LEADER 01073nam--2200385---450- 001 990001222090203316 005 20031027133716.0 035 $a000122209 035 $aUSA01000122209 035 $a(ALEPH)000122209USA01 035 $a000122209 100 $a20031027d1979----km-y0itay0103----ba 101 0 $aita 102 $aIT 105 $a||||||||001yy 200 1 $aAnnali$eanglistica$fIstituto universitario orientale 210 $aNapoli$c[s.n.]$d1979-... 215 $a24 cm 300 $aPubbl. 3. num. all'anno 327 1 $aContinuazione di : Annali. Sezione germanica. Anglistica 410 0$12001 454 1$12001 461 1$1001-------$12001 606 0 $aLetteratura inglese$xPeriodici 676 $a820.5 710 02$aIstituto universitario orientale$03650 801 0$aIT$bsalbc$gISBD 912 $a990001222090203316 951 $aPeriodico$bL.M.$cPeriodico 959 $aBK 969 $aUMA 979 $aSIAV1$b10$c20031027$lUSA01$h1337 979 $aPATRY$b90$c20040406$lUSA01$h1727 996 $aAnnali$9520707 997 $aUNISA LEADER 01566nam 2200397Ia 450 001 996386047503316 005 20200824132432.0 035 $a(CKB)4940000000078720 035 $a(EEBO)2240960621 035 $a(OCoLC)ocm12731160e 035 $a(OCoLC)12731160 035 $a(EXLCZ)994940000000078720 100 $a19851029d1681 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 13$aAn account of the growth of knavery, under the pretended fears of arbitrary government, and popery$b[electronic resource] $ewith a parallel betwixt the reformers of 1677 and those of 1641 in their methods, and designs /$fby Roger L'Estrange, in a letter to a friend 205 $aThe second edition. 210 $aLondon $cPrinted by T.B. for Henry Brome ...$d1681 215 $a31 p 300 $aAn answer to An account of the growth of popery ... / by Andrew Marvell. 300 $aFirst edition published anonymously, 1678, with title: The parallel, or, An account of the growth of knavery ...--cf. 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Gender, melancholy, and the whiteness of impersonal form in The Great Gatsby -- 2. Redeeming violence in The Sun Also Rises: phallic embodiment, primitive ritual, fetishistic melancholia -- 3. Versions of traumatic melancholia: the burden of white man's history in Light in August and Absalom, Absalom! -- 4. The Professor's House: primitivist melancholy and the gender of Utopian forms. 330 $aAmerican modernist writers' engagement with changing ideas of gender and race often took the form of a struggle against increasingly inflexible categories. Greg Forter interprets modernism as an effort to mourn a form of white manhood that fused the 'masculine' with the 'feminine'. He argues that modernists were engaged in a poignant yet deeply conflicted effort to hold on to socially 'feminine' and racially marked aspects of identity, qualities that the new social order encouraged them to disparage. Examining works by F. Scott Fitzgerald, Ernest Hemingway, William Faulkner and Willa Cather, Forter shows how these writers shared an ambivalence toward the feminine and an unease over existing racial categories that made it difficult for them to work through the loss of the masculinity they mourned. 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