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Occasioning a sudden glance upon the true resurrection, present perfection, and perfect obedience. /$fWritten in a letter to a friend, by Henry Pinnel 210 $aLondon, $cPrinted by J.C. for Richard Moone, at the seven Stars in Paul's Church-yard, neer the great Norrh-door [sic]$d1655 [i.e. 1654] 215 $a[6], 50 p 300 $aThomason received his copy 31 December 1654. 300 $aAnnotations on Thomason copy: "December 31"; the second 5 in imprint date crossed out and replaced with a 4. 300 $aReproduction of the original in the British Library. 330 $aeebo-0018 606 $aGreat Britain$xHistory$yCommonwealth and Protectorate, 1649-1660$vEarly works to 1800 615 0$aGreat Britain$xHistory 700 $aPinnell$b Henry$01000881 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bUk-ES 801 2$bCStRLIN 801 2$bCU-RivES 801 2$bWaOLN 906 $aBOOK 912 $a996392865503316 996 $aNil novi$92344226 997 $aUNISA LEADER 01047nam a22002891i 4500 001 991003993899707536 005 20030930082950.0 008 031111s1981 sp |||||||||||||||||spa 020 $a8420620467 035 $ab12503885-39ule_inst 035 $aARCHE-053715$9ExL 040 $aDip.to Lingue$bita$cA.t.i. 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Pandora Sicilia s.r.l. 082 04$a946.07 100 1 $aArtola, Miguel$0148562 245 13$aLa burguesía revolucionaria :$b1808-1874 /$cMiguel Artola 250 $a8. ed. 260 $aMadrid :$bAlianza,$c1981 300 $a433 p. ;$c24 cm 440 0$aHistoria de España Alfaguara / dirigida por Miguel Artola ;$v5 440 0$aAlianza universidad 651 4$aSpagna$xStoria$ySec. 19. 907 $a.b12503885$b02-04-14$c13-11-03 912 $a991003993899707536 945 $aLE012 REF 946.07 ART$g1$i2012000242654$lle012$o-$pE0.00$q-$rn$so $t0$u0$v0$w0$x0$y.i12940884$z13-11-03 996 $aBurguesía revolucionaria$9182606 997 $aUNISALENTO 998 $ale012$b13-11-03$cm$da $e-$fspa$gsp $h3$i1 LEADER 04946nam 22008172 450 001 9910784422603321 005 20231025204713.0 010 $a0-511-19289-4 010 $a1-139-16457-0 010 $a1-316-08542-2 010 $a1-280-47763-6 010 $a0-511-19502-8 010 $a0-511-19568-0 010 $a0-511-19359-9 010 $a0-511-31407-8 010 $a0-511-19433-1 024 7 $a2027/heb07584 035 $a(CKB)1000000000353995 035 $a(EBL)259859 035 $a(OCoLC)171138709 035 $a(SSID)ssj0000106272 035 $a(PQKBManifestationID)11128653 035 $a(PQKBTitleCode)TC0000106272 035 $a(PQKBWorkID)10106661 035 $a(PQKB)10518246 035 $a(UkCbUP)CR9781139164573 035 $a(Au-PeEL)EBL259859 035 $a(CaPaEBR)ebr10130448 035 $a(CaONFJC)MIL47763 035 $a(OCoLC)935232573 035 $a(EbpS)27RY 035 $a(MiAaPQ)EBC259859 035 $a(dli)HEB07584 035 $a(MiU)MIU01000000000000007428602 035 $a(EXLCZ)991000000000353995 100 $a20111007d2004|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAs you like it /$fedited by Cynthia Marshall$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2004. 215 $a1 online resource (xxii, 262 pages) $cdigital, PDF file(s) 225 1 $aShakespeare in production 300 $aTitle from publisher's bibliographic system (viewed on 26 Aug 2019). 311 $a0-521-78649-5 311 $a0-521-78137-X 320 $aIncludes bibliographical references (p. 247-256) and index. 327 $aSERIES EDITORS' PREFACE; ACKNOWLEDGEMENTS; ABBREVIATIONS; PRODUCTIONS; INTRODUCTION; Peculiarities of the play as a performance piece; Seventeenth century; Charles Johnson's 'Love in a Forest'; Eighteenth century: romping actresses and the struggle for decorum; Dora Jordan: 'spirit of enjoyment'; Into the nineteenth century: opera, spectacle, and a new Rosalind; Kemble's revisions; Macready's restorations; Helena Faucit: Rosalind 'ethereally embodied'; Charles Kean and the growth of pictorial staging 327 $aCharlotte Cushman: a Tiresian Ganymede Samuel Phelps and the conventional Jaques; Victorian excesses; Scenic illusionism: Hare-Kendal's stage grass and Sullivan's stuffed stag; Moral entertainment; The feminine ideal; Other Rosalinds; Augustin Daly's triumph; Turn of the century: transition to a freer Arden; Oscar Asche's greenhouse; Nigel Playfair's break with scenic illusionism; Open-air Arden; The play settles in; Early film versions; Foreign productions; Vanessa Redgrave: 'a Rosalind to remember'; Clifford Williams: sexless love; Experiments in the 1960's and 1970's; BBC television 327 $aPeter Stein's journey to Arden Adrian Noble and gender-bending in the 1980's; Christine Edzard's dystopic Arden; Cheek by Jowl; Shakespeare's Globe; LIST OF CHARACTERS; AS YOU LIKE IT; ACT 1, SCENE 1; ACT 1, SCENE 2; ACT 1, SCENE 3; ACT 2; ACT 3, SCENE 1; ACT 3, SCENE 2; ACT 3, SCENE 3; ACT 3, SCENE 4; ACT 3, SCENE 5; ACT 3, SCENE 6; ACT 4, SCENE 1; ACT 4, SCENE 2; ACT 4, SCENE 3; ACT 5, SCENE 1; ACT 5, SCENE 2; ACT 5, SCENE 3; ACT 5, SCENE 4; [EPILOGUE]; BIBLIOGRAPHY; INDEX 330 $aAs You Like It has sometimes seemed a subversive play that exposes the instability of gender roles and traditional values. In other eras it has been prized - or derided - as a reliable celebration of conventional social mores. The play's ability to encompass these extremes tells an interesting story about changing cultural and theatrical practices. This edition provides a detailed history of the play in production, both on stage and on screen. The introduction examines how changing conceptions of gender roles have affected the portrayal of Rosalind, one of Shakespeare's greatest comic heroines. The striking differences between the British tradition and the freer treatment the play has received abroad are discussed, as well as the politics of court versus country. The commentary, printed alongside the New Cambridge Shakespeare edition of the text, draws on primary sources to illuminate how costuming, stage business, design, and directorial choices have shaped the play in performance. 410 0$aShakespeare in production. 606 $aFathers and daughters$vDrama 606 $aExiles$vDrama 606 $aComedy 608 $aPastoral drama.$2gsafd 608 $aComedies.$2gsafd 615 0$aFathers and daughters 615 0$aExiles 615 0$aComedy. 676 $a822.3/3 700 $aShakespeare$b William$f1564-1616,$0132200 702 $aMarshall$b Cynthia$f1953-2005, 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910784422603321 996 $aAs you like it$928617 997 $aUNINA