LEADER 02355nam 2200373 n 450 001 996392851403316 005 20200824121836.0 035 $a(CKB)4940000000112461 035 $a(EEBO)2264190676 035 $a(UnM)99872107e 035 $a(UnM)99872107 035 $a(EXLCZ)994940000000112461 100 $a19830315d1648 uh | 101 0 $aeng 135 $aurbn||||a|bb| 200 12$aA gracious ansvver from the King for a treaty with the Parliament at Newport in the Isle of Wight.bAnd His Majesties desires or conditions for entring into the said treaty. Also, the heads of severall letters intercepted comming out, of Scotland, and commission given for raising of money for the Scots in the kingdome of England. With an exact relation of advance and motion of the Scots army, and the encounters between them and the forces commanded by Major Generall Lambert, and Lieut. Gen. Cromwell$b[electronic resource] 210 $aLondon $cPrinted by B.A.$danno Dom. 1648 215 $a[2], 6 p 300 $aA news report of 1 August 1648, chiefly about the Scots, contains a summary only of negotiations between the King and Parliament. 300 $aAnnotation on Thomason copy: "Aug: 14". 300 $aReproductions of the originals in the Harvard University Library (Early English books), and the British Library (Thomason Tracts). 330 $aeebo-0158 607 $aGreat Britain$xHistory$yCivil War, 1642-1649$vPamphlets 607 $aGreat Britain$xHistory$yCivil War, 1642-1649$vEarly works to 1800 607 $aGreat Britain$xForeign relations$zScotland$vEarly works to 1800 701 $aCharles$cKing of England,$f1600-1649.$0793295 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996392851403316 996 $aA gracious ansvver from the King for a treaty with the Parliament at Newport in the Isle of Wight.bAnd His Majesties desires or conditions for entring into the said treaty. Also, the heads of severall letters intercepted comming out, of Scotland, and commission given for raising of money for the Scots in the kingdome of England. With an exact relation of advance and motion of the Scots army, and the encounters between them and the forces commanded by Major Generall Lambert, and Lieut. Gen. Cromwell$92344241 997 $aUNISA LEADER 05452nam 2200637 450 001 9910823259703321 005 20211014032418.0 010 $a3-03821-657-7 010 $a3-03821-260-1 024 7 $a10.1515/9783038212607 035 $a(CKB)3460000000133024 035 $a(EBL)1480475 035 $a(OCoLC)890071003 035 $a(MiAaPQ)EBC1480475 035 $a(DE-B1597)246729 035 $a(OCoLC)979635088 035 $a(DE-B1597)9783038212607 035 $a(Au-PeEL)EBL1480475 035 $a(CaPaEBR)ebr11006249 035 $a(CaONFJC)MIL808893 035 $a(PPN)257940081 035 $a(EXLCZ)993460000000133024 100 $a20141115h20142014 uy| 0 101 0 $aeng 135 $aurnn#---|u||u 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aAdrian Frutiger - typefaces $ethe complete works /$fHeidrun Osterer, Philipp Stamm ; edited by the Swiss Foundation Type and Typography 205 $aSecond, revised & extended edition. 210 1$aBasel :$cBirkhauser,$d[2014] 210 4$d©2014 215 $a1 online resource (464 p.) 300 $aTranslated from the German. 300 $aPrevious edition: 2009. 311 0 $a3-03821-526-0 320 $aIncludes bibliographical references, filmography and index. 327 $tFront matter --$tContent --$tAdrian Frutiger - The standard-setter /$rWeidemann, Kurt --$tA typeface is a tool /$rFrutiger, Adrian --$tIntroduction. How we made this book --$tIntroduction. How to use this book --$tAdrian Frutiger's teachers and mentors --$tPRÉSIDENT --$tDelta --$tPHOEBUS --$tElement-Grotesk --$tFederduktus --$tONDINE --$tMÉRIDIEN --$tCaractères Lumitype --$tUNIVERS --$tEGYPTIENNE F --$tOPÉRA --$tALPHABET ORLY --$tAPOLLO --$tAlphabet Entreprise Francis Bouygues --$tCONCORDE --$tSerifen-Grotesk / Gespannte Grotesk --$tALPHABET ALGOL --$tSERIFA --$tOCR-B --$tUNIVERS --$tALPHABET EDF-GDF --$tKatalog --$tDEVANAGARI / TAMIL --$tALPHA BP --$tDOCUMENTA --$tALPHABET FACOM --$tALPHABET ROISSY --$tALPHABET BRANCHER --$tIRIDIUM --$tALPHABET MÉTRO --$tALPHABET CENTRE POMPIDOU --$tFRUTIGER --$tGLYPHA --$tICONE --$tBREUGHEL --$tDolmen --$tTIEMANN --$tVERSAILLES --$tLINOTYPE CENTENNIAL --$tAVENIR --$tWESTSIDE --$tVECTORA --$tLINOTYPE DIDOT --$tHERCULANUM --$tSHISEIDO --$tFRUTIGER CAPITALIS --$tPOMEIJANA --$tRUSTICANA --$tFRUTIGER STONES --$tFRUTIGER NEONSCRIPT --$tNAMI --$tSynopsis --$tNotes --$tLists --$tThe authors --$tOur thanks --$tCredits --$tBackmatter 330 $aDas internationale Schriftschaffen nach 1950 wurde maßgeblich geprägt vom Schweizer Adrian Frutiger. Sein Schriftprogramm Univers und die zum ISO-Standard erklärte, maschinenlesbare Schrift OCR-B sind ebenso Meilensteine wie die zur Frutiger weiterentwickelte Schrift der Pariser Flughäfen - ein Qualitätsstandard für Signalisationsschriften. Mit den Corporate Types prägte er Firmenauftritte wie den der japanischen Kosmetiklinie Shiseido. Insgesamt entstanden rund 50 Schriften, darunter Ondine, Méridien, Avenir und Vectora.Auf Gesprächen mit Frutiger basierend sowie auf umfangreichen Recherchen in Frankreich, England, Deutschland und der Schweiz, zeichnet die Publikation den gestalterischen Werdegang des Schriftkünstlers exakt nach. Es werden alle Schriften - vom Entwurf bis zur Vermarktung - abgebildet sowie mit Bezug zu Technik und zu artverwandten Schriften analysiert. Bisher unveröffentlichte, nicht realisierte Schriften sowie über 100 Logos vervollständigen das Bild. Mit dieser zweiten Auflage, einer korrigierten und durch einen Index erweiterten Studienausgabe, lässt sich Frutigers Werk noch besser erschliessen. 330 $aThe international creation of typefaces after 1950 was decisively influenced by the Swiss type designer Adrian Frutiger. His Univers typeface and the machine-readable font OCR-B, which was adopted as an ISO standard, are milestones, as is his type for the Paris airports, which set new standards for signage types and evolved into the Frutiger typeface. With his corporate types, he helped to define the public profiles of companies such as the Japanese Shiseido line of cosmetics. In all he created some fifty types, including Ondine, Méridien, Avenir, and Vectora. Based on conversations with Frutiger himself and on extensive research in France, England, Germany, and Switzerland, this publication provides a highly detailed and accurate account of the type designer's artistic development. All of his types - from the design phase to the marketing stage - are illustrated and analyzed with reference to the technology and related types. Hitherto unpublished types that were never realized and more than one hundred logos complete the picture. This second, revised and expanded study edition, which now has an index, makes Frutiger's achievement even more accessible. 606 $aType and type-founding 606 $aType and type-founding$xHistory$y20th century 615 0$aType and type-founding. 615 0$aType and type-founding$xHistory 676 $a686.224092 700 $aOsterer$b Heidrun$f1966-$01219584 701 2$aFrutiger$b Adrian$f1928-$0689582 702 $aStamm$b Philipp 712 02$aSchweizerische Stiftung Schrift und Typographie, 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910823259703321 996 $aAdrian Frutiger - typefaces$94108046 997 $aUNINA