LEADER 01400nam 2200385Ia 450 001 996388180203316 005 20221108045019.0 035 $a(CKB)1000000000634513 035 $a(EEBO)2240855773 035 $a(OCoLC)11710223 035 $a(EXLCZ)991000000000634513 100 $a19850219d1700 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 12$aA short account of the several kinds of societies, set up of late years, for carrying on the reformation of manners, and for the propagation of Christian knowledge$b[electronic resource] 210 $aLondon $cPrinted by J. Brudewell ...$d1700 215 $a4 p 300 $aCaption title. 300 $aAttributed to Thomas Bray. Cf. Wing. 300 $aImprint from colophon. 300 $aReproduction of original in Harvard University Libraries. 330 $aeebo-0062 606 $aChurch work$xChurch of England 606 $aChristian education 615 0$aChurch work$xChurch of England. 615 0$aChristian education. 700 $aBray$b Thomas$f1658-1730.$01001340 801 0$bEAA 801 1$bEAA 801 2$bm/c 801 2$bWaOLN 906 $aBOOK 912 $a996388180203316 996 $aA short account of the several kinds of societies, set up of late years, for carrying on the reformation of manners, and for the propagation of Christian knowledge$92419126 997 $aUNISA LEADER 03043nam 22006614a 450 001 9910778127103321 005 20200520144314.0 010 $a1-281-09255-X 010 $a9786611092559 010 $a0-8135-4265-0 024 7 $a10.36019/9780813542652 035 $a(CKB)1000000000476868 035 $a(EBL)316415 035 $a(OCoLC)476107156 035 $a(SSID)ssj0000189705 035 $a(PQKBManifestationID)11182856 035 $a(PQKBTitleCode)TC0000189705 035 $a(PQKBWorkID)10165745 035 $a(PQKB)11483053 035 $a(MiAaPQ)EBC316415 035 $a(OCoLC)173650915 035 $a(MdBmJHUP)muse8121 035 $a(Au-PeEL)EBL316415 035 $a(CaPaEBR)ebr10189476 035 $a(CaONFJC)MIL109255 035 $a(DE-B1597)529015 035 $a(DE-B1597)9780813542652 035 $a(dli)HEB08102 035 $a(MiU)KOHA0000000000000000002825 035 $a(OCoLC)1241825941 035 $a(EXLCZ)991000000000476868 100 $a20060508d2007 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aLaughing mad$b[electronic resource] $ethe black comic persona in post-soul America /$fBambi Haggins 210 $aNew Brunswick, N.J. $cRutgers University Press$dc2007 215 $a1 online resource (287 p.) 300 $aDescription based upon print version of record. 311 $a0-8135-3985-4 311 $a0-8135-3984-6 320 $aIncludes bibliographical references (p. 245-267) and index. 327 $aContents; Acknowledgments; Introduction: Enter Laughing; Chapter 1: From Negro to Black: Coming of Comic Age in the Civil Rights Era; Chapter 2: Murphy and Rock: From the "Black Guy" to the "Rock Star"; Chapter 3: Post-Soul Comedy Goes to the Movies: Cinematic Adjustments and [Pop] Cultural Currency; Chapter 4: Crossover Diva: Whoopi Goldberg and Persona Politics; Chapter 5: Dave Chappelle: Provocateur in the Promised Land; Epilogue: Laughing Sad, Laughing Mad; Notes; Index; About the Author 330 $aPrior to the civil rights movement, comedians performed for audiences that were clearly delineated by race. Black comedians performed (primarily) for black audiences and white comedians performed for whites. Yet during the past forty-five years, black comics have become progressively more central to mainstream culture. In Laughing Mad, Bambi Haggins looks at how this transition occurred in a variety of media and shows how these integration processes have empowered black comedians to shape popular notions of the African American condition-for better and for worse. Historically, African American 606 $aAfrican American comedians$vBiography 615 0$aAfrican American comedians 676 $a792.702/8092396073 676 $aB 700 $aHaggins$b Bambi$f1961-$01011865 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910778127103321 996 $aLaughing mad$92346276 997 $aUNINA