LEADER 01646nam 2200373Ia 450 001 996387524003316 005 20210104171821.0 035 $a(CKB)4940000000086743 035 $a(EEBO)2248520555 035 $a(OCoLC)ocn489264685e 035 $a(OCoLC)489264685 035 $a(EXLCZ)994940000000086743 100 $a20091216d1690 uy 0 101 0 $aeng 135 $aurbn||||a|bb| 200 03$aAn order of the right honourable the commissioners for the management of the several forfeited estates, goods, and chattels of the rebels of Ireland$b[electronic resource] 210 $aDublin $cPrinted by the assignee of Benj. Tooke, printer to Their Majesties for Ireland, reprinted by him in London and sold by Randal Taylor near Stationers Hall$d1690 215 $a1 sheet ([2] p.) 300 $aCaption title. 300 $aImprint taken from colophon. 300 $a"Dated at the Council-Chamber, Dublin, this sixteenth of July, 1690" --P. [2]. 300 $a"Licensed, July 23. 1690. J.F." 300 $aReproduction of original in: Beinecke Rare Book and Manuscript Library. 330 $aeebo-0009 607 $aIreland$xHistory$yWar of 1689-1691$vEarly works to 1800 607 $aGreat Britain$xHistory$yWilliam and Mary, 1689-1702$vEarly works to 1800 608 $aBroadsides$zEngland$y17th century.$2rbgenr 701 $aJ. F$01002419 801 0$bUMI 801 1$bUMI 906 $aBOOK 912 $a996387524003316 996 $aAn order of the right honourable the commissioners for the management of the several forfeited estates, goods, and chattels of the rebels of Ireland$92377585 997 $aUNISA LEADER 04670nam 2200697 450 001 9910794834103321 005 20191015111955.0 010 $a1-350-98806-5 010 $a1-78672-222-4 024 7 $a10.5040/9781350988064 035 $a(CKB)4340000000188860 035 $a(MiAaPQ)EBC4890574 035 $a(OCoLC)1001288207 035 $a(CaBNVSL)9781350988064 035 $a(CaBNVSL)mat50988064 035 $a(EXLCZ)994340000000188860 100 $a20191015e20192017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aSocially engaged art after socialism $eart and civil society in Central and Eastern Europe /$fIzabel Galliera 205 $aFirst edition. 210 1$aLondon, England :$cI.B. Tauris & Co. Ltd,$d2017. 210 2$aLondon, England :$cBloomsbury Publishing,$d2019. 215 $a1 online resource (386 pages) $cillustrations 225 1 $aInternational library of modern and contemporary art ;$v33 311 $a1-78453-713-6 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Chapter 1. Points of Contention: Socially Engaged Art Practice in Contemporary Theory -- Chapter 2. Civil Society, and Social, Cultural and Political Capital -- Chapter 3. Historical Antecedents: Participatory Art under Socialism, 1956-89 -- Part 1. From Second Society to Civil Society -- Chapter 4. Civil Society in a Period of Post-Socialist Transition -- Chapter 5. Antipolitics: Exhibitions at the Soros Centres for Contemporary Art -- Chapter 6. Sofia: Participatory Public Art and Emerging Contemporary Art Institutions -- Part 2. From Localized Public Sites To EU Transnational Public Spheres -- Chapter 7. Place-Making: Framing Art in Public Spaces Curatorially -- Chapter 8. Representing Counterpublics in Bucharest, Budapest and Sofia -- Chapter 9. Contesting the Politics of Belonging in the Post-1989 EU Community -- Part 3. Institutionalized and Institutionalizing -- Chapter 10. Institutionalized Community Arts Programmes -- Chapter 11. Big Hope: Reviving Leftist Activism in Budapest -- Chapter 12. Self-Institutionalizing as Political Agency. 330 8 $aReclaiming public life from the ideologies of both communist regimes and neoliberalism, their projects have harnessed the politically subversive potential of social relations based on trust, reciprocity and solidarity. Drawing on archival material and exclusive interviews, in this book Izabel Galliera traces the development of socially engaged art from the early 1990s to the present in Bulgaria, Hungary and Romania. She demonstrates that, in the early 1990s, projects were primarily created for exhibitions organized and funded by the Soros Centers for Contemporary Art. In the early 2000s, prior to Bulgaria, Hungary and Romania entering into the European Union, EU institutions likewise funded socially-conscious public art in the region. Today, socially engaged art is characterised by the proliferation of independent and often self-funded artists' initiatives in cities such as Sofia, Bucharest and Budapest. Focusing on the relationships between art, social capital and civil society, Galliera employs sociological and political theories to reveal that, while social capital is generally considered a mechanism of exclusion in the West, in post-socialist contexts it has been leveraged by artists and curators as a vital means of communication and action. 410 0$aInternational library of modern and contemporary art ;$v33. 517 3 $aArt and civil society in Central and Eastern Europe 606 $aArt$xPolitical aspects$zEurope, Central 606 $aArt$xPolitical aspects$zEurope, Eastern 606 $aCommunism and art$zEurope, Central 606 $aCommunism and art$zEurope, Eastern 606 $aSocial movements in art 606 $aSocial practice (Art) 606 $aSocialism and art$zEurope, Central 606 $aSocialism and art$zEurope, Eastern 606 $2Art & design styles: from c 1960 615 0$aArt$xPolitical aspects 615 0$aArt$xPolitical aspects 615 0$aCommunism and art 615 0$aCommunism and art 615 0$aSocial movements in art. 615 0$aSocial practice (Art) 615 0$aSocialism and art 615 0$aSocialism and art 676 $a700.1/03 700 $aGalliera$b Izabel$01529583 712 02$aBloomsbury (Firm), 801 0$bYDX 801 1$bCaBNVSL 801 2$bCaBNVSL 906 $aBOOK 912 $a9910794834103321 996 $aSocially engaged art after socialism$93773934 997 $aUNINA