LEADER 01660nam 2200373 n 450 001 996387052303316 005 20221107143931.0 035 $a(CKB)1000000000628518 035 $a(EEBO)2240896988 035 $a(UnM)99839100 035 $a(EXLCZ)991000000000628518 100 $a19901127d1606 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 12$aA short introduction of grammar$b[electronic resource] $egenerally to be vsed: compiled and set forth for the bringing vp of all those that intended to attaine the knowledge of the Latine tongue 210 $aLondon $cPrinted by Iohn Norton, printer to the Kings most excellent Maiestie in Latine, Greeke, and Hebrue$d1606 215 $a[272] p 300 $aBy William Lily, with contributions by John Colet, Thomas Robertson, and others. 300 $aIn two parts. 300 $aPart 2 has a separate title page, reading "Brevissima institutio, seu ratio grammatices cognoscendæ, ad omnium puerorum vtilitatem præscripta. Quam solam Regia Maiestatis in omnibus scholis profitendam præcipit. Excusum Londini typis Joh. Norton, .. 1606"; register is separate. 300 $aSignatures: A-E [2d]A-K L⁴ M N⁴. 300 $aReproduction of the original in the Bodleian Library. 330 $aeebo-0014 606 $aLatin language$xGrammar$vEarly works to 1800 615 0$aLatin language$xGrammar 700 $aLily$b William$f1468?-1522.$0841046 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996387052303316 996 $aA short introduction of grammar$92317971 997 $aUNISA LEADER 04760nam 2201093Ia 450 001 9910783318803321 005 20230207223544.0 010 $a1-282-76321-0 010 $a9786612763212 010 $a1-4237-1729-5 010 $a0-520-93864-X 010 $a1-59875-582-X 024 7 $a10.1525/9780520938649 035 $a(CKB)1000000000030663 035 $a(EBL)236961 035 $a(OCoLC)614771738 035 $a(SSID)ssj0000107568 035 $a(PQKBManifestationID)11124968 035 $a(PQKBTitleCode)TC0000107568 035 $a(PQKBWorkID)10012779 035 $a(PQKB)11536500 035 $a(MiAaPQ)EBC236961 035 $a(DE-B1597)518854 035 $a(OCoLC)61160241 035 $a(DE-B1597)9780520938649 035 $a(Au-PeEL)EBL236961 035 $a(CaPaEBR)ebr10084597 035 $a(CaONFJC)MIL276321 035 $a(EXLCZ)991000000000030663 100 $a20041208d2005 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aAudiotopia$b[electronic resource] $emusic, race, and America /$fJosh Kun 210 $aBerkeley, Calif. $cUniversity of California Press$d2005 215 $a1 online resource (321 p.) 225 0 $aAmerican Crossroads ;$v18 300 $aDescription based upon print version of record. 311 0 $a0-520-24424-9 311 0 $a0-520-22510-4 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tAcknowledgments --$tIntroduction: Strangers among Sounds --$tOne. Against Easy Listening --$tTwo. The Yiddish Are Coming --$tThree. Life According to the Beat --$tFour. Basquiat's Ear, Rahsaan's Eye --$tFive. I,Too, Sing Amrica --$tSix. Rock's Reconquista --$tConclusion: La Misma Cancin --$tNotes --$tBibliography --$tDiscography --$tIndex 330 $aRanging from Los Angeles to Havana to the Bronx to the U.S.-Mexico border and from klezmer to hip hop to Latin rock, this groundbreaking book injects popular music into contemporary debates over American identity. Josh Kun insists that America is not a single chorus of many voices folded into one, but rather various republics of sound that represent multiple stories of racial and ethnic difference. To this end he covers a range of music and listeners to evoke the ways that popular sounds have expanded our idea of American culture and American identity. Artists as diverse as The Weavers, Caf Tacuba, Mickey Katz, Rahsaan Roland Kirk, Bessie Smith, and Ozomatli reveal that the song of America is endlessly hybrid, heterogeneous, and enriching-a source of comfort and strength for populations who have been taught that their lives do not matter. Kun melds studies of individual musicians with studies of painters such as Jean-Michel Basquiat and of writers such as Walt Whitman, James Baldwin, and Langston Hughes. There is no history of race in the Americas that is not a history of popular music, Kun claims. Inviting readers to listen closely and critically, Audiotopia forges a new understanding of sound that will stoke debates about music, race, identity, and culture for many years to come. 410 0$aAmerican Crossroads 606 $aPopular music$zUnited States$xHistory and criticism 606 $aMusic$xSocial aspects$zUnited States 606 $aMulticulturalism$zUnited States 610 $aamerica. 610 $aamerican culture. 610 $aamerican identity. 610 $aamerican studies. 610 $aart and music. 610 $aartists. 610 $abronx. 610 $acritical analysis. 610 $acultural studies. 610 $adiscussion books. 610 $aethnic demographic studies. 610 $aethnic differences. 610 $aethnic minorities. 610 $ahavana. 610 $ahip hop. 610 $aklezmer. 610 $alatin rock. 610 $aliterary movements. 610 $alos angeles. 610 $amodern history. 610 $amusic and culture. 610 $amusic historians. 610 $amusic history. 610 $amusic lovers. 610 $amusic studies. 610 $amusic. 610 $anonfiction. 610 $apopular music. 610 $arace issues. 610 $aracial history. 610 $aracial issues. 610 $aretrospective. 610 $aus borders. 615 0$aPopular music$xHistory and criticism. 615 0$aMusic$xSocial aspects 615 0$aMulticulturalism 676 $a782.42164/0973/0904 700 $aKun$b Josh$01487950 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910783318803321 996 $aAudiotopia$93796871 997 $aUNINA