LEADER 04913nam 2200649Ia 450 001 9910462102303321 005 20200520144314.0 010 $a1-283-90335-0 010 $a90-272-7252-2 035 $a(CKB)2670000000240327 035 $a(EBL)1009441 035 $a(OCoLC)811491031 035 $a(SSID)ssj0000706111 035 $a(PQKBManifestationID)11478865 035 $a(PQKBTitleCode)TC0000706111 035 $a(PQKBWorkID)10629752 035 $a(PQKB)10094010 035 $a(MiAaPQ)EBC1009441 035 $a(Au-PeEL)EBL1009441 035 $a(CaPaEBR)ebr10595298 035 $a(CaONFJC)MIL421585 035 $a(EXLCZ)992670000000240327 100 $a19921113d1992 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aTelling stories$b[electronic resource] $estudies in honour of Ulrich Broich on the occasion of his 60th birthday /$fedited by Elmar Lehmann and Bernd Lenz 210 $aAmsterdam ;$aPhiladelphia $cB.R. Grn?er$d1992 215 $a1 online resource (345 p.) 300 $aDescription based upon print version of record. 311 $a90-6032-334-3 320 $aIncludes bibliographical references and index. 327 $aTELLING STORIES STUDIES IN HONOUR OF ULRICH BROICH ON THE OCCASION OF HIS 60TH BIRTHDAY; Title page; Copyright page; TABULA GRATULATORIA; Table of contents; PREFACE; CHAUCER'S SLOW-MOTION CAMERA - AND WHAT IT DOES TO THEFABLIAU; ""MAN'S DISTINCTIVE MARK"":PARADOXICAL DISTINCTIONS BETWEEN MAN AND HIS BESTIAL OTHERIN EARLY MODERN TEXTS; I; II; III; IV; V; AUTHORITY AND REPRESENTATION IN THE PRE-SHAKESPEAREANPROLOGUE; THE RISE OF A NEW LITERARY GENRE: THOMAS DELONEY'S BOURGEOIS NOVEL JACK OF NEWBURY; I; II; III; IV; V; VI; LOVESTORIES. ANTONY AND CLEOPATRA PLAYS OF THE 16TH AND 17TH CENTURIES; I 327 $aIIIII; ""IREPEAT AND REPEAT."" REPETITION AS STRUCTURE IN DEFOE'S ROBINSON CRUSOE; UNDERMINING PUBLIC OPINION. THE FUNCTION OF NARRATIVE IN FIELDING'S TOM JONES; I; II; III; IV; V; FALLING AND THE FALL IN STERNE'S TRISTRAM SHANDY; PREACHERS AND PREACHING. EMOTIONALISM IN EIGHTEENTH-CENTURY HOMILETICS ANDHOMILIES; I. Theoretical reflections on emotionalism in sermons; II. The place of the emotions in eighteenth-century homiletics; III. The appeal to the emotions in Methodist sermons; IV. Emotionalism, reason, and sentimentalism 327 $aPHILOSOPHERS AS STORY-TELLERS. DIFFICULTIES OF THE ENLIGHTENMENT WITH MORALITYI; II; III; IV; V; VI; VII; VIII; OF ANTS AND ALIENS: WELLS'S THE WAR OF THE WORLDS AS MENIPPEAN SATIRE; I. Monsters in the sand-pit: A fin-de-sie?cle scenario; II. Menippean chiasmus: Insect-men versus human insects; III. Acknowledging the tradition; IV. ""That horrible privilege of sight"": The protagonist as voyeur; HISTORY AS ROMANCE, TRAGEDY AND FARCE. NARRATIVE VERSIONS OF THE ANGLO-BOER WAR; I; II; III; IV; V; COMMON TRAITS OF CHAUCER'S AND JOYCE'S NARRATIVE ART 327 $aCAN STORIES BE READ AS MUSIC?POSSIBILITIES AND LIMITATIONS OF APPLYINGMUSICAL METAPHORS TO FICTIONI. The problem of a ""musicalization of fiction""; II. Towards defining 'musicalization'; III. When does it make sense to speak of a 'musicalized fiction'? - Some criteria; IV. Sterne's Tristram Shandy - a 'musical novel'?; V. Possibilities and limitations of applying musical metaphors: The Sirens episodeof Ulysses I; VI. Functions of a musicalization of Gction: The Sirens episode of Ulysses II; VII. Conclusion; HOW BORIS PIL'NIAK CAME TO KNOW ""THE WAY"" - JAPANESE -""STORIESARE CREATED""* 327 $aAUSTRIAN AUDENI; II; III; TOTALITARIANISM: A NEW STORY? AN OLD STORY?; I; II; III; IV; V; A FURTHER CASE OF THE 'DETECTIVE NOVEL UNBOUND'. THORNTON WILDER'S THE EIGHTH DAY AND THE MYSTERY NOVEL; I; II; III; IV; V; VI; VII; THE AUTHORIAL MIND AND THE QUESTION OF GENDER; I; II; III; ULRICH BROICH- LIST OF PUBLICATIONS; I. Books; II. Articles; III.Editor; IV. Reviews 330 $aThe contributions in this volume are all related to one of Ulrich Broich's main fields of research and teaching, the way stories are told in the various literary genres. The papers range from Chaucer to 20th-century literature; they discuss poems, prologues, plays and novels, French philosophers and English sermons, the Anglo-Boer War and totalitarianism. 606 $aEnglish literature$xHistory and criticism 606 $aNarration (Rhetoric) 608 $aElectronic books. 615 0$aEnglish literature$xHistory and criticism. 615 0$aNarration (Rhetoric) 676 $a820.9/23 676 $a820.923 701 $aBroich$b Ulrich$0545240 701 $aLehmann$b Elmar$0926970 701 $aLenz$b Bernd$cDr. phil. habil.$0926971 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462102303321 996 $aTelling stories$92082524 997 $aUNINA LEADER 01611nam 2200373 n 450 001 996392286903316 005 20221107215309.0 035 $a(CKB)1000000000680164 035 $a(EEBO)2240926339 035 $a(UnM)99845687 035 $a(EXLCZ)991000000000680164 100 $a19911004d1597 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aCanzonets. Or Little short songs to foure voyces: celected out of the best and approued Italian authors. By Thomas Morley, Gent. of her Maiesties chappell. Cantus [-Altus, -Tenor, -Bassus]$b[electronic resource] 210 $aImprinted at London $cBy Peter Short, dwelling on Bredstreet hill at the signe of the Star & are there to be sold$d1597 215 $a[96] p. $cmusic 300 $aFour partbooks, each with separate dated title page and register. 300 $aSignatures: [A]⁴ B-C⁴; [A]⁴ B-C⁴; [A]⁴ B-C⁴; [A]⁴ B-C⁴. 300 $aReproduction of the original in the Henry E. Huntington Library and Art Gallery. 330 $aeebo-0113 606 $aSongs, Italian$vEarly works to 1800 606 $aPart-songs$vEarly works to 1800 615 0$aSongs, Italian 615 0$aPart-songs 701 $aMorley$b Thomas$f1557-1603?$01005064 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996392286903316 996 $aCanzonets. Or Little short songs to foure voyces: celected out of the best and approued Italian authors. By Thomas Morley, Gent. of her Maiesties chappell. Cantus$92347091 997 $aUNISA