LEADER 00691nam0-22002651i-450- 001 990007665510403321 035 $a000766551 035 $aFED01000766551 035 $a(Aleph)000766551FED01 035 $a000766551 100 $a20021010d--------km-y0itay50------ba 101 0 $aita 200 1 $a<>Cassation en matiere civile$fJacques Bore 210 $aParis$cSirey$d1980. 215 $a1159 p.$d24 cm 676 $a347 700 1$aBoré,$bJacques$0406739 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990007665510403321 952 $a19-F-47$b2796$fDDCP 959 $aDDCP 996 $aCassation en matiere civile$9680523 997 $aUNINA DB $aGEN01 LEADER 01929nam 2200373 n 450 001 996395800103316 005 20200824121417.0 035 $a(CKB)3810000000011460 035 $a(EEBO)2248518228 035 $a(UnM)ocm99884229e 035 $a(UnM)99884229 035 $a(EXLCZ)993810000000011460 100 $a19941213d1690 uy 101 0 $aeng 135 $aurbn||||a|bb| 200 12$aA collection of curious pictures, viz. paintings and limnings, by the best masters$b[electronic resource] $eWith many other curiosities, and artificial rarities. Will be sold by auction, for the diversion and entertainment of the gentlemen, ladies, &c. at Tunbridge-Wells, at the Auction Coffee-House, by the lower walks, near the Wells, on Monday the 4th of this instant August, 1690. The sale beginning in the morning at eight, and continues till twelve in the forenoon (except prayer time.)$fBy Edward Millington 210 $a[London] $cCatalogues of the paintings and limnings, &c. are given to all gentlemen, ladies, &c. at Mr. Pett's, Mr. Brett's, Mr. Westley's, apothecaries, at Mr. Samuel Rose's shop, over against the musick on the walks, at Mr. Thompson's Tavern near the walks, and at the above mentioned Auction Coffee-House the place of sale$d1690 215 $a[2], 10 p 300 $aPlace of publication from Wing. 300 $aReproduction of original in the British Library. 330 $aeebo-0018 606 $aArt auctions$zEngland$zLondon$vEarly works to 1800 606 $aArt$zEngland$xCatalogs$vEarly works to 1800 615 0$aArt auctions 615 0$aArt$xCatalogs 700 $aMillington$b Edward$fd. 1703.$0793661 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bCu-RivES 906 $aBOOK 912 $a996395800103316 996 $aA collection of curious pictures, viz. paintings and limnings, by the best masters$92375684 997 $aUNISA LEADER 03404nam 2200673 a 450 001 9910962779403321 005 20240912162224.0 010 $a979-88-908841-1-4 010 $a979-88-9313-369-1 010 $a1-4696-0585-6 010 $a0-8078-9419-2 035 $a(CKB)1000000000787215 035 $a(EBL)454838 035 $a(OCoLC)435630828 035 $a(SSID)ssj0000214615 035 $a(PQKBManifestationID)11204382 035 $a(PQKBTitleCode)TC0000214615 035 $a(PQKBWorkID)10157669 035 $a(PQKB)10229718 035 $a(StDuBDS)EDZ0000245731 035 $a(MdBmJHUP)muse23534 035 $a(Au-PeEL)EBL454838 035 $a(CaPaEBR)ebr10313964 035 $a(Perlego)538211 035 $a(MiAaPQ)EBC454838 035 $a(EXLCZ)991000000000787215 100 $a20081024d2009 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aOn location in Cuba $estreet filmaking [sic] during times of transition /$fAnn Marie Stock 205 $a1st ed. 210 $aChapel Hill $cUniversity of North Carolina Press$dc2009 215 $a1 online resource (369 p.) 225 1 $aEnvisioning Cuba 300 $aDescription based upon print version of record. 311 08$a0-8078-5940-0 311 08$a0-8078-3269-3 320 $aIncludes bibliographical references (p. [317]-327) and index. 327 $aIntroduction: screening an island nation in transition -- Documenting tumultuous times: new culture organizations proffer alternatives -- Establishing community media in the mountains: Television Serrana strengthens highland identity -- Balancing tradition and innovation: the National Animation Studio negotiates the global marketplace -- Opening new roads: Juan Carlos Cremata Malberti redefines revolutionary filmmaking -- Promoting popular genres: Pavel Giroud revises conceptions of Cuban cinema -- Filming in the margins: Esteban Insausti explores life and art amidst chaos -- Making space for new interventions: a montage from the national exhibit of new filmmakers -- Epilogue: reflections on Cuba, filmmaking, and the times ahead. 330 $aThe 1990's were a time of dramatic transformation for Cuba. With the collapse of its Cold War relationship with the Soviet Union, the island nation plummeted into an era of scarcity and uncertainty known as the Special Period, a time from which it emerged only slowly in the new century. On Location in Cuba views these pivotal decades through the lens of cinema. Ann Marie Stock conducted hundreds of interviews and conversations in Cuba to examine individual artists' lives and creative output--including film, video, and audiovisual art. She explores the impact of the Cold War's end, the ec 410 0$aEnvisioning Cuba. 606 $aMotion pictures$zCuba$xHistory$y20th century 606 $aMotion pictures$zCuba$xHistory$y21st century 606 $aMotion pictures$xStudy and teaching (Graduate)$zCuba 615 0$aMotion pictures$xHistory 615 0$aMotion pictures$xHistory 615 0$aMotion pictures$xStudy and teaching (Graduate) 676 $a791.43097291/090511 700 $aStock$b Ann Marie$01627175 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910962779403321 996 $aOn location in Cuba$94406557 997 $aUNINA