LEADER 01406nam 2200349Ia 450 001 996386273103316 005 20221108045151.0 035 $a(CKB)4940000000081779 035 $a(EEBO)2240886553 035 $a(OCoLC)15194489 035 $a(EXLCZ)994940000000081779 100 $a19870213d1680 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 14$aThe Protestant almanack for the year from the incarnation of Jesus Christ 1680, our deliverance from popery by Queen Eliz., 121 ..$b[electronic resource] $ebeing the bissextile, or leap-year, wherein the bloody aspects ... of the papacy against the Lord Christ ... are described ... /$fby Philoprotest, a well-willer to the mathematicks 210 $aLondon $cPrinted for the Company of Stationers$d1680 215 $a[47] p 300 $aImperfect: print show-through. 300 $aReproduction of original in the Bodleian Library. 330 $aeebo-0014 606 $aAlmanacs, English 606 $aAstrology$vEarly works to 1800 615 0$aAlmanacs, English. 615 0$aAstrology 700 $aWinstanley$b William$f1628?-1698.$0790994 801 0$bEAJ 801 1$bEAJ 801 2$bWaOLN 906 $aBOOK 912 $a996386273103316 996 $aThe Protestant almanack for the year from the incarnation of Jesus Christ 1680, our deliverance from popery by Queen Eliz., 121 .$92411345 997 $aUNISA LEADER 03840nam 2200661 a 450 001 9910780055103321 005 20210921031726.0 010 $a1-4008-0510-4 010 $a1-4008-2165-7 010 $a1-282-75220-0 010 $a9786612752209 010 $a1-4008-1260-7 024 7 $a10.1515/9781400821655 035 $a(CKB)111056486503558 035 $a(EBL)581623 035 $a(OCoLC)700688646 035 $a(SSID)ssj0000247295 035 $a(PQKBManifestationID)11208999 035 $a(PQKBTitleCode)TC0000247295 035 $a(PQKBWorkID)10198934 035 $a(PQKB)10561381 035 $a(OCoLC)51575541 035 $a(MdBmJHUP)muse36001 035 $a(DE-B1597)446155 035 $a(OCoLC)979623608 035 $a(DE-B1597)9781400821655 035 $a(Au-PeEL)EBL581623 035 $a(CaPaEBR)ebr10035788 035 $a(CaONFJC)MIL275220 035 $a(MiAaPQ)EBC581623 035 $a(EXLCZ)99111056486503558 100 $a19940623d1995 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 14$aThe social and religious designs of J.S. Bach's Brandenburg concertos$b[electronic resource] /$fMichael Marissen 205 $aCourse Book 210 $aPrinceton $cPrinceton University Press$d1995 215 $a1 online resource (163 p.) 300 $aDescription based upon print version of record. 311 0 $a0-691-00686-5 311 0 $a0-691-03739-6 320 $aIncludes bibliographical references (p. 135-144) and index. 327 $tFront matter --$tContents --$tAcknowledgments --$tINTRODUCTION. Bach's Musical Contexts --$tCHAPTER ONE. Relationships between Scoring and Structure in Individual Concertos --$tCHAPTER TWO. The Six Concertos as a Set --$tCHAPTER THREE. Lutheran Belief and Bach's Music --$tAppendix 1. Text-Critical Notes on Early Copies of the Sixth Brandenburg Concerto --$tAppendix 2. Notes on Bach's Notation of the Gamba Parts in the Margrave of Brandenburg's Dedication Score --$tWorks Cited --$tIndex 330 $aThis new investigation of the Brandenburg Concertos explores musical, social, and religious implications of Bach's treatment of eighteenth-century musical hierarchies. By reference to contemporary music theory, to alternate notions of the meaning of "concerto," and to various eighteenth-century conventions of form and instrumentation, the book argues that the Brandenburg Concertos are better understood not as an arbitrary collection of unrelated examples of "pure" instrumental music, but rather as a carefully compiled and meaningfully organized set. It shows how Bach's concertos challenge (as opposed to reflect) existing musical and social hierarchies. Careful consideration of Lutheran theology and Bach's documented understanding of it reveals, however, that his music should not be understood to call for progressive political action. One important message of Lutheranism, and, in this interpretation, of Bach's concertos, is that in the next world, the heavenly one, the hierarchies of the present world will no longer be necessary. Bach's music more likely instructs its listeners how to think about and spiritually cope with contemporary hierarchies than how to act upon them. In this sense, contrary to currently accepted views, Bach's concertos share with his extensive output of vocal music for the Lutheran liturgy an essentially religious character. 606 $aMUSIC / History & Criticism$2bisacsh 615 7$aMUSIC / History & Criticism. 676 $a784.2/4 700 $aMarissen$b Michael$01464722 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910780055103321 996 $aThe social and religious designs of J.S. Bach's Brandenburg concertos$93674510 997 $aUNINA