LEADER 01033nam--2200325---450- 001 990002142220203316 005 20041104155651.0 035 $a000214222 035 $aUSA01000214222 035 $a(ALEPH)000214222USA01 035 $a000214222 100 $a20041104d--------km-y0itay0103----ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $a<> problema del riscatto$eIntroduzione e commento alla disciplina della cessione in propriet degli alloggi popolari ed economici$eD.P.R. 17/1/1959 N. 2$fVittorio Di Stefano 210 $aMilano$cIstituto Editoriale di Consulenza e di Divulgazione Scientifica$d[s.d.] 215 $a90 p.$d21 cm 410 0$12001 454 1$12001 461 1$1001-------$12001 700 1$aDI STEFANO,$bVittorio$0272761 801 0$aIT$bsalbc$gISBD 912 $a990002142220203316 951 $aIG I 82$b2183 G.$cIG I 959 $aBK 969 $aGIU 979 $aSIAV7$b10$c20041104$lUSA01$h1556 996 $aProblema del riscatto$91039817 997 $aUNISA LEADER 01721nam 2200373 n 450 001 996386725403316 005 20200824121014.0 035 $a(CKB)1000000000615303 035 $a(EEBO)2240858513 035 $a(UnM)99843204e 035 $a(UnM)99843204 035 $a(EXLCZ)991000000000615303 100 $a19910702d1628 uy | 101 0 $aeng 135 $aurbn#|||a|bb| 200 02$aA tract of the soueraigne iudge of controuersies in matters of religion. By Iohn Cameron minister of the Word of God, and divinity professour in the Academie of Montauban. Translated into English by Iohn Verneuil. M.A$b[electronic resource] 210 $aOxford $cPrinted by VVilliam Turner printer to the famous Vniversity, and are to be sold by Henry Curteine$d1628 215 $a48 p 300 $aA translation of: 'Traicté auquel sont examinez les préjugez de ceux de l'église romaine'?. 300 $aRunning title reads: The soveraigne iudge in controversies. 300 $aReproduction of the original in the Henry E. Huntington Library and Art Gallery. 330 $aeebo-0113 606 $aAuthority$xReligious aspects$vEarly works to 1800 615 0$aAuthority$xReligious aspects 700 $aCameron$b John$f1579?-1625.$01004951 701 $aVerneuil$b John$f1582 or 3-1647.$01003401 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996386725403316 996 $aA tract of the soueraigne iudge of controuersies in matters of religion. By Iohn Cameron minister of the Word of God, and divinity professour in the Academie of Montauban. Translated into English by Iohn Verneuil. M.A$92309257 997 $aUNISA LEADER 03557nam 2200649 a 450 001 9910782229803321 005 20200520144314.0 010 $a1-281-93989-7 010 $a9786611939892 010 $a90-474-3161-8 024 7 $a10.1163/ej.9789004162716.i-206 035 $a(CKB)1000000000550388 035 $a(EBL)467909 035 $a(OCoLC)646789929 035 $a(SSID)ssj0000129892 035 $a(PQKBManifestationID)11142512 035 $a(PQKBTitleCode)TC0000129892 035 $a(PQKBWorkID)10080682 035 $a(PQKB)10804554 035 $a(MiAaPQ)EBC467909 035 $a(OCoLC)166255065 035 $a(nllekb)BRILL9789047431619 035 $a(Au-PeEL)EBL467909 035 $a(CaPaEBR)ebr10271084 035 $a(CaONFJC)MIL193989 035 $a(PPN)174390297 035 $a(EXLCZ)991000000000550388 100 $a20070809d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aContesting the logic of painting$b[electronic resource] $eart and understanding in eleventh-century Byzantium /$fby Charles Barber 210 $aLeiden ;$aBoston $cBrill$d2007 215 $a1 online resource (224 p.) 225 1 $aVisualising the Middle Ages,$x1874-0448 ;$vv. 2 300 $aDescription based upon print version of record. 311 $a90-04-16271-2 320 $aIncludes bibliographical references (p. [165]-175) and index. 327 $tPreliminary Material /$rC.E. Barber -- $tChapter One. The Synodikon Of Orthodoxy And The Ground Of Painting /$rC.E. Barber -- $tChapter Two. Symeon The New Theologian: Seeing Beyond Painting /$rC.E. Barber -- $tChapter Three. Michael Psellos: Seeing Through Painting /$rC.E. Barber -- $tChapter Four. Eustratios Of Nicaea And The Constraints Of Theology /$rC.E. Barber -- $tChapter Five. Leo Of Chalcedon, Euthymios Zigabenos And The Return To The Past /$rC.E. Barber -- $tAfterword /$rC.E. Barber -- $tBibliography /$rC.E. Barber -- $tIndex /$rC.E. Barber -- $tIllustrations /$rC.E. Barber. 330 $aStudies of the icon in Byzantium have tended to focus on the iconoclastic era of the eighth- and ninth-centuries. This study shows that discussion of the icon was far from settled by this lengthy dispute. While the theory of the icon in Byzantium was governed by a logical understanding that had limited painting to the visible alone, the four authors addressed in this book struggled with this constraint. Symeon the New Theologian, driven by a desire for divine vision, chose, effectively, to disregard the icon. Michael Psellos used a profound neoplatonism to examine the relationship between an icon and miracles. Eustratios of Nicaea followed the logic of painting to the point at which he could clarify a distinction between painting from theology. Leo of Chalcedon attempted to describe a formal presence in the divine portrait of Christ. All told, these authors open perspectives on the icon that enrich and expand our own modernist understanding of this crucial medium. 410 0$aVisualising the Middle Ages ;$vv. 2. 606 $aIcons, Byzantine 606 $aImage (Theology) 607 $aByzantine Empire$xChurch history 615 0$aIcons, Byzantine. 615 0$aImage (Theology) 676 $a704.9/48209495 700 $aBarber$b Charles$f1964-$0621224 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910782229803321 996 $aContesting the logic of painting$93678053 997 $aUNINA