LEADER 01586nam 2200397Ia 450 001 996391295203316 005 20200824121154.0 035 $a(CKB)1000000000666984 035 $a(EEBO)2240924720 035 $a(UnM)99896559e 035 $a(UnM)99896559 035 $a(EXLCZ)991000000000666984 100 $a19981112d1689 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aWhite 1689$b[electronic resource] $eA new almanack for the year of our Lord God 1689. and the year from the worlds creation, 5638. being the first from the bissextile, or leap-year. Calculated for the meridian of Todington in Bedfordshire, where the North Pole is elevated above the horizon 52. degrees and 8. minutes; and may serve for all parts of England, without any sensible error. By Tho. White. Cum privilegio 210 $aLondon $cprinted by Bernard White, for the Company of Stationers$d1689 215 $a[40] p. $cill., map 300 $aQuire A printed in red and black. 300 $aSignatures: A-B C⁴. 300 $aReproduction of original in the Folger Shakespeare Library. 330 $aeebo-0055 606 $aAlmanacs, English$vEarly works to 1800 606 $aEphemerides$vEarly works to 1800 606 $aAstrology$vEarly works to 1800 615 0$aAlmanacs, English 615 0$aEphemerides 615 0$aAstrology 700 $aWhite$b Thomas$ffl. 1677-1700.$01001319 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bWaOLN 906 $aBOOK 912 $a996391295203316 996 $aWhite 1689$92372917 997 $aUNISA LEADER 04591nam 22006012 450 001 9911008461603321 005 20151002020706.0 010 $a1-281-77063-9 010 $a9786611770631 010 $a1-57113-661-4 024 7 $a10.1515/9781571136619 035 $a(CKB)1000000000536406 035 $a(EBL)3003571 035 $a(OCoLC)923577817 035 $a(SSID)ssj0000193185 035 $a(PQKBManifestationID)11167628 035 $a(PQKBTitleCode)TC0000193185 035 $a(PQKBWorkID)10218916 035 $a(PQKB)10037087 035 $a(UkCbUP)CR9781571136619 035 $a(MiAaPQ)EBC3003571 035 $a(DE-B1597)676653 035 $a(DE-B1597)9781571136619 035 $a(EXLCZ)991000000000536406 100 $a20120822d2005|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe literature of Weimar classicism /$fedited by Simon Richter 210 1$aSuffolk :$cBoydell & Brewer,$d2005. 215 $a1 online resource (xii, 407 pages) $cdigital, PDF file(s) 225 1 $aThe Camden House history of German literature ;$vv. 7 300 $aTitle from publisher's bibliographic system (viewed on 02 Oct 2015). 311 08$a1-57113-249-X 320 $aIncludes bibliographical references (p. [369]-398) and index. 327 $tWhat is classicism? /$rDieter Borchmeyer --$tAntiquity and Weimar classicism /$rCharles A. Grair --$tThe correspondences' noncorrespondence : Goethe, Schiller and the Briefwechsel /$rGail Hart --$tJohann Gottfried Herder: the Weimar classic back of the (city) church /$rThomas P. Saine --$tDrama and theatrical practice in Weimar classicism /$rJane K. Brown --$tGerman classical poetry /$rCyrus Hamlin --$tThe novel in Weimar classicism: symbolic form and symbolic pregnance /$rR.H. Stephenson --$tGerman women writers and classicism /$rElisabeth Krimmer --$tWeimar classicism as visual culture /$rHelmut Pfotenhauer --$tThe irrelevance of aesthetics and the de-theorizing of the self in "classical" Weimar /$rBenjamin Bennett --$tGoethe's "classical" science /$rAstrida Orle Tantillo --$tThe political context of Weimar classicism /$rW. Daniel Wilson. 330 $aIn Germany, Weimar Classicism (roughly the period from Goethe's return to Germany from Italy in 1788 to the death of his friend and collaborator Schiller in 1805) is widely regarded as an apogee of literary art. But outside of Germany, Goethe is considered a Romantic, and the notion of Weimar Classicism as a distinct period is viewed with skepticism. This volume of new essays regards the question of literary period as a red herring: Weimar Classicism is best understood as a project that involved the ambitious attempt not only to imagine but also to achieve a new quality of wholeness in human life and culture at a time when fragmentation, division, and alienation appeared to be the norm. By not succumbing to the myth of Weimar and its literary giants, but being willing to explore the phenomenon as a complex cultural system with a unique signature, this book provides an account of its shaping beliefs, preoccupations, motifs, and values. Contributions from leading German, British, and North American scholars open up multiple interdisciplinary perspectives on the period. Essays on the novel, poetry, drama, and theater are joined by accounts of politics, philosophy, visual culture, women writers, and science. The reader is introduced to the full panoply of cultural life in Weimar, its accomplishments as well as its excesses and follies. Emancipatory and doctrinaire by turns, the project of Weimar Classicism is best approached as a complex whole. Contributors: Dieter Borchmeyer, Charles Grair, Gail Hart, Thomas Saine, Jane Brown, Cyrus Hamlin, Roger Stephenson, Elisabeth Krimmer, Helmut Pfotenhauer, Benjamin Bennett, Astrida Orle Tantillo, W. Daniel Wilson. Simon J. Richter is associate professor of German at the University of Pennsylvania. 410 0$aCamden House history of German literature ;$vv. 7. 606 $aGerman literature$y18th century$xHistory and criticism 606 $aClassicism$zGermany$zWeimar (Thuringia)$xHistory$y18th century 615 0$aGerman literature$xHistory and criticism. 615 0$aClassicism$xHistory 676 $a830.9/145 686 $aGE 4001$qBSZ$2rvk 702 $aRichter$b Simon 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9911008461603321 996 $aThe literature of Weimar classicism$94429704 997 $aUNINA