mixed Media Forever; Ronald Paulson's Heterodox View of Eighteenth-Century Literature and Art
327 $aBibliography of the Works of Ronald PaulsonBibliography; Index; About the Contributors
330 $aThis book is a wide-ranging study of British literature and art from the late seventeenth through the early nineteenth centuries, one that stresses the connections between visual and verbal representation. Key emphases of the book include aesthetics, the aims and motives of individual producers of culture, evolving modes of satire, and the crucial connections between high and low art, the polite and the popular.
606 $aEnglish literature$xHistory and criticism
606 $aArt and literature$zEngland$xHistory
606 $aLiterature$xAesthetics
615 0$aEnglish literature$xHistory and criticism.
615 0$aArt and literature$xHistory.
615 0$aLiterature$xAesthetics.
676 $a820.9/357
676 $a820.9357
702 $aMarshall$b Ashley
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