LEADER 01495nam 2200325Ia 450 001 996385644803316 005 20200824132715.0 035 $a(CKB)4940000000079595 035 $a(EEBO)2248534100 035 $a(OCoLC)ocm12932757e 035 $a(OCoLC)12932757 035 $a(EXLCZ)994940000000079595 100 $a19851219d1641 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 04$aThe Earle of Corkes victorie and Tyrones overthrow$b[electronic resource] $ebeing a warranted relation of the great overthrow which the Earle of Corke gave to the rebels at foure severall times which makes most of the rebels staye out of cities and townes and keepe themselves in the woods : also the driving away of the rebels out of the city of Armagh : with the copy of a letter sent from Earle of Tyrone to Sir Iohn Burlacie one of the lord chiefe justices in Ireland : all which newes was brought into London upon Munday the 13 of December by John Hodges of the Irish posts 210 $aLondon $cPrinted by John Greensmith$d1641 215 $a[7] p 300 $aReproduction of original in Thomason Collection, British Library. 330 $aeebo-0158 607 $aIreland$xHistory$yRebellion of 1641 701 $aO'Neill$b Phelim$cSir,$f1604?-1653.$01002300 801 0$bEAA 801 1$bEAA 801 2$bm/c 801 2$bWaOLN 906 $aBOOK 912 $a996385644803316 996 $aThe Earle of Corkes victorie and Tyrones overthrow$92320257 997 $aUNISA LEADER 01214nam 2200349Ia 450 001 996397016703316 005 20200824132911.0 035 $a(CKB)4940000000064265 035 $a(EEBO)2264210785 035 $a(OCoLC)ocm9726092e 035 $a(OCoLC)9726092 035 $a(EXLCZ)994940000000064265 100 $a19830721d1684 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 12$aA sermon preached at the Chappel of the Rolls on the fifth of November, 1684$b[electronic resource] $ebeing Gun-Powder-Treason day /$fby Gilbert Burnet 210 $aLondon $cPrinted for the author and are to be sold by R. Baldwin$d1684 215 $a[2], 30 [i.e. 24] p 300 $aReproduction of original in the Cambridge University Library. 330 $aeebo-0021 606 $aGunpowder Plot, 1605$vSermons 606 $aSermons, English$y17th century 615 0$aGunpowder Plot, 1605 615 0$aSermons, English 700 $aBurnet$b Gilbert$f1643-1715.$0193326 801 0$bUMI 801 1$bUMI 801 2$bWaOLN 906 $aBOOK 912 $a996397016703316 996 $aA sermon preached at the Chappel of the Rolls on the fifth of November, 1684$92324333 997 $aUNISA LEADER 03644oam 2200745I 450 001 9910779946003321 005 20230516212823.0 010 $a1-134-77850-3 010 $a1-134-77851-1 010 $a1-280-33353-7 010 $a0-203-02266-1 024 7 $a10.4324/9780203022665 035 $a(CKB)111056485526096 035 $a(EBL)164914 035 $a(OCoLC)560130296 035 $a(SSID)ssj0000133475 035 $a(PQKBManifestationID)11129380 035 $a(PQKBTitleCode)TC0000133475 035 $a(PQKBWorkID)10042176 035 $a(PQKB)10313657 035 $a(SSID)ssj0001143795 035 $a(PQKBManifestationID)12480848 035 $a(PQKBTitleCode)TC0001143795 035 $a(PQKBWorkID)11111870 035 $a(PQKB)10916064 035 $a(MiAaPQ)EBC164914 035 $a(Au-PeEL)EBL164914 035 $a(CaPaEBR)ebr10056234 035 $a(CaONFJC)MIL33353 035 $a(OCoLC)51717867 035 $a(EXLCZ)99111056485526096 100 $a20180331d1998 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aCultural identity in the Roman Empire /$feditors, Ray Laurence, Joanne Berry 210 1$aLondon ;$aNew York :$cRoutledge,$d1998. 215 $a1 online resource (xi, 205 pages) $cillustrations, maps 300 $aDescription based upon print version of record. 311 0 $a0-415-24149-9 311 0 $a0-415-13594-X 320 $aIncludes bibliographical references (p. 194-195) and index. 327 $aBook Cover; Title; Contents; List of plates; List of figures; List of tables; List of contributors; Acknowledgements; Introduction; Cohors: the governor and his entourage in the self-image of the Roman Republic; Punic persistence: colonialism and cultural identities in Roman Sardinia; Constructing the self and the other in Cyrenaica; Roman imperialism and the city in Italy; Landscape and cultural identity in Roman Britain; Territory, ethnonyms and geography: the construction of identity in Roman Italy; Romancing the Celts: a segmentary approach to acculturation 327 $aA spirit of improvement? marble and the culture of Roman Britain; Material culture and Roman identity: the spatial layout of Pompeian houses and the problem of ethnicity; Negotiating identity and status: the gladiators of Roman Nmes; Index 330 $aThis provocative and often controversial volume examines concepts of ethnicity, citizenship and nationhood, to determine what constituted cultural identity in the Roman Empire. The contributors draw together the most recent research and use diverse theoretical and methodological perspectives from archaeology, classical studies and ancient history to challenge our basic assumptions of Romanization and how parts of Europe became incorporated into a Roman culture.Cultural Identity in the Roman Empire breaks new ground, arguing that the idea of a unified and easily defined Roman culture. 606 $aAcculturation$zRome 606 $aRomans$xCultural assimilation$vSources 606 $aCitizenship$zRome 607 $aRome$xCultural policy$xHistoriography 615 0$aAcculturation 615 0$aRomans$xCultural assimilation 615 0$aCitizenship 676 $a303.48/2 676 $a303.4820937 676 $a306.0937 701 $aLaurence$b Ray$f1963-$0176730 701 $aBerry$b Joanne$f1971-$0241888 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910779946003321 996 $aCultural identity in the Roman Empire$93803779 997 $aUNINA LEADER 04743nam 2200949 450 001 9910821261903321 005 20200520144314.0 010 $a0-520-28390-2 010 $a0-520-96002-5 024 7 $a10.1525/9780520960022 035 $a(CKB)2670000000570856 035 $a(EBL)1710985 035 $a(SSID)ssj0001347526 035 $a(PQKBManifestationID)12519317 035 $a(PQKBTitleCode)TC0001347526 035 $a(PQKBWorkID)11352289 035 $a(PQKB)11166835 035 $a(DE-B1597)519013 035 $a(OCoLC)994604212 035 $a(DE-B1597)9780520960022 035 $a(Au-PeEL)EBL1710985 035 $a(CaPaEBR)ebr10953516 035 $a(CaONFJC)MIL650750 035 $a(OCoLC)893336453 035 $a(MiAaPQ)EBC1710985 035 $a(EXLCZ)992670000000570856 100 $a20141020h20152015 uy 0 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFunnybooks $ethe improbable glories of the best American comic books /$fMichael Barrier 210 1$aOakland, California :$cUniversity of California Press,$d2015. 210 4$dİ2015 215 $a1 online resource (434 p.) 300 $aIncludes index. 311 $a0-520-24118-5 311 $a1-322-19470-X 327 $tFront matter --$tContents --$tList of Illustrations --$tPreface --$tAcknowledgments --$tIntroduction: "The Very Good Ones" --$t1. Mickey in a Magazine --$t2. Oskar Lebeck Meets Walt Kelly --$t3. Whitman, K.K., and Dell --$t4. Learning on the Job in L.A. --$t5. A Feel for Walt Kelly's Stuff --$t6. Animal Magnetism --$t7. Cartoon Conundrums --$t8. Carl Barks Makes His Break --$t9. Barks Becomes the Duck Man --$t10. The Workman: Gaylord DuBois --$t11. The Observer: John Stanley --$t12. "I Am a Backwoods Bumpkin" --$t13. "Pure Corn" at Disney's --$t14. Special Talents --$t15. Barks Masters His Medium --$t16. An Arena for All the Passions --$t17. Animal Kingdoms --$t18. Walt Kelly Branches Out --$t19. Strong-Handed Friends --$t20. Carl Barks: The Virtuoso --$t21. Walt Kelly Escapes --$t22. Oskar Lebeck in Exile --$t23. Manifest Destiny --$t24. Uncle Scrooge: Play Money --$t25. Carl Barks in Purgatory --$t26. The Slow Fade --$t27. Disasters --$tEpilogue: Can These Bones Live? --$tAbbreviations --$tNotes --$tIndex 330 $aFunnybooks is the story of the most popular American comic books of the 1940's and 1950's, those published under the Dell label. For a time, "Dell Comics Are Good Comics" was more than a slogan-it was a simple statement of fact. Many of the stories written and drawn by people like Carl Barks (Donald Duck, Uncle Scrooge), John Stanley (Little Lulu), and Walt Kelly (Pogo) repay reading and rereading by educated adults even today, decades after they were published as disposable entertainment for children. Such triumphs were improbable, to say the least, because midcentury comics were so widely dismissed as trash by angry parents, indignant librarians, and even many of the people who published them. It was all but miraculous that a few great cartoonists were able to look past that nearly universal scorn and grasp the artistic potential of their medium. With clarity and enthusiasm, Barrier explains what made the best stories in the Dell comic books so special. He deftly turns a complex and detailed history into an expressive narrative sure to appeal to an audience beyond scholars and historians. 606 $aComic books, strips, etc$zUnited States$xHistory and criticism 610 $a20th century comic books. 610 $aamerican comics. 610 $aanimation graphic design. 610 $aart. 610 $aartistic potential. 610 $aartists. 610 $abusiness history. 610 $abusiness. 610 $acarl barks. 610 $acartoonists. 610 $acomic book history. 610 $acomic books. 610 $acomic history. 610 $acomic studies. 610 $acomics. 610 $adell comics. 610 $adisney. 610 $adonald duck. 610 $aentertainment industry. 610 $aenthusiasm. 610 $ajohn stanley. 610 $aliterary criticism. 610 $aliterary. 610 $alittle lulu. 610 $amidcentury comics. 610 $apogo. 610 $aretrospective. 610 $auncle scrooge. 610 $awalt kelly. 615 0$aComic books, strips, etc.$xHistory and criticism. 676 $a741.5/973 686 $aEC 7120$2rvk 700 $aBarrier$b J. Michael$01612183 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910821261903321 996 $aFunnybooks$93968570 997 $aUNINA