LEADER 01833nam 2200421Ia 450 001 996393994703316 005 20200824121719.0 035 $a(CKB)4940000000115326 035 $a(EEBO)2240900557 035 $a(UnM)99898392e 035 $a(UnM)99898392 035 $a(EXLCZ)994940000000115326 100 $a19990323d1610 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aAnglo-latinus nomenclator Gręcorum primitiuorum. E. Ioan. Scapulę lexico desumptorum. Or The English-Latin nomenclator of Greeke primitiue words$b[electronic resource] $eWhich beeing the first part of grammer, is to be learned of schollers as vvell as the other precepts of etymologie or syntaxis. Compiled by Simon Sturteuant 210 $aLondini $cex officina Samuelis Macham$danno Dom. 1610 215 $a[16], 120 p 300 $aAnother edition, with cancel title page, of STC 23408.2 300 $areproduction of the original in the Bodleian Library, Oxford, England. 330 $aeebo-0014 606 $aEnglish language$xGrammar$vEarly works to 1800 606 $aGreek language$xGrammar$vEarly works to 1800 606 $aGreek language$vGlossaries, vocabularies, etc$vEarly works to 1800 606 $aLatin language$xGrammar$vEarly works to 1800 615 0$aEnglish language$xGrammar 615 0$aGreek language$xGrammar 615 0$aGreek language 615 0$aLatin language$xGrammar 700 $aSturtevant$b Simon$01001639 701 $aScapula$b Johann$fca. 1540-ca. 1600.$01001640 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bWaOLN 906 $aBOOK 912 $a996393994703316 996 $aAnglo-latinus nomenclator Gręcorum primitiuorum. E. Ioan. Scapulę lexico desumptorum. Or The English-Latin nomenclator of Greeke primitiue words$92364942 997 $aUNISA LEADER 04831nam 2201081 450 001 9910789038903321 005 20211012010328.0 010 $a0-520-95770-9 024 7 $a10.1525/9780520957701 035 $a(CKB)3710000000086416 035 $a(EBL)1618634 035 $a(SSID)ssj0001107908 035 $a(PQKBManifestationID)11717320 035 $a(PQKBTitleCode)TC0001107908 035 $a(PQKBWorkID)11102236 035 $a(PQKB)11756238 035 $a(StDuBDS)EDZ0000229920 035 $a(MiAaPQ)EBC1618634 035 $a(OCoLC)870226359 035 $a(MdBmJHUP)muse32359 035 $a(DE-B1597)520979 035 $a(DE-B1597)9780520957701 035 $a(Au-PeEL)EBL1618634 035 $a(CaPaEBR)ebr10835411 035 $a(CaONFJC)MIL572966 035 $a(dli)HEB32619 035 $a(MiU) MIU01100000000000000000244 035 $a(EXLCZ)993710000000086416 100 $a20140211h20142014 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aArnold Schoenberg's a survivor from Warsaw in postwar Europe /$fJoy H. Calico 210 1$aBerkeley, California :$cUniversity of California Press,$d2014. 210 4$d©2014 215 $a1 online resource (273 p.) 225 1 $aCalifornia Studies in 20th-Century Music 300 $aDescription based upon print version of record. 311 0 $a0-520-28186-1 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tAcknowledgments --$tAbbreviations and Acronyms --$tIntroduction --$tWest Germany: Retrenchment versus A Survivor from Warsaw --$tAustria: Homecoming via A Survivor from Warsaw --$tNorway: Performing Remembrance with A Survivor from Warsaw --$tEast Germany: Antifascism and A Survivor from Warsaw --$tPoland: Cultural Diplomacy through A Survivor from Warsaw --$tCzechoslovakia: A Survivor as A Survivor from Warsaw --$tAfterword --$tNotes --$tBibliography --$tIndex 330 $aJoy H. Calico examines the cultural history of postwar Europe through the lens of the performance and reception of Arnold Schoenberg's A Survivor from Warsaw-a short but powerful work, she argues, capable of irritating every exposed nerve in postwar Europe. Schoenberg, a Jewish composer whose oeuvre had been one of the Nazis' prime exemplars of entartete (degenerate) music, immigrated to the United States and became an American citizen. Both admired and reviled as a pioneer of dodecaphony, he wrote this twelve-tone piece about the Holocaust in three languages for an American audience. This book investigates the meanings attached to the work as it circulated through Europe during the early Cold War in a kind of symbolic musical remigration, focusing on six case studies: West Germany, Austria, Norway, East Germany, Poland, and Czechoslovakia. Each case is unique, informed by individual geopolitical concerns, but this analysis also reveals common themes in anxieties about musical modernism, Holocaust memory and culpability, the coexistence of Jews and former Nazis, anti-Semitism, dislocation, and the presence of occupying forces on both sides of the Cold War divide. 410 0$aCalifornia studies in 20th-century music ;$v17. 606 $aMUSIC / Genres & Styles / Classical$2bisacsh 610 $a20th century world history. 610 $aa survivor in warsaw. 610 $aanti semitism. 610 $aarnold schoenberg. 610 $aaustria. 610 $aaustrian composer. 610 $acantata. 610 $achromatic scale. 610 $acold war. 610 $acomposer. 610 $acultural history. 610 $aczechoslovakia. 610 $adeath camps. 610 $adeath. 610 $adegenerate music. 610 $adodecaphony. 610 $aeast germany. 610 $ageopolitical concerns. 610 $ageopolitics. 610 $aholocaust victims. 610 $aholocaust. 610 $ajewish composer. 610 $alens of performance. 610 $amass death. 610 $amemory. 610 $amusic. 610 $amusical modernism. 610 $anazi. 610 $anorway. 610 $apoland. 610 $apostwar europe. 610 $areception studies. 610 $asecond world war. 610 $atwelve tone technique. 610 $awest germany. 610 $aworld history. 615 7$aMUSIC / Genres & Styles / Classical. 676 $a784.2/2 686 $aMUS006000$aHIS010000$aMUS020000$2bisacsh 700 $aCalico$b Joy H.$f1965-$01576537 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789038903321 996 $aArnold Schoenberg's a survivor from Warsaw in postwar Europe$93854394 997 $aUNINA