LEADER 02162nam 2200409 n 450 001 996393163103316 005 20200824121800.0 035 $a(CKB)4940000000111367 035 $a(EEBO)2240932316 035 $a(UnM)99868663e 035 $a(UnM)99868663 035 $a(EXLCZ)994940000000111367 100 $a19940629d1659 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aGospel-marrow, the great God giving himself for the sons of men: or, The sacred mystery of redemption by Jesus Christ, with two of the ends thereof, justification & sanctification$b[electronic resource] $eDoctrinally opened and practically applied. Wherein (among many other useful and profitable truths) the unhappy controversie of the times about the extent of Christs death is modestly and plainly discussed and determined for the satisfaction of those who are willing to receive it. To which is added three links of a golden chain. As it was lately held forth to the Church of God at Great Yarmouth. /$fBy John Brinsley, minister of the Gospel there 210 $aLondon, $cPrinted by S. Griffin for Richard Tomlins, and are to be sold at the sign of the Sun and Bible near Pye-Corner.$d1659 215 $a[42], 296, [6], 81, [1] p 300 $a"Three links of a golden chain" has separate dated title page; register is continuous but pagination differs. 300 $aAnnotation on Thomason copy: "July". 300 $aReproduction of the original in the British Library. 330 $aeebo-0018 606 $aSermons, English$y17th century 606 $aJustification$vEarly works to 1800 606 $aSanctification$vEarly works to 1800 615 0$aSermons, English 615 0$aJustification 615 0$aSanctification 700 $aBrinsley$b John$f1600-1665.$01008122 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996393163103316 996 $aGospel-marrow, the great God giving himself for the sons of men: or, The sacred mystery of redemption by Jesus Christ, with two of the ends thereof, justification & sanctification$92380957 997 $aUNISA LEADER 01689nam 2200409Ia 450 001 996389702903316 005 20210104172006.0 035 $a(CKB)4940000000094731 035 $a(EEBO)2248530880 035 $a(OCoLC)ocm64551572e 035 $a(OCoLC)64551572 035 $a(EXLCZ)994940000000094731 100 $a20060306d1664 uy 0 101 0 $aeng 135 $aurbn||||a|bb| 200 00$aPourtraict of the new wonderful blazing star$b[electronic resource] $ewhich appear'd to the innter Austrian countries, and the adjacent parts of Croatia, standing over Rackelsburg and Czackenthurn, seen betwixt two and three of the clock several mornings, from the 12th of January, 1664. To the terrour of the beholders 210 $aLondon $cPrinted by J. M. and are to be sold by E. Brewster at the Crane in St. Paul's Church-yard$d1664 215 $a1 sheet ([1] p.) $cill 300 $aCaption title. 300 $aImprint from colophon. 300 $aText in two columns with caption titles at top of each. 300 $aIncludes a high-Dutch copy and Low-Dutch copy. 300 $a"With license March 7. 1663/4 Roger L'Estrange." 300 $aReproduction of original in: Harvard University. Library. 330 $aeebo-0062 606 $aComets$zEngland$vEarly works to 1800 606 $aProphecies$vEarly works to 1800 608 $aBroadsides$zEngland$y17th century.$2rbgenr 615 0$aComets 615 0$aProphecies 701 $aL'Estrange$b Roger$cSir,$f1616-1704.$0833447 801 0$bUMI 801 1$bUMI 906 $aBOOK 912 $a996389702903316 996 $aPourtraict of the new wonderful blazing star$92396269 997 $aUNISA LEADER 07065nam 2200709 450 001 9910796666903321 005 20200520144314.0 010 $a3-11-048498-6 010 $a3-11-048633-4 024 7 $a10.1515/9783110486339 035 $a(CKB)3850000000000993 035 $a(EBL)4714812 035 $a(MiAaPQ)EBC4714812 035 $a(DE-B1597)467639 035 $a(OCoLC)958053284 035 $a(OCoLC)968246523 035 $a(DE-B1597)9783110486339 035 $a(Au-PeEL)EBL4714812 035 $a(CaPaEBR)ebr11279403 035 $a(CaONFJC)MIL961945 035 $a(OCoLC)960720499 035 $a(PPN)202116093 035 $a(EXLCZ)993850000000000993 100 $a20161229h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aFacing loss and death $enarrative and eventfulness in lyric poetry /$fPeter Huhn ; with contributions by Britta Goerke, Heilna du Plooy, and Stefan Schenk-Haupt 210 1$aBerlin, [Germany] ;$aBoston, [Massachusetts] :$cDe Gruyter,$d2016. 210 4$dİ2016 215 $a1 online resource (338 p.) 225 1 $aNarratologia ;$vVolume 55 300 $aIncludes index. 311 $a3-11-048422-6 327 $tFrontmatter -- $tTable of Contents -- $t1. Introduction -- $t2. Mourning the Death of a Beloved Person -- $t2.0. Introduction / $rHühn, Peter -- $t2.1. Ben Jonson: "On My First Daughter" (1593) and "On My First Son" (1603) / $rHühn, Peter -- $t2.2. John Donne: "Since She Whom I Loved" (1617) and John Milton: "Methought I Saw My Late Espoused Saint" (1658) / $rHühn, Peter -- $t2.3. Lord Byron: "Away, Away, Ye Notes of Woe" (1811) and "And Thou art Dead, as Young and Fair" (1812) / $rHühn, Peter -- $t2.4. Edgar Allan Poe: "Lenore" (1844-1849) / $rHühn, Peter -- $t2.5. Seamus Heaney: "Mid-Term Break" (1966) / $rPlooy, Heilna du -- $t2.6. Eavan Boland: "The Blossom" (1998) and "The Pomegranate" (1994) / $rHühn, Peter -- $t2.7. Summary / $rHühn, Peter -- $t3. Coping with Loss in Love -- $t3.0. Introduction / $rHühn, Peter -- $t3.1. William Shakespeare: The Sonnets (1609) / $rHühn, Peter -- $t3.2. John Donne: "A Valediction: Forbidding Mourning" (1633) / $rSchenk-Haupt, Stefan -- $t3.3. William Wordsworth: "Lucy Poems" (1800, 1801/1807) / $rHühn, Peter -- $t3.4. Emily Dickinson: "After Great Pain" (ca. 1862) / $rPlooy, Heilna du -- $t3.5. Thomas Hardy: "The Voice" (1912/14) / $rGoerke, Britta -- $t3.6. Sylvia Plath: "The Other" (1962) / $rSchenk-Haupt, Stefan -- $t3.7. Ted Hughes: Birthday Letters (1998) / $rHühn, Peter -- $t3.8. Summary / $rHühn, Peter -- $t4. Confronting One's Own Death -- $t4.0. Introduction / $rHühn, Peter -- $t4.1. Sir Walter Raleigh: "Verses Made the Night before He Died" (1618) and Chidiock Tichborne: "Elegy" (1586) / $rHühn, Peter -- $t4.2. John Donne: "What if this Present were the World's Last Night" (1609/1611) / $rHühn, Peter -- $t4.3. William Cowper: "The Castaway" (1799/1800) / $rGoerke, Britta -- $t4.4. John Keats: "When I have Fears that I May Cease to be" (1818) and Lord Byron: "On this Day I Complete my Thirty-Sixth Year" (1824) / $rHühn, Peter -- $t4.5. Emily Dickinson: "Because I Could not Stop for Death" (ca. 1863) / $rPlooy, Heilna du -- $t4.6. Rupert Brooke: "The Soldier" (1914) and Wilfred Owen: "Strange Meeting" (1918) / $rHühn, Peter -- $t4.7. D. H. Lawrence: "Bavarian Gentians" (1932) / $rHühn, Peter -- $t4.8. Summary / $rHühn, Peter -- $t5. Lamenting the Death of Poets -- $t5.0. Introduction / $rHühn, Peter -- $t5.1. Henry Howard, Earl of Surrey: "An Excellent Epitaph of Sir Thomas Wyatt" (1542) / $rHühn, Peter -- $t5.2. Thomas Carew: "An Elegy upon the Death of the Dean of Paul's, Dr John Donne" (1633) / $rHühn, Peter -- $t5.3. Percy Bysshe Shelley: "Adonais: An Elegy on the Death of John Keats" (1821) / $rHühn, Peter -- $t5.4. W. H. Auden: "In Memory of W. B. Yeats" (1939) / $rHühn, Peter -- $t5.5. Seamus Heaney: "Audenesque: in memory of Joseph Brodsky" (1996) / $rHühn, Peter -- $t5.6. Summary / $rHühn, Peter -- $t6. Thematizing the Loss of an Old Order -- $t6.0. Introduction / $rHühn, Peter -- $t6.1. John Donne: An Anatomy of the World (1611) and William Shakespeare: The Sonnets (1609) / $rHühn, Peter -- $t6.2. William Wordsworth: "The World is too Much with Us" (1807) and W. B. Yeats: "High Talk" (1939) / $rHühn, Peter -- $t6.3. Percy Bysshe Shelley: "Lift not the Painted Veil" (1818/1824) and "The Cloud" (1819/1820) / $rGoerke, Britta -- $t6.4. Matthew Arnold: "Dover Beach" (1851) and Gerard Manley Hopkins: "No Worst, there is None" (ca. 1885) / $rHühn, Peter -- $t6.5. T. S. Eliot: The Waste Land (1922) and "Journey of the Magi" (1930) / $rGoerke, Britta -- $t6.6. W. B. Yeats: "Lapis Lazuli" (1938) / $rHühn, Peter -- $t6.7. Tony Harrison: "A Kumquat for John Keats" (1981) / $rGoerke, Britta -- $t6.8. Summary / $rHühn, Peter -- $t7. Conclusion: Summary and Results -- $tIndex (authors and titles) 330 $aLyric poetry as a temporal art-form makes pervasive use of narrative elements in organizing the progressive course of the poetic text. This observation justifies the application of the advanced methodology of narratology to the systematic analysis of lyric poems. After a concise presentation of this transgeneric approach to poetry, the study sets out to demonstrate its practical fruitfulness in detailed analyses of a large number of English (and some American) poems from the early modern period to the present. The narratological approach proves particularly suited to focus on the hitherto widely neglected dimension of sequentiality, the dynamic progression of the poetic utterance and its eventful turns, which largely constitute the raison d'être of the poem. To facilitate comparisons, the examples chosen share one special thematic complex, the traumatic experience of severe loss: the death of a beloved person, the imminence of one's own death, the death of a revered fellow-poet and the loss of a fundamental stabilizing order. The function of the poems can be described as facing the traumatic experience in the poetic medium and employing various coping strategies. The poems thus possess a therapeutic impetus. 410 0$aNarratologia ;$vVolume 55. 606 $aDeath in literature 606 $aGrief in literature 606 $aLoss (Psychology) in literature 610 $aPoetry analysis. 610 $aeventfulness. 610 $asequentiality. 610 $atransgeneric narratology. 615 0$aDeath in literature. 615 0$aGrief in literature. 615 0$aLoss (Psychology) in literature. 676 $a809.933548 686 $aHG 550$qBVB$2rvk 700 $aHuhn$b Peter$0435274 702 $aGoerke$b Britta 702 $aDu Plooy$b Heilna 702 $aSchenk-Haupt$b Stefan 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910796666903321 996 $aFacing loss and death$93725281 997 $aUNINA