LEADER 03257nam 22006132 450 001 9910457074703321 005 20151002020706.0 010 $a0-7486-7113-7 010 $a1-280-76243-8 010 $a9786610762439 010 $a0-7486-2909-2 035 $a(CKB)1000000000351194 035 $a(EBL)286991 035 $a(OCoLC)476039623 035 $a(SSID)ssj0000101989 035 $a(PQKBManifestationID)11128006 035 $a(PQKBTitleCode)TC0000101989 035 $a(PQKBWorkID)10048517 035 $a(PQKB)10168904 035 $a(UkCbUP)CR9780748629091 035 $a(StDuBDS)EDZ0000092648 035 $a(MiAaPQ)EBC286991 035 $a(Au-PeEL)EBL286991 035 $a(CaPaEBR)ebr10435241 035 $a(CaONFJC)MIL76243 035 $a(OCoLC)122335915 035 $a(EXLCZ)991000000000351194 100 $a20130327d2007|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe American counterculture /$fChristopher Gair$b[electronic resource] 210 1$aEdinburgh :$cEdinburgh University Press,$d2007. 215 $a1 online resource (234 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 02 Oct 2015). 311 $a0-7486-1988-7 311 $a0-7486-1989-5 320 $aIncludes bibliographical references and index. 327 $aPart One: 1945-1960. Fiction -- Music -- Painting -- Film -- Part Two: 1961-1972. Fiction -- Music -- Painting -- Film. 330 $aThe American counterculture played a major role during a pivotal moment in American history. Post-War prosperity combined with the social and political repression characteristic of middle-class life to produce both widespread civil disobedience and artistic creativity in the Baby Boomer generation. This introduction explores the relationship between the counterculture and American popular culture. It looks at the ways in which Hollywood and corporate record labels commodified and adapted countercultural texts, and the extent to which countercultural artists and their texts were appropriated. It offers an interdisciplinary account of the economic and social reasons for the emergence of the counterculture, and an appraisal of the key literary, musical, political and visual texts which were seen to challenge dominant ideologies. Key Features: *examines the ways in which texts were seen to be countercultural *assesses the extent to which they represented real opposition to cultural orthodoxies *scrutinises the notion of the counterculture *examines the limits to and achievements of the counterculture *places key countercultural figures and texts in context of the shifting wider social and political climate of the United States *uses case studies to illuminate the text. 606 $aCounterculture$zUnited States 606 $aPopular culture$zUnited States 615 0$aCounterculture 615 0$aPopular culture 676 $a306.1 700 $aGair$b Christopher$f1961-$0599983 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910457074703321 996 $aAmerican counterculture$91022194 997 $aUNINA LEADER 01669nam 2200421Ia 450 001 996394846203316 005 20200824132755.0 035 $a(CKB)3810000000006630 035 $a(EEBO)2248545248 035 $a(OCoLC)ocm12900706e 035 $a(OCoLC)12900706 035 $a(EXLCZ)993810000000006630 100 $a19851212d1687 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 14$aThe assurance of abby and other church-lands in England to the possessors, cleared from the doubts and arguments raised about the danger of resumption$b[electronic resource] $ein answer to a letter of a person of quality /$fby Nathaniel Johnston .. 210 $aLondon $cPrinted by Henry Hills, and are to be sold at his printing-house ...$d1687 215 $a[8], 206, [1] p 300 $a"Publisht by His Majesty's command" 300 $aThe "person of quality" is Sir William Coventry. Cf. DNB. 300 $aErrata on p. [1] at end. 300 $aReproduction of original in Union Theological Seminary Library, New York. 300 $aMarginal notes. 330 $aeebo-0160 606 $aChurch lands$zEngland 606 $aSecularization$zEngland 615 0$aChurch lands 615 0$aSecularization 700 $aJohnston$b Nathaniel$f1627-1705.$0848126 701 $aCoventry$b William$cSir,$f1628?-1686.$01006960 801 0$bEAA 801 1$bEAA 801 2$bm/c 801 2$bWaOLN 906 $aBOOK 912 $a996394846203316 996 $aThe assurance of abby and other church-lands in England to the possessors, cleared from the doubts and arguments raised about the danger of resumption$92405213 997 $aUNISA