LEADER 00852nam 2200277Ia 450 001 996396220503316 005 20221108004551.0 035 $a(CKB)4330000000341582 035 $a(EEBO)2240945099 035 $a(OCoLC)11147209 035 $a(EXLCZ)994330000000341582 100 $a19840912d1679 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aMen-miracles$b[electronic resource] $ewith other poems on several subjects /$fby M. Lluellin 210 $aLondon $cPrinted and are to be sold by Peter Parker$d1679 215 $a[12], 112 p 300 $aReproduction of original in the Harvard University Library. 330 $aeebo-0062 700 $aLluelyn$b Martin$f1616-1682.$01004927 801 1$bUMI 801 2$bWaOLN 906 $aBOOK 912 $a996396220503316 996 $aMen-miracles$92341076 997 $aUNISA LEADER 03365nam 2200613 a 450 001 9910971350003321 005 20200520144314.0 010 $a9781496210487 010 $a1496210484 010 $a9780803264892 010 $a0803264895 035 $a(CKB)3170000000060290 035 $a(EBL)1186844 035 $a(SSID)ssj0000872957 035 $a(PQKBManifestationID)12445505 035 $a(PQKBTitleCode)TC0000872957 035 $a(PQKBWorkID)10865931 035 $a(PQKB)11785766 035 $a(MiAaPQ)EBC1186844 035 $a(OCoLC)842881077 035 $a(MdBmJHUP)muse24601 035 $a(Au-PeEL)EBL1186844 035 $a(CaPaEBR)ebr10698736 035 $a(CaONFJC)MIL487198 035 $a(OCoLC)843642835 035 $a(Perlego)4520018 035 $a(EXLCZ)993170000000060290 100 $a20130525d2013 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 00$aDirty words in Deadwood $eliterature and the postwestern /$fedited by Melody Graulich and Nicolas S. Witschi 205 $a1st ed. 210 $aLincoln, Neb. ;$aLondon $cUniversity of Nebraska Press$dc2013 215 $a1 online resource (358 p.) 225 0 $aPostwestern horizons 300 $aDescription based upon print version of record. 311 08$a9780803264748 311 08$a0803264747 320 $aIncludes bibliographical references and index. 327 $aIntroduction: Deadwood's Barbaric Yawp: Sharing a Literary Heritage / Melody Graulich -- Deadwood Episodes -- Deadwood Cast -- David Milch at Yale: An Interview / Nathaniel Lewis -- Last Words in Deadwood / Brian McCuskey -- The Thinking of Al Swearengen's Body: Kidney Stones, Pigpens, and Burkean Catharsis in Deadwood / Tim Steckline -- "Land of Oblivion": Abjection, Broken Bodies, and the Western Narrative in Deadwood / John Dudley -- The Final Stamp: Deadwood and the Gothic American Frontier / Wendy Witherspoon -- "Down These Mean Streets": Film Noir, Deadwood, Cinematic Space, and the Irruption of Genre Codes / Nicolas S. Witschi -- "Right or Wrong, You Side with Your Feelings" / Jennilyn Merten -- "A Brooding and Dangerous Soul": Deadwood's Imperfect Music / David Fenimore -- Calamity Jane and Female Masculinity in Deadwood / Linda Mizejewski -- Queer Spaces and Emotional Couplings in Deadwood / Michael K. Johnson -- Who Put the Gun into the Whore's Hand? Disability in Deadwood / Nicole Tonkovich. 330 $aDirty Words in "Deadwood" showcases literary analyses of the Deadwood television series by leading western American literary critics. Whereas previous reaction to the series has largely addressed the question of historical accuracy rather than intertextuality or literary complexity, Melody Graulich and Nicolas S. Witschi's edited volume brings a much-needed perspective to Deadwood's representation of the frontier West. As Graulich observes in her introduction: "With its emotional coherence, compelling characterizations, compressed structural brilliance, moral 676 $a791.45/72 701 $aGraulich$b Melody$f1951-$0801328 701 $aWitschi$b Nicolas S.$f1966-$01813224 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910971350003321 996 $aDirty words in Deadwood$94366124 997 $aUNINA