LEADER 01405nam 2200349 n 450 001 996384579103316 005 20200818213332.0 035 $a(CKB)4940000000066674 035 $a(EEBO)2240910818 035 $a(UnM)99855849e 035 $a(UnM)99855849 035 $a(EXLCZ)994940000000066674 100 $a19920914d1595 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 03$aAn exposition of the Symbole or Creed of the Apostles$b[electronic resource] $eaccording to the tenour of the Scriptures, and the consent of orthodoxe Fathers of the Church. By William Perkins 210 $a[Cambridge] $cPrinted by Iohn Legatt, printer to the Vniuersitie of Cambridge. 1595. And are to be solde [by R. Bankworth] at the signe of the Sunne in Pauls Church-yard in London$d[1595] 215 $a[8], 34, 37-544, [2] p., folded table 300 $aBookseller's name from STC. 300 $aRunning title reads: An exposition of the Creede. 300 $aWith a final errata leaf. 300 $aReproduction of the original in the Henry E. Huntington Library and Art Gallery. 330 $aeebo-0113 700 $aPerkins$b William$f1558-1602.$0941563 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996384579103316 996 $aAn exposition of the Symbole or Creed of the Apostles$92347880 997 $aUNISA LEADER 02317oam 2200349 450 001 9910424578603321 005 20230621140715.0 035 $a(CKB)3280000000013187 035 $a(NjHacI)993280000000013187 035 $a(EXLCZ)993280000000013187 100 $a20170717c2012uuuu uu 0 101 0 $aeng 135 $auuau#---uu|uu 181 $ctxt$2rdacontent 182 $cn$2rdamedia 183 $anc$2rdacarrier 200 13$aLa stereotomia scientifica in Amédée François Frézier $eprodromi della geometria descrittiva nella scienza del taglio delle pietre /$fMarta Salvatore 210 1$aFirenze :$cFirenze University Press,$d2012 215 $a1 online resource (202 pages) $cillustrations; digital, PDF file(s) 225 1 $aPremio Ricerca «Città di Firenze» ;$v8 320 $aIncludes bibliographical references. 330 $aCut-stone constructions are made of pre-hewn blocks dry assembled on top of each other. Owing to the formal complexity characteristic of these works, in order to design them it is necessary to have knowledge of the theory of lines, surfaces and their properties, as well as knowledge of the representation methods capable of rendering them on a plane surface. This knowledge set makes stereotomy the science that anticipates, in terms of theory and tools, modern descriptive geometry. These are the reasons for seeking the beginnings of descriptive geometry in stereotomy, that is, the reasons for the transformation of the mason's art of cutting stone into a bona fide science. François Frézier work fits among the last theoretical essays prior to the work of Gaspard Monge. It is a treaty on solid geometry, devoted to the shape of the bodies, their intersections and the graphical methods necessary to represent them on a plane. In it the author draws up a rigorous theory that puts in place over two centuries of knowledge and experimentation on the subject of cutting stones. 410 0$aPremio Ricerca «Città di Firenze» ;$v8. 606 $aMachinery in the workplace 615 0$aMachinery in the workplace. 676 $a338.06 700 $aSalvatore$b Marta$0620405 801 2$bUkMaJRU 906 $aBOOK 912 $a9910424578603321 996 $aLa stereotomia scientifica in Amédée François Frézier$91955650 997 $aUNINA