LEADER 03823nam 2200685Ia 450 001 9910462915603321 005 20200520144314.0 010 $a0-8122-0887-0 024 7 $a10.9783/9780812208870 035 $a(CKB)2670000000418191 035 $a(EBL)3442067 035 $a(SSID)ssj0000981440 035 $a(PQKBManifestationID)11505168 035 $a(PQKBTitleCode)TC0000981440 035 $a(PQKBWorkID)10973621 035 $a(PQKB)10668532 035 $a(MiAaPQ)EBC3442067 035 $a(OCoLC)859160570 035 $a(MdBmJHUP)muse26615 035 $a(DE-B1597)449717 035 $a(OCoLC)1024045982 035 $a(OCoLC)979631163 035 $a(DE-B1597)9780812208870 035 $a(Au-PeEL)EBL3442067 035 $a(CaPaEBR)ebr10748434 035 $a(CaONFJC)MIL682501 035 $a(OCoLC)932312896 035 $a(EXLCZ)992670000000418191 100 $a20051019d2006 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aThomas Hovenden$b[electronic resource] $ehis life and art /$fAnne Gregory Terhune with Patricia Smith Scanlan ; foreword by Elizabeth Johns 210 $aPhiladelphia $cUniversity of Pennsylvania Press$dc2006 215 $a1 online resource (296 p.) 300 $a"A Barra Foundation book." 311 $a1-322-51219-1 311 $a0-8122-3920-2 320 $aIncludes bibliographical references (p. [193]-267) and index. 327 $t Frontmatter -- $tCONTENTS -- $tPublisher's Note -- $tIllustrations -- $tForeword / $rJohns, Elizabeth -- $tChapter 1. Becoming an Artist -- $tChapter 2. From "Picturesque" Brittany to Paris -- $tChapter 3. "What Shall American Artists Paint?" -- $tChapter 4 Painting the "Good Ole Times" -- $tChapter 5. Images to "Appeal to the National Mind" -- $tChapter 6. Home Life -- $tConclusion -- $tNotes -- $tIndex 330 $aAfter studying under Alexandre Cabanel at the École des Beaux Arts, Thomas Hovenden (1840-95) began an exemplary career as a painter and teacher at the Pennsylvania Academy of the Fine Arts. Along with his contemporaries there, Thomas Eakins and Thomas Anschutz, Hovenden acquired a reputation for being both an influential instructor and a talented artist.A realistic genre painter and recorder of everyday activities such as those involving home and family, Hovenden had a particular gift for choosing subjects with wide recognition and appeal. His work reflects a Victorian ethos; unlike many artists of the time, however, Hovenden's work featured African American subjects in domestic settings. His firm belief in sentiment and beauty as the goals of artistic pursuits is evident in the nostalgic paintings for which he is best known, such as The Last Moments of John Brown, in which Brown is depicted stopping on his way to the gallows to kiss a young black child.This first full-length study fosters a greater understanding of Hovenden's gifts as a painter and of his stylistic contribution to art. Chronologically organized, it is both a retrospective of Hovenden's work and a critical biography of the artist. The volume features many of his paintings, studies, and sketches, some reproduced for the first time.A Barra Foundation Book 606 $aGenre painting, American$y19th century 606 $aPainters$zUnited States$vBiography 608 $aElectronic books. 615 0$aGenre painting, American 615 0$aPainters 676 $a759.13 676 $aB 700 $aTerhune$b Anne Gregory$01043412 701 $aHovenden$b Thomas$f1840-1895.$01043413 701 $aScanlan$b Patricia Smith$01043414 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462915603321 996 $aThomas Hovenden$92468365 997 $aUNINA LEADER 01925nam 2200385 n 450 001 996384904003316 005 20200824120706.0 035 $a(CKB)4940000000071293 035 $a(EEBO)2240881874 035 $a(UnM)99860011e 035 $a(UnM)99860011 035 $a(EXLCZ)994940000000071293 100 $a19850621d1643 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aOs ossorianvm, or A bone for a bishop to pick$b[electronic resource]$ebeing a vindication of some passages in a treatise lately published, called Anti-cavalierisme, from the impertinent and importune exceptions of Gr: Williams, the author of the Grand rebellion: calling himselfe by the name of the L. Bishop of Ossory. Wherein likewise, the malignitie of severall passages in the said Grand rebellion against the Parliament, is discovered; and that question further cleared; how and in what sense kingly government may be said to be the ordinance of God: so that it may indifferently serve for an answer to that whole discourse. By the author of the sayd treatise of Anti-Cavalierisme 210 $aLondon $cPrinted for Henry Overton$d1643 215 $a64, [2] p 300 $aBy John Goodwin. 300 $aA defense of his "Anti-Cavalierisme", in reply to "Vindiciae regum" by Gryffith Williams. 300 $aRunning title reads: A bone for a bishop to pick. 300 $aWith a final errata leaf. 300 $aAnnotation on Thomason copy: "Aprill 11". 300 $aReproduction of the original in the British Library. 330 $aeebo-0018 607 $aGreat Britain$xPolitics and government$y1642-1649$vEarly works to 1800 700 $aGoodwin$b John$f1594?-1665.$0253216 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996384904003316 996 $aOs ossorianvm, or A bone for a bishop to pick$92302147 997 $aUNISA