LEADER 00919nam0-2200313---450- 001 990010025820403321 005 20151228170038.0 010 $a9971-50-428-6 035 $a001002582 035 $aFED01001002582 035 $a(Aleph)001002582FED01 035 $a001002582 100 $a20151228d1987----km-y0itay50------ba 101 0 $aeng 102 $aUS 105 $aa---a---101yy 200 1 $aFrom colliders to super colliders$eUniversity of Wisconsin, Madison, Wisconsin, may 11-22, 1987$fedited by by Vernon Barger and Francis Halzen 210 $aSingapore [etc.]$cWorld Scientific$d1987 215 $aviii, 555 p.$cill.$d26 cm 610 0 $aFisica nucleare 610 0 $aRadioattivitą 702 1$aBarger,$bVernon 702 1$aHalzen,$bFrancis 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990010025820403321 952 $a34AI-452$b24556$fFI1 959 $aFI1 997 $aUNINA LEADER 04174nam 2200697Ia 450 001 9910464246803321 005 20200520144314.0 010 $a1-283-03909-5 010 $a9786613039095 010 $a90-04-19327-8 010 $a90-04-18308-6 024 7 $a10.1163/ej.9789004183087.i-174 035 $a(CKB)3190000000000581 035 $a(EBL)682268 035 $a(OCoLC)707926719 035 $a(SSID)ssj0000467028 035 $a(PQKBManifestationID)11324823 035 $a(PQKBTitleCode)TC0000467028 035 $a(PQKBWorkID)10489334 035 $a(PQKB)10951969 035 $a(MiAaPQ)EBC682268 035 $a(OCoLC)505913467 035 $a(nllekb)BRILL9789004193277 035 $a(PPN)174388330 035 $a(Au-PeEL)EBL682268 035 $a(CaPaEBR)ebr10455163 035 $a(CaONFJC)MIL303909 035 $a(EXLCZ)993190000000000581 100 $a20100319d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe art of the Hekatompedon inscription and the birth of the stoikhedon style$b[electronic resource] /$fby Patricia A. Butz 210 $aLeiden ;$aBoston $cBrill$d2010 215 $a1 online resource (200 p.) 225 1 $aMonumenta Graeca et Romana ;$vv. 16 300 $aBased the author's thesis (doctoral--University of Southern California, Los Angeles, 1995) under the title: The 'Hekatompedon Inscription' at Athens. 320 $aIncludes bibliographical references and indexes. 327 $tPreliminary Material /$rP.A. Butz -- $tChapter One. The Alphabet Of The Hekatompedon Inscription /$rP.A. Butz -- $tChapter Two. The Stoikhedon Arrangement Of The Hekatompedon Inscription /$rP.A. Butz -- $tChapter Three. Punctuation And The Hekatompedon Inscription As Sacred Law /$rP.A. Butz -- $tChapter Four. The Hekatompedon Inscription And The Origins Of The Stoikhedon Style /$rP.A. Butz -- $tChapter Five. The Hekatompedon Inscription And The Definition Of The Stoikhedon Style /$rP.A. Butz -- $tChapter Six. The Hekatompedon Inscription As Monument And Masterpiece /$rP.A. Butz -- $tAppendix One. Catalogue Of Fragments For Metope A Of The Hekatompedon Inscription /$rP.A. Butz -- $tAppendix Two. Restored Text For Metope A Of The Hekatompedon Inscription /$rP.A. Butz -- $tAppendix Three. Restored Text For Metope B Of The Hekatompedon Inscription /$rP.A. Butz -- $tEpigraphical Index /$rP.A. Butz -- $tGeneral Index /$rP.A. Butz. 330 $aThe purpose of this book is to present the Hekatompedon Inscription at Athens ( IG I³ 4) as a major monument of Greek art, legitimately on a par with more famous landmarks of the Greek aesthetic tradition like the Parthenon Frieze. Inscribed most probably in the middle of the decade that saw the Greek response to the Persian invasion, the Hekatompedon Inscription has long been recognized for its historical and religious importance. This study looks at the inscription on its own terms: the unique fusion of its visual and textual content in that most Greek of epigraphical layouts, the stoikhedon style. Such an approach leads to the question of origins: where and why was the stoikhedon style formulated and where does the Hekatompedon Inscription stand in that development? Egypt?s influential system of proportions and use of grids will be considered determinative for the very first time. 410 0$aMonumenta Graeca et Romana ;$vv. 16. 606 $aArchitectural inscriptions$zGreece$zAthens 606 $aDecoration and ornament, Architectural$zGreece$zAthens 606 $aStoichedon inscriptions 606 $aGreek language$xAlphabet 608 $aElectronic books. 615 0$aArchitectural inscriptions 615 0$aDecoration and ornament, Architectural 615 0$aStoichedon inscriptions. 615 0$aGreek language$xAlphabet. 676 $a729/.509385 700 $aButz$b Patricia A$0976401 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910464246803321 996 $aThe art of the Hekatompedon inscription and the birth of the stoikhedon style$92224303 997 $aUNINA LEADER 01913nam 2200433Ia 450 001 996386134003316 005 20240624223650.0 035 $a(CKB)4940000000080203 035 $a(EEBO)2240857988 035 $a(OCoLC)ocm13138953e 035 $a(OCoLC)13138953 035 $a(EXLCZ)994940000000080203 100 $a19860211d1688 uy | 101 0 $aeng 135 $aurbn#|||a|bb| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe true copy of a letter from Mr. Harris and Mr. Annesley, two of the East-India-Companies council, left at Surrat by their General, Sir John Child, Barronet, when he and the rest of the English nation departed the Indian shoar [sic], and retired to Bombay to begin the late war against the Great Mogul and his subjects 210 $aLondon $cPrinted for Samuel Tidmarsh ...$d1688 215 $a6 p 300 $aCaption title. 300 $aSigned: Bart. Harris, Samuel Annesley, Surrat, Dec. 25th, 1687. Relative to the negotiations for peace with the Great Mogul. 300 $aImprint from colophon. 300 $a"Windsor, July 30th, 1688. This may be printed, Middleton" 300 $aAdvertisement: p. 6. 300 $aReproduction of original in British Library. 330 $aeebo-0018 607 $aMughal Empire$xHistory 700 $aHarris$b B$g(Bartholomew)$0341235 701 $aAnnesley$b Samuel$01009333 801 0$bEAA 801 1$bEAA 801 2$bm/c 801 2$bWaOLN 906 $aBOOK 912 $a996386134003316 996 $aThe true copy of a letter from Mr. Harris and Mr. Annesley, two of the East-India-Companies council, left at Surrat by their General, Sir John Child, Barronet, when he and the rest of the English nation departed the Indian shoar , and retired to Bombay to begin the late war against the Great Mogul and his subjects$92330522 997 $aUNISA