LEADER 03199nam 22005892 450 001 9910493157203321 005 20151005020621.0 010 $a1-139-69849-4 010 $a1-139-86149-2 010 $a1-139-86491-2 010 $a1-139-87062-9 010 $a1-139-03382-4 010 $a1-139-86575-7 010 $a1-139-86276-6 035 $a(CKB)4330000000000454 035 $a(MiAaPQ)EBC1650925 035 $a(UkCbUP)CR9781139033824 035 $a(EXLCZ)994330000000000454 100 $a20110225d2012|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPicturing reform in Victorian Britain /$fJanice Carlisle$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2012. 215 $a1 online resource (xii, 272 pages) $cdigital, PDF file(s) 225 1 $aCambridge studies in nineteenth-century literature and culture ;$v79 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-86836-X 311 $a1-107-47975-4 327 $aIntroduction -- 1. Art as politics : lines in theory and practice -- 2. Pictures on display -- 3. Redrawing the franchise in the 1860s : lines around the Constitution -- 4. Within the pale -- Conclusion. 330 $aHow did Victorians, as creators and viewers of images, visualize the politics of franchise reform? This study of Victorian art and parliamentary politics, specifically in the 1840s and 1860s, answers that question by viewing the First and Second Reform Acts from the perspectives offered by Ruskin's political theories of art and Bagehot's visual theory of politics. Combining subjects and approaches characteristic of art history, political history, literary criticism and cultural critique, Picturing Reform in Victorian Britain treats both paintings and wood engravings, particularly those published in Punch and the Illustrated London News. Carlisle analyzes unlikely pairings - a novel by Trollope and a painting by Hayter, an engraving after Leech and a high-society portrait by Landseer - to argue that such conjunctions marked both everyday life in Victorian Britain and the nature of its visual politics as it was manifested in the myriad heterogeneous and often incongruous images of illustrated journalism. 410 0$aCambridge studies in nineteenth-century literature and culture ;$v79. 606 $aSuffrage in art 606 $aPainting, Victorian$zGreat Britain 606 $aMagazine illustration$zGreat Britain$y19th century 606 $aArt$xPolitical aspects$zGreat Britain$xHistory$y19th century 606 $aArt and society$zGreat Britain$xHistory$y19th century 615 0$aSuffrage in art. 615 0$aPainting, Victorian 615 0$aMagazine illustration 615 0$aArt$xPolitical aspects$xHistory 615 0$aArt and society$xHistory 676 $a704.9/49941081 700 $aCarlisle$b Janice$0166671 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910493157203321 996 $aPicturing reform in Victorian Britain$92451956 997 $aUNINA LEADER 01371nam 2200337 n 450 001 996392296903316 005 20221108033756.0 035 $a(CKB)4940000000107626 035 $a(EEBO)2240938904 035 $a(UnM)99861969 035 $a(EXLCZ)994940000000107626 100 $a19920811d1647 uh | 101 0 $aeng 135 $aurbn||||a|bb| 200 10$a22 April, 1647. Remedies for removing some obstructions in church-government$b[electronic resource] $eOrdered by the Commons assembled in Parliament, that these remedies for removing some obstructions in church-government, be forthwith printed and published: H: Elsynge, Cler. Parl. D. Com 210 $aLondon, $cPrinted for Edward Husband, printer to the Honorable House of Commons$dApril 30. 1647 215 $a8 p 300 $a"Resolutions of the House of Commons"--Thomason Catalogue. 300 $aReproduction of the original in the British Library. 330 $aeebo-0018 606 $aChurch polity$vEarly works to 1800 607 $aGreat Britain$xChurch history$y17th century$vEarly works to 1800 615 0$aChurch polity 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996392296903316 996 $a22 April, 1647. Remedies for removing some obstructions in church-government$92362612 997 $aUNISA