LEADER 01296nam2 22003493i 450 001 CAG0094288 005 20170908093251.0 100 $a20130924d1994 ||||0itac50 ba 101 | $aita$alat 102 $ait 181 1$6z01$ai $bxxxe 182 1$6z01$an 200 1 $a˜10: ÂœLibro 30.$fTito Livio$gtraduzione di Bianca Ceva$gnote di Mario Scandola 210 $a[Milano]$cFabbri$d1994 215 $a318 p.$d19 cm 300 $aTesto orig. a fronte 461 1$1001BVE0096171$12001 $aStoria di Roma dalla sua fondazione$fTito Livio$v10 700 1$aLivius$b, Titus$3CFIV021177$4070$05194 702 1$aScàndola$b, Mario$3CFIV029180 702 1$aCeva$b, Bianca$3CFIV043426 790 0$aLivy$3BVEV026393$zLivius, Titus 790 1$aLivio$b, Tito$3CFIV021178$zLivius, Titus 790 0$aLivio$3CFIV021179$zLivius, Titus 790 0$aTite-Live$3CFIV146633$zLivius, Titus 790 0$aTito Livio$3CFIV178914$zLivius, Titus 801 3$aIT$bIT-NA0079$c20130924 850 $aIT-NA0593 912 $aCAG0094288 950 2$aLiceo scientifico statale Francesco Sbordone$cv. 1.-12.$d LSLS 878.01 LIV.sto$e LSBS 0000049475 B (10 v. 10.$fD $h20130924$i20130924 977 $a LS 996 $aLibro 30$91483856 997 $aUNISANNIO LEADER 01825nam 2200397 n 450 001 996390591303316 005 20221108015838.0 035 $a(CKB)4940000000101478 035 $a(EEBO)2248556686 035 $a(UnM)99838346 035 $a(EXLCZ)994940000000101478 100 $a19901102d1586 uy | 101 0 $alat 135 $aurbn||||a|bb| 200 10$aPugna Porcorum per Placentium Portium poetam. Præterea Protestatio propter puncta peruerse posita. Postremo pasquillus post prandium pontificis prælegens poema. Paraclesis pro potore. Perlege porcoru[m] pulcherrima perlia potor, potando poteris placidam proferre poesim$b[electronic resource] 210 $aLondini $c[Imp. T. Woodcock]$dAnno. M.D.LXXXVI [1586] 215 $a[8] leaves 300 $aPortius Placentius is a pseudonym for Jean-Leo Placentius (Johannes Placentius in Folger Shakespeare Library Catalog). 300 $aPrinter's name from STC. 300 $aIn verse. 300 $aSignatures: A. 300 $aTitle page marked and stained. 300 $aReproduction of original in the Cambridge University Library. 330 $aeebo-0021 606 $aVerse satire, Latin (Medieval and modern)$vEarly works to 1800 615 0$aVerse satire, Latin (Medieval and modern) 700 $aPlacentius$b Jean-Leo$fd. ca. 1550.$01014658 702 $aPlacentius$b Portius$4aut 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996390591303316 996 $aPugna Porcorum per Placentium Portium poetam. Præterea Protestatio propter puncta peruerse posita. Postremo pasquillus post prandium pontificis prælegens poema. Paraclesis pro potore. Perlege porcoru pulcherrima perlia potor, potando poteris placidam proferre poesim$92365461 997 $aUNISA LEADER 00906nam a22002291i 4500 001 991000572269707536 005 20041003154018.0 008 041108s1967 uika||||||||||||||||eng 035 $ab13240663-39ule_inst 035 $aARCHE-117221$9ExL 040 $aDip.to Studi Storici$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a759.6 245 00$aFour centuries of Spanish painting :$b[exhibition17th June-17th September 1967 260 $aBarnard Castle :$bThe Bowes Museum,$c[1967] 300 $a67 p. :$bill. ;$c23 cm 650 4$aPittura$zSpagna$ySec. 17.-18. 907 $a.b13240663$b02-04-14$c12-11-04 912 $a991000572269707536 945 $aLE019 A 806$g1$i2019000081658$lle019$nC. 1$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i13929616$z12-11-04 996 $aFour centuries of Spanish painting$91101026 997 $aUNISALENTO 998 $ale019$b12-11-04$cm$da $e-$feng$guik$h0$i1 LEADER 03129nam 22006012 450 001 9910953832003321 005 20151005020621.0 010 $a1-107-11994-4 010 $a0-511-01374-4 010 $a1-280-15906-5 010 $a0-511-11854-6 010 $a0-511-15590-5 010 $a0-511-32533-9 010 $a0-511-48534-4 010 $a0-511-04999-4 035 $a(CKB)111056485652546 035 $a(EBL)201443 035 $a(OCoLC)475915002 035 $a(SSID)ssj0000149226 035 $a(PQKBManifestationID)11177069 035 $a(PQKBTitleCode)TC0000149226 035 $a(PQKBWorkID)10236931 035 $a(PQKB)10796323 035 $a(UkCbUP)CR9780511485343 035 $a(MiAaPQ)EBC201443 035 $a(Au-PeEL)EBL201443 035 $a(CaPaEBR)ebr10065246 035 $a(CaONFJC)MIL15906 035 $a(EXLCZ)99111056485652546 100 $a20090226d2000|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aEssays on Conrad /$fIan Watt 205 $a1st ed. 210 1$aCambridge :$cCambridge University Press,$d2000. 215 $a1 online resource (xii, 214 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 08$a0-521-78387-9 311 08$a0-521-78007-1 320 $aIncludes bibliographical references and index. 327 $aForeword: Frank Kermode -- Joseph Conrad: alienation and commitment -- Almayer's Folly: introduction -- Conrad criticism and The Nigger of the 'Narcissus' -- Conrad's Heart of Darkness and the critics -- Comedy and humour in Typhoon -- Political and social background of The Secret Agent -- The Secret Sharer: introduction -- Conrad, James and Chance -- Story and idea in The Shadow-Line -- The decline of the decline: notes on Conrad's reputation -- Around Conrad's grave -- 'The Bridge over the River Kwai' as myth. 330 $aIan Watt (1917?99) has long been acknowledged as one of the finest of post-War literary critics. The Rise of the Novel (1957) is still the landmark account of the way in which realist fiction developed in the eighteenth century and Watt's work on Conrad has been enormously influential. Conrad in the Nineteenth Century (1979) was to have been followed by a volume addressing Conrad's later work, but the material for this long-awaited second volume remains in essay form. It is these essays, as Frank Kermode points out in his foreword, which form the nucleus of Essays on Conrad. Watt's own worldview, as well as his insight into Conrad's work, was shaped by his experiences as a prisoner of war on the River Kwai. His personal, and painfully moving, account of these experiences forms part of his famous essay 'The Bridge over the River Kwai as Myth' which completes this essential collection. 676 $a823/.912 700 $aWatt$b Ian$f1917-1999,$0465233 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910953832003321 996 $aEssays on Conrad$94426939 997 $aUNINA