LEADER 02038nam 2200445 n 450 001 996392097003316 005 20211029194836.0 035 $a(CKB)4940000000104010 035 $a(EEBO)2240878448 035 $a(UnM)99849295e 035 $a(UnM)99849295 035 $a(EXLCZ)994940000000104010 100 $a19920130d1586 uy | 101 0 $aeng 135 $aurbn#|||a|bb| 200 00$aTrue and Christian friendshippe$b[electronic resource] $eWith all the braunches, members, parts, and circumstances thereof, Godly and learnedly described. Written first in Latine by that excellent and learned man, Lambertus Danĉus, and now turned into English. Together also with a right excellent inuectiue of the same author, against the wicked exercise of diceplay, and other prophane gaming 210 $aImprinted at London $c[By G. Robinson] for Abraham Veale, dwelling in Paules Church-yard at the signe of the Lambe$d1586 215 $a[120] p 300 $aA translation by Thomas Newton of: Daneau, L. "Tractatus de amicitia Christiana" and also his "Brieve remonstrance sur les jeux de sort ou de hazard, et principalement de dez et de cartes" which was first published in Latin as "De ludo aleae". 300 $aPrinter's name from STC. 300 $a"A treatise touching dyceplay and prophane gaming" has separate dated title page; register is continuous. 300 $aSignatures: A-G H?. 300 $aReproduction of the original in the British Library. 330 $aeebo-0018 606 $aEthics$vEarly works to 1800 606 $aDice$vEarly works to 1800 606 $aGambling$vEarly works to 1800 615 0$aEthics 615 0$aDice 615 0$aGambling 700 $aDaneau$b Lambert$fapproximately 1530-1595.$0743561 701 $aNewton$b Thomas$f1542?-1607.$01001761 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996392097003316 996 $aTrue and Christian friendshippe$92426964 997 $aUNISA LEADER 04260nam 2200853 450 001 9910779075503321 005 20230120051944.0 010 $a1-4426-9653-2 010 $a1-4426-9652-4 024 7 $a10.3138/9781442696525 035 $a(CKB)2550000000085304 035 $a(OCoLC)776812432 035 $a(CaPaEBR)ebrary10512815 035 $a(SSID)ssj0000647566 035 $a(PQKBManifestationID)11370607 035 $a(PQKBTitleCode)TC0000647566 035 $a(PQKBWorkID)10593468 035 $a(PQKB)10473098 035 $a(CEL)438870 035 $a(CaBNVSL)slc00228141 035 $a(DE-B1597)479405 035 $a(OCoLC)979579640 035 $a(DE-B1597)9781442696525 035 $a(Au-PeEL)EBL4672886 035 $a(CaPaEBR)ebr11258537 035 $a(OCoLC)958581584 035 $a(MiAaPQ)EBC4672886 035 $a(OCoLC)1100673242 035 $a(MdBmJHUP)musev2_105787 035 $a(MiAaPQ)EBC3277489 035 $a(EXLCZ)992550000000085304 100 $a20160916h20112011 uy 0 101 0 $aeng 135 $aurcn||||||a|| 181 $ctxt 182 $cc 183 $acr 200 10$aSeeing things $efrom Shakespeare to Pixar /$fAlan Ackerman 210 1$aToronto, [Canada] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2011. 210 4$dİ2011 215 $a1 online resource (180 p.) 311 $a1-4426-1210-X 311 $a1-4426-4364-1 320 $aIncludes bibliographical references and index. 327 $a1 A Spirit of Giving in A Midsummer Night 's Dream -- 2 Visualizing Hamlet's Ghost: The Theatrical Spirit of Modern Subjectivity -- 3 Samuel Beckett's spectres du noir: The Being of Painting and The Flatness of Film -- 4 The Spirit of Toys: Resurrection, Redemption, and Consumption in Toy Story, Toy Story 2, and Beyond. 330 $a"A technological revolution has changed the way we see things. The storytelling media employed by Pixar Animation Studios, Samuel Beckett, and William Shakespeare differ greatly, yet these creators share a collective fascination with the nebulous boundary between material objects and our imaginative selves. How do the acts of seeing and believing remain linked? Alan Ackerman charts the dynamic history of interactions between showing and knowing in Seeing Things, a richly interdisciplinary study which illuminates changing modes of perception and modern representational media. Seeing Things demonstrates that the airy nothings of A Midsummer Night's Dream, the Ghost in Hamlet, and soulless bodies in Beckett's media experiments, alongside Toy Story's digitally animated toys, all serve to illustrate the modern problem of visualizing, as Hamlet put it, 'that within which passes show.' Ackerman carefully analyses such ghostly appearances and disappearances across cultural forms and contexts from the early modern period to the present, investigating the tension between our distrust of shadows and our abiding desire to believe in invisible realities. Seeing Things provides a fresh and surprising cultural history through theatrical, verbal, pictorial, and cinematic representations."--Pub. desc. 606 $aVisual perception 606 $aVisualization in literature 606 $aImagination in literature 606 $aImagery (Psychology) in literature 606 $aImagery (Psychology) in motion pictures 606 $aPhilosophy in literature 606 $aPhilosophy in motion pictures 606 $aVisual perception in literature 606 $aVisual communication 608 $aElectronic books. 615 0$aVisual perception. 615 0$aVisualization in literature. 615 0$aImagination in literature. 615 0$aImagery (Psychology) in literature. 615 0$aImagery (Psychology) in motion pictures. 615 0$aPhilosophy in literature. 615 0$aPhilosophy in motion pictures. 615 0$aVisual perception in literature. 615 0$aVisual communication. 676 $a700.105 700 $aAckerman$b Alan L$g(Alan Louis),$0910594 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910779075503321 996 $aSeeing things$93811839 997 $aUNINA