LEADER 01667nam 2200397Ia 450 001 996387945703316 005 20200824132823.0 035 $a(CKB)4940000000085427 035 $a(EEBO)2248548251 035 $a(OCoLC)ocm36273509e 035 $a(OCoLC)36273509 035 $a(EXLCZ)994940000000085427 100 $a19970127d1686 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 04$aThe Second nativity of Jesus, the accomplishment of the first$b[electronic resource] $e(viz.) the conversion of the soul fram'd by the model of the Word-incarnate ... /$fwritten in French by a learned Capucine ; translated into English, augmented & divided into 6 parts by John Weldon .. 210 $aAntwerp $cPrinted by T.N. for the Author$d1686 215 $a[32], 431, [1] p. $cport 300 $aErrata: p. [1] at end. 300 $aThe various approbations at the front dated 1635-1637, refer to a Father Leon as the supposed author. 300 $aDedicated by Weldon to James II. 300 $aThe frontispiece port. of James II bears imprint "Printed at Oxford for Thomas Guy." 300 $aReproduction of original in the William Andrews Clark Memorial Library, University of California, Los Angeles. 330 $aeebo-0189 606 $aConversion 615 0$aConversion. 701 $aWeldon$b John$cof Raffin.$01013280 701 $aJames$cKing of England,$f1633-1701.$01001114 702 $aLeon$cFather, O. M. Cap., 801 0$bEAE 801 1$bEAE 801 2$bWaOLN 906 $aBOOK 912 $a996387945703316 996 $aThe Second nativity of Jesus, the accomplishment of the first$92416785 997 $aUNISA LEADER 05664nam 22007455 450 001 996398646103316 005 20240424230125.0 010 $a3-11-071788-3 024 7 $a10.1515/9783110717884 035 $a(CKB)4100000011717021 035 $a(DE-B1597)567240 035 $a(DE-B1597)9783110717884 035 $a(OCoLC)1229160758 035 $aEBL7015133 035 $a(AU-PeEL)EBL7015133 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/45270 035 $a(MiAaPQ)EBC7015133 035 $a(EXLCZ)994100000011717021 100 $a20210106h20202020 fg 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aDisiecta Membra Musicae $eStudies in Musical Fragmentology /$fGiovanni Varelli 210 $cDe Gruyter$d2020 210 1$aBerlin ;$aBoston : $cDe Gruyter, $d[2020] 210 4$d©2020 215 $a1 online resource (VI, 398 p.) 225 0 $aStudies in Manuscript Cultures ;$v21 300 $aDescription based upon print version of record. 311 $a3-11-071722-0 327 $tFrontmatter -- $tContents -- $tPreface -- $tOverview -- $tPolyphonic Fragments: Destruction, Recovery, Reconstruction -- $tModels -- $tProcessional Chants in the Early Medieval Period: The Lesson of Fragments -- $tSome Medieval Relics of Saints? Plainchant Offices -- $tTrails -- $tMusic Fragments from Slovenia: Towards a Reconstruction of the Medieval Plainchant Manuscript Production -- $tPolyphonic Music of the Fourteenth Century in Aragon: Reassessing a Panorama of Fragmentary Sources -- $tFragments of Local Polyphony in Late Medieval Central Europe: Towards a Semiotic Interpretation of Musical Sources -- $tReceivers -- $tMake Do and Mend: Reworking Liturgical Parchment Manuscripts in Post-Reformation Sweden -- $tThe Aesthetics of Fragments: Reading Pastedowns in Context or, Late Medieval Bookbinders, Readers, and Their Choices -- $tRepresentations -- $tA Collection of Fragments, or a Fragment of a Collection? The Musical Appendix of A-Wn Cod. 5094 -- $tThe Unexpected Song: An Early Italian Vernacular Poem, a Neumatic Notation, and How to Detect Their Interrelationships in the Ravenna Charter -- $tProcesses -- $tFragmenta Manuscriptorum Musicalium Hungariae Mediaevalis: From Traditional Methodologies Towards a Digital Corpus -- $tRestoration, Reconstruction, and Revisionism: Altering Our Virtual Perception of Damaged Manuscripts -- $tIndexes -- $tIndex of Manuscripts and Fragments -- $tIndex of Chants and Compositions -- $tGeneral Index 330 $aAlthough fragments from music manuscripts have occupied a place of considerable importance since the very early days of modern musicology, a collective, up-to-date, and comprehensive discussion of the various techniques and approaches for their study was lacking. On-line resources have also become increasingly crucial for the identification, study, and textual/musical reconstruction of fragmentary sources. Disiecta Membra Musicae. Studies in Musical Fragmentology aims at reviewing the state of the art in the study of medieval music fragments in Europe, the variety of methodologies for studying the repertory and its transmission, musical palaeography, codicology, liturgy, historical and cultural contexts, etc. This collection of essays provides an opportunity to reflect also on broader issues, such as the role of fragments in last century?s musicology, how fragmentary material shaped our conception of the written transmission of early European music, and how new fragments are being discovered in the digital age. Known fragments and new technology, new discoveries and traditional methodology alternate in this collection of essays, whose topics range from plainchant to ars nova and fifteenth- to sixteenth-century polyphony. 410 0$aStudies in Manuscript Cultures 606 $aLITERARY CRITICISM / General$2bisacsh 608 $aEssays.$2lcgft 610 $aMediaeval music. 610 $afragments. 610 $aliturgy. 610 $amateriality. 615 7$aLITERARY CRITICISM / General. 686 $aLR 55620$2rvk 700 $aVarelli$b Giovanni$4auth$01371823 702 $aDaniele$b Sabaino, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aDavid$b Catalunya, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aDavid$b Hiley, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aGiovanni$b Varelli, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aJulia$b Craig-McFeely, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aJurij$b Snoj, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aKarl$b Kügle, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aMargaret$b Bent, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aPawe?$b Gancarczyk, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aReinhard$b Strohm, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aSanna$b Raninen, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aSusan$b Rankin, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aVarelli$b Giovanni, $4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aZsuzsa$b Czagány, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 712 02$aCentre for the Study of Manuscript$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996398646103316 996 $aDisiecta Membra Musicae$93401469 997 $aUNISA