LEADER 01536nam 2200337 n 450 001 996391015003316 005 20221107215359.0 035 $a(CKB)4940000000103604 035 $a(EEBO)2240919799 035 $a(UnM)99847730 035 $a(EXLCZ)994940000000103604 100 $a19911211d1568 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 02$aA detection of sundrie foule errours, lies, sclaunders, corruptions, and other false dealinges, touching doctrine, and other matters$b[electronic resource] $evttered and practized by M.Iewel, in a booke lately by him set foorth entituled, a defence of the apologie. &c. By Thomas Harding doctor of diuinitie 210 $aLovanii $cApud Ioannem Foulerum$dAnno 1568 215 $a[24], 417, [7] leaves 300 $aA reply to John Jewel's "A defence of the Apologie of the Churche of Englande" (STC 14600). Answered in Jewel's 1570 expansion of that work (STC 14601). 300 $aAt foot of title page: Cum privilegio. 300 $aIncludes at end "a table of M. Iewels notorious lies" and an index. 300 $aReproduction of the original in the Bodleian Library. 330 $aeebo-0014 700 $aHarding$b Thomas$f1516-1572.$01004688 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996391015003316 996 $aA detection of sundrie foule errours, lies, sclaunders, corruptions, and other false dealinges, touching doctrine, and other matters$92391423 997 $aUNISA LEADER 02901nam 2200637 450 001 9910825913803321 005 20200520144314.0 010 $a0-8131-9199-8 010 $a0-8131-4980-0 035 $a(CKB)3710000000333867 035 $a(EBL)1914986 035 $a(SSID)ssj0001402019 035 $a(PQKBManifestationID)12528481 035 $a(PQKBTitleCode)TC0001402019 035 $a(PQKBWorkID)11357684 035 $a(PQKB)10217995 035 $a(OCoLC)933516001 035 $a(MdBmJHUP)muse43775 035 $a(Au-PeEL)EBL1914986 035 $a(CaPaEBR)ebr11011630 035 $a(CaONFJC)MIL690729 035 $a(OCoLC)900344360 035 $a(MiAaPQ)EBC1914986 035 $a(EXLCZ)993710000000333867 100 $a20150206h20081999 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFrom Mae to Madonna $ewomen entertainers in twentieth-century America /$fJune Sochen 205 $aPaperback edition. 210 1$aLexington, Kentucky :$cThe University Press of Kentucky,$d2008. 210 4$dİ1999 215 $a1 online resource (251 p.) 300 $aDescription based upon print version of record. 311 $a1-322-59447-3 311 $a0-8131-2112-4 320 $aIncludes bibliographical references and index. 327 $aCover; Title; Copyright; Contents; List of Illustrations; Preface; Introduction; 1 Black Women Vaudevillians; 2 Bawdy Women Entertainers; 3 Entertainer as Reformer; 4 Women Movie Stars as Role Models; 5 Child Stars; 6 Minority Women in Popular Culture; 7 Women Comics; 8 Change within Continuity; Epilogue: Where Are We Now?; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z 330 $aEntertainers were the first group of successful women to capture the public eye, taking to the stage in vaudeville and film and redefining their place in society. June Sochen introduces the white, African American, and Latina women who danced on Broadway, fell on bananas in silent films, and wisecracked in smoky clubs, as well as the modern icons of today's movies and popular music. Sochen considers such women as Mae West, Bette Davis, Shirley Temple, Lucille Ball, and Mary Tyler Moore to discover what show business did for them and what they did for the world of entertainment. She uses the li 606 $aWomen entertainers$zUnited States$vBiography 606 $aWomen in motion pictures 606 $aWomen on television 615 0$aWomen entertainers 615 0$aWomen in motion pictures. 615 0$aWomen on television. 676 $a791/.082/0973 700 $aSochen$b June$f1937-$01669467 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910825913803321 996 $aFrom Mae to Madonna$94102312 997 $aUNINA