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200 14$aThe songs in the new play call'd The impostor defeated; or A trick to cheat the devil$b[electronic resource] $ewith the masque of Cinthia and Endimion in the last act, as it is perform'd at the Theatre Royal in Drury-Lane
210   $aLondon $c[s.n.]$dprinted in the year MDCXCVII. [1697]
215   $a[2], 18 p
300   $aLibretto only.
300   $aReproduction of original in: Cambridge University Library.
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606   $aMasques with music$vEarly works to 1800
615  0$aMasques with music
700   $aPowell$b George$f1658?-1714.$01003167
701   $aMotteux$b Peter Anthony$f1660-1718.$0809461
712 02$aTheatre Royal, Drury Lane (London England).
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200 10$aArt Markets and Digital Histories /$fSandra Van Ginhoven, Claartje Rasterhoff
210  1$aBasel :$cMDPI - Multidisciplinary Digital Publishing Institute,$d2020.
215   $a1 online resource (156 pages)
311   $a3-03921-970-7 
330   $aThis Special Issue of Arts investigates the use of digital methods in the study of art markets and their histories. As historical and contemporary data is rapidly becoming more available, and digital technologies are becoming integral to research in the humanities and social sciences, we sought to bring together contributions that reflect on the different strategies that art market scholars employ to navigate and negotiate digital techniques and resources. The essays in this issue cover a wide range of topics and research questions. Taken together, the essays offer a reflection on what takes to research art markets, which includes addressing difficult topics such as the nature of the research questions and the data available to us, and the conceptual aspects of art markets, in order to define and operationalize variables and to interpret visual and statistical patterns for scholarship. In our view, this discussion is enriched when also taking into account how to use shared or interoperable ontologies and vocabularies to define concepts and relationships that facilitate the use and exchange of linked (open) data for cultural heritage and historical research.
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606   $aInfluence (Literary, artistic, etc.)
615  0$aArts$xHistory.
615  0$aInfluence (Literary, artistic, etc.)
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702   $aClaartje Rasterhoff
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