LEADER 02813nam 22005893u 450 001 9910455602603321 005 20210114014811.0 010 $a0-520-93635-3 010 $a1-59734-573-3 035 $a(CKB)111087027178650 035 $a(EBL)222985 035 $a(OCoLC)475926835 035 $a(SSID)ssj0000134844 035 $a(PQKBManifestationID)11162621 035 $a(PQKBTitleCode)TC0000134844 035 $a(PQKBWorkID)10055383 035 $a(PQKB)11742179 035 $a(MiAaPQ)EBC222985 035 $a(EXLCZ)99111087027178650 100 $a20130418d2002|||| u|| | 101 0 $aeng 181 $ctxt 182 $cc 183 $acr 200 14$aThe Dark Mirror$b[electronic resource] $eGerman Cinema between Hitler and Hollywood 210 $aBerkeley $cUniversity of California Press$d2002 215 $a1 online resource (339 p.) 300 $aDescription based upon print version of record. 311 $a0-520-23310-7 327 $aIllustrations; Acknowledgments; Introduction: The Dark Mirror; 1 Sounds of Silence Nazi Cinema and the Quest for a National Culture Industry; 2 Incorporating the Underground Curtis Bernhardt's The Tunnel; 3 Engendering Mass Culture: Zarah Leander and the Economy of Desire; 4 Siegfried Rides Again: Nazi Westerns and Modernity; 5 Wagner at Warner's: German Sounds and Hollywood Studio Visions; 6 Berlin Noir: Robert Siodmak's Hollywood; 7 Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism; 8 Isolde Resurrected: Curtis Bernhardt's Interrupted Melody 327 $aEpilogue: "Talking about Germany" Notes; Index 330 $aLutz Koepnick analyzes the complicated relationship between two cinemas--Hollywood's and Nazi Germany's--in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930's until the mid 1950's, showing how Nazi filmmakers appropriated Hollywood conventions and how German film exiles reworked German cultural material in their efforts to find a working base in the Hollywood studio system. 606 $aGermans 606 $aGermans - California - Los Angeles 606 $aMotion picture producers and directors 606 $aMotion pictures 606 $aMotion pictures-- Germany-- History 608 $aElectronic books. 615 $aGermans. 615 $aGermans - California - Los Angeles. 615 $aMotion picture producers and directors. 615 $aMotion pictures. 615 $aMotion pictures-- Germany-- History. 676 $a791.43/0943 700 $aKoepnick$b Lutz P$0942074 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910455602603321 996 $aThe Dark Mirror$92125624 997 $aUNINA LEADER 01757nam 2200385 n 450 001 996395300703316 005 20221108072833.0 035 $a(CKB)4330000000321620 035 $a(EEBO)2240878746 035 $a(UnM)99829524 035 $a(UnM)9927950800971 035 $a(EXLCZ)994330000000321620 100 $a19950609d1700 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 12$aA full account from Ireland, of the maid at Dublin$b[electronic resource] $emiraculously struck by the hand of heaven, and burning by a supernatural fire; in which deplorable condition she still continues: with her penitent behaviour and discourses since the recovery of her speech. And other remarkable passages relating to this stupendous judgement. As communicated in a letter received by the last post, Jan. 14. from Mr. Mount her master, living in Christ-Church-Yard in Dublin. As also several historical instances in the like kind; published for a warning for all to avoid such prophane execrations. With allowance 210 $a[London] $cPrinted for P. Brooksby, and sold by R. Kell, at the Blew-Anchor, in Pye-corner$d[1700?] 215 $a[2], 14 p 300 $aPlace and date of publication from Wing. 300 $aReproduction of the original in the British Library. 330 $aeebo-0018 606 $aJudgement of God$vEarly works to 1800 606 $aSwearing$vEarly works to 1800 615 0$aJudgement of God 615 0$aSwearing 700 $aMount$cMr.$01001426 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bUk-ES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996395300703316 996 $aA full account from Ireland, of the maid at Dublin$92298420 997 $aUNISA