LEADER 01261nam 2200349 n 450 001 996385717503316 005 20200824120544.0 035 $a(CKB)1000000000604203 035 $a(EEBO)2240901160 035 $a(UnM)99833838e 035 $a(UnM)99833838 035 $a(EXLCZ)991000000000604203 100 $a19960221d1681 uy | 101 0 $afre 135 $aurbn||||a|bb| 200 10$aHarangue au Roy: fait par un ministre de l'Eglise Francoise de la Savoye, le 19. d'Octobre, 1681$b[electronic resource] $eImprime?e par l'expres commandemant de sa Majeste? 210 $aA Londres $c[s.n.]$d1681 215 $a8 p. 300 $aUn ministre del l'Eglise Franciose de la Savoye = AndreĢ Lombard. 300 $aReproduction of the original in the Bodleian Library. 330 $aeebo-0014 606 $aProtestants$zEngland$vEarly works to 1800 607 $aSavoy (France and Italy)$xHistory$vEarly works to 1800 615 0$aProtestants 700 $aLombard$b Andre?$078300 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bWaOLN 906 $aBOOK 912 $a996385717503316 996 $aHarangue au Roy: fait par un ministre de l'Eglise Francoise de la Savoye, le 19. d'Octobre, 1681$92412381 997 $aUNISA LEADER 01361nam 2200349Ia 450 001 996393838803316 005 20221107143757.0 035 $a(CKB)3450000000100273 035 $a(EEBO)2240914848 035 $a(OCoLC)9920486400971 035 $a(EXLCZ)993450000000100273 100 $a19950918d1605 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aBy the King$b[electronic resource] $ea proclamation to redresse the mis-imployment of lands, goods, and other things giuen for charitable vses 210 $aImprinted at London $cBy Robert Barker, Printer to the Kings most Excellent Maiestie$dAnno Dom. 1605 215 $a2 leaves 300 $a"Giuen at his Maiesties Castle of Rockingham the xi. of August 1605. in the third yeere of his Maiesties Reigne of Great Britaine, France and Ireland." 300 $aImprint from colophon. 300 $aReproduction of original in: Society of Antiquaries. 330 $aeebo-0147 606 $aCharitable uses, trusts, and foundations$zGreat Britain 607 $aGreat Britain$xHistory$yJames I, 1603-1625 615 0$aCharitable uses, trusts, and foundations 701 $aJames$cKing of England,$f1566-1625.$01001019 801 0$bEBK 801 1$bEBK 801 2$bWaOLN 906 $aBOOK 912 $a996393838803316 996 $aBy the King$92299281 997 $aUNISA LEADER 07153nam 2200637 450 001 9910806263403321 005 20201023111955.0 010 $a1-4742-8386-1 010 $a1-4742-8384-5 010 $a1-4742-8385-3 024 7 $a10.5040/9781474283861 035 $a(CKB)4340000000212084 035 $a(MiAaPQ)EBC4913729 035 $a(MiAaPQ)EBC6164815 035 $a(OCoLC)1201426217 035 $a(CaBNVSL)mat74283861 035 $a(CaBNVSL)9781474283861 035 $a(EXLCZ)994340000000212084 100 $a20201023d2020 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aApplied practice $eevidence and impact in theatre, music and art /$fedited by Matthew Reason and Nick Rowe 205 $aFirst edition 2017. 210 1$aLondon, England :$cBloomsbury Publishing,$d2020. 210 2$aLondon, England :$cBloomsbury Publishing,$d2020 215 $a1 online resource (325 pages) $cillustrations 225 1 $aApplied theatre 300 $aBased on a conference held at York St John University, UK, in 2014. 311 $a1-350-10193-1 311 $a1-4742-8383-7 320 $aIncludes bibliographical references. 327 $aAcknowledgements -- Introduction: Evidence, A Rope Comprising of Several Cords -- Matthew Reason and Nick Rowe -- PART 1 ? FRAMING REFLECTION ON EVIDENCE AND IMPACT IN PARTICIPATORY ARTS - Matthew Reason and Nick Rowe -- Chapter 1: Purpose, Outcomes and Obliquity: To Plan or Not to Plan - Matthew Reason and Nick Rowe -- Chapter 2: Evidence, Knowledge and Persuasion in Arts Impact Research ? Matthew Reason -- Chapter 3: Intrinsic and Instrumental Impacts in Participatory Art ? Matthew Reason -- Chapter 4: Participatory Research in the Participatory Arts - Matthew Reason and Nick Rowe -- PART 2 ? RESEARCHING PARTICIPATORY ARTS: ANALYTICAL PERSPECTIVES -- Introduction - Matthew Reason and Nick Rowe -- Chapter 5: On the Need for Diversity of Methods in Researching Arts and Health Practice - Stephen Clift, Sidney De Haan Research Centre for Arts and Health, UK -- Chapter 6: Do you see what I see? Art, Science and Evidence in Autism Research - Nicola Shaughnessy, University of Kent, UK -- Chapter 7: Wrestling with Beauty: Putting the Aesthetic into Arts Evaluation - Katya Johanson and Hilary Glow, Deakin University, Australia -- Chapter 8: Capturing the Intangible: Exploring Creative Risk-taking through Collaborative and Creative Methods - Elanor Stannage, York St John University, UK -- Chapter 9: Besieged by Inappropriate Criteria: Arts Organisations Developing Grounded Evaluation Approaches - Anni Raw and Mary Robson, Durham University, UK -- Chapter 10: The Performance of Prison Theatre Practices: Questions of Evidence - Caoimhe McAvinchey, Queen Mary University of London, UK -- Chapter 11: Researching applied arts through ethnographic performance: Perspectives from African contexts - Kennedy C. Chinyowa, Tshwane University of Technology, South Africa -- Chapter 12: Thou Art, I am: Discovery and Recovery in the Art Making Process - Olivia Sagan, Bishop Grosseteste University, UK -- PART 3 ? RESEARCHING PARTICIPATORY ARTS: PRACTICE-ORIENTATED CASE STUDIES -- Introduction - Matthew Reason and Nick Rowe. 327 $aChapter 13: Dear Younger Me: Writing, Songwriting and Choral Singing While Incarcerated as a Means to Bridge Communities and Build Identities - Mary L. Cohen and Perry Miller, University of Iowa, USA -- Chapter 14: Exploring the Perceived Benefits of Shared Musical Experience -- - Chris Bates and Liz Mellor, Leeds College of Music and York St John University, UK -- Chapter 15: The Wisdom of Crowds: Applied Theatre, Social Media and Data Visualisation ? Paul Sutton, applied theatre company C&T, UK -- Chapter 16: A Community Based Theatre Arts Program for Adults with Disabilities: Evidence through Research, Observation and Individual Transformation - Natalie Russo, Melissa Luke, Luis Columna and Elizabethe Ingram, Syracuse University, USA -- Chapter 17: Bespoke Practices: A Practitioner's Perspective on Documenting And Evaluating the Experiences of Artists with Disabilities - Jennifer Gilbert, UK -- Chapter 18: 'There's no pill for that': A Practitioner's Perspective on the Evidence Imperative in the Arts and Mental Health - Linda Boyles, Arts and Mind, UK -- Chapter 19: Embracing Indeterminacy in Participatory Storytelling in a Mental Health Context ? Catherine Heinemeyer, International Centre for Arts and Narrative (ICAN), UK -- Chapter 20: Art Know No Boundaries: Cross Cultural Bridge Building through Transnational Arts Project - Matthew Hahn with Lungile Dlamini & Marius Botha, UK and South Africa -- Chapter 21: Foot in Mouth, Mouth in Trough: Doing Good, Evaluation and other Megalomania - Scott Rankin, Big hART, Australia -- Afterword: Confidence in Art as EvidenceEndnotes ? Ross W. Prior, University of Wolverhampton, UK -- Bibliography -- Notes on Contributors -- Index. 330 $a"Applied Practice: Evidence and Impact in Theatre, Music and Art engages with a diversity of contexts, locations and arts forms ? including theatre, music and fine art ? and brings together theoretical, political and practice-based perspectives on the question of 'evidence' in relation to participatory arts practice in social contexts. This collection is a unique contribution to the field, focusing on one of the vital concerns for a growing and developing set of arts and research practices. It asks us to consider evidence not only in terms of methodology but also in the light of the ideological, political and pragmatic implications of that methodology. In Part One, Matthew Reason and Nick Rowe reflect on evidence and impact in the participatory arts in relation to recurring conceptual and methodological motifs. These include issues of purpose and obliquity; the relationship between evidence and knowledge; intrinsic and instrumental impacts, and the value of participatory research. Part Two explores the diversity of perspectives, contexts and methodologies in examining what it is possible to know, say and evidence about the often complex and intimate impact of participatory arts. Part Three brings together case studies in which practitioners and practice-based researchers consider the frustrations, opportunities and successes they face in addressing the challenge to produce evidence for the impact of their practice."--$cProvided by publisher. 410 0$aApplied theatre (Series) 606 $aQualitative research$vCongresses 606 $aArts and society$vCongresses 606 $aPerforming arts$xSocial aspects$vCongresses 606 $aTheatre studies$2bicssc 615 0$aQualitative research 615 0$aArts and society 615 0$aPerforming arts$xSocial aspects 615 7$aTheatre studies 676 $a700 702 $aRowe$b Nick$f1954- 702 $aReason$b Matthew$f1975- 801 0$bBLOOM 801 1$bCaBNVSL 801 2$bCaBNVSL 906 $aBOOK 912 $a9910806263403321 996 $aApplied practice$94043303 997 $aUNINA