LEADER 00926nam0-22003251i-450- 001 990003856480403321 005 20080116123508.0 035 $a000385648 035 $aFED01000385648 035 $a(Aleph)000385648FED01 035 $a000385648 100 $a20030910d1971----km-y0itay50------ba 101 0 $afre 102 $aIT 200 1 $a<>concentration économique aux Etats-Unis$fDaniel Gérin, Ernest Mandel. 210 $aParis$cAnthropos$d1971. 215 $a226 p.$d19 cm 610 0 $aImprese$aConcentrazione 610 0 $aStati Uniti 676 $aF/1.221 676 $aG/3.2 700 1$aGuérin,$bDaniel$f<1904-1988>$0401468 701 1$aMandel,$bErnest$f<1922-1995>$0118200 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990003856480403321 952 $aG/3.2 GUE$b3340/I$fSES 959 $aSES 996 $aConcentration économique aux Etats-Unis$9514967 997 $aUNINA LEADER 01689nam 2200361 n 450 001 996384313503316 005 20221108002800.0 035 $a(CKB)1000000000592978 035 $a(EEBO)2248561710 035 $a(UnM)9959135400971 035 $a(EXLCZ)991000000000592978 100 $a19930719d1629 uh 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aBy the King. Whereas seuerall troopes and companies of our subiects, English and Scottish souldiers, lately imployed in the seruice of the States Generall of the Vnited Prouinces ..$b[electronic resource] 210 $aImprinted at London $cBy Robert Barker, and Iohn Bill, printers to the Kings most excellent Maiestie$dAnno Dom. M.DC.XXIX. [1629] 215 $a1 sheet ([1] p.) 300 $aDated at end: Westminster, the twenty seuenth day of December, in the fifth yeere of our reigne .. 300 $aArms 23; Steele notation: English publishing Our. 300 $aTitle from caption and first line of text. 300 $aReproduction of the original in the British Library. 330 $aeebo-0018 606 $aSoldiers$xLaw and legislation$zEngland$vEarly works to 1800 607 $aGreat Britain$xHistory$yCharles I, 1625-1649$vEarly works to 1800 615 0$aSoldiers$xLaw and legislation 701 $aCharles$cKing of England,$f1600-1649.$0793295 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 906 $aBOOK 912 $a996384313503316 996 $aBy the King. Whereas seuerall troopes and companies of our subiects, English and Scottish souldiers, lately imployed in the seruice of the States Generall of the Vnited Prouinces .$92350641 997 $aUNISA LEADER 04504nam 2200997Ia 450 001 9910779251803321 005 20230125184138.0 010 $a1-280-79266-3 010 $a0-520-95399-1 010 $a9786613703057 024 7 $a10.1525/9780520953994 035 $a(CKB)2550000000104639 035 $a(EBL)950484 035 $a(OCoLC)797916343 035 $a(SSID)ssj0000677573 035 $a(PQKBManifestationID)11365487 035 $a(PQKBTitleCode)TC0000677573 035 $a(PQKBWorkID)10693875 035 $a(PQKB)11581698 035 $a(MiAaPQ)EBC950484 035 $a(DE-B1597)519215 035 $a(DE-B1597)9780520953994 035 $a(Au-PeEL)EBL950484 035 $a(CaPaEBR)ebr10576445 035 $a(CaONFJC)MIL370305 035 $a(dli)HEB08062 035 $a(MiU) MIU01100000000000000001079 035 $a(EXLCZ)992550000000104639 100 $a20111114d2012 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFirst cut 2$b[electronic resource] $emore conversations with film editors /$fGabriella Oldham 210 $aBerkeley $cUniversity of California Press$d2012 215 $a1 online resource (310 p.) 300 $aDescription based upon print version of record. 311 $a0-520-27350-8 311 $a0-520-27351-6 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tContents --$tAcknowledgments --$tIntroduction --$t1. Keeping Beats --$t2. Pushing the Envelope --$t3. Cutting from the Gut --$t4. Sensing Psychology --$t5. Capturing the Feeling --$t6. Speaking Cinema --$t7. Editing the Self --$t8. Pointing to the Middle --$t9. Honoring Lives --$t10. Weighing the Gold --$t11. Making It Work --$t12. Striking the Balance --$tBibliography --$tIndex 330 $aFirst Cut 2: More Conversations with Film Editors presents a new collection of twelve interviews with award-winning film editors who discuss the art and craft of editing in the twenty-first century. As a follow-up to the successful First Cut: Conversations with Film Editors (now celebrating its 20th anniversary), this new volume explores the transition of editing from the age of celluloid to the digital age. These extraordinarily articulate editors share their passion about film, offer detailed practical examples from their films to explain their process as well as their challenges, and imbue each interview with unique personality, humor, and cinematic insights. First Cut 2 continues the tradition of the first volume by interviewing both fiction and documentary editors, contributing to a rich, holistic appreciation of editing. It also introduces a significant interview with an independent filmmaker/editor to emphasize today's multiple opportunities for aspiring filmmakers to make their own "small films" and achieve success. Together with the first volume, First Cut 2 offers a panoramic survey of film editing and preserves its history through the voices of its practitioners. The stories told will engage students, inform general filmgoers, and even enlighten industry professionals. 517 3 $aFirst cut two 606 $aMotion pictures$xEditing 606 $aMotion picture editors$vInterviews 610 $a21st century. 610 $aaspiring filmmakers. 610 $aaward winners. 610 $acinema and film. 610 $acinematic insights. 610 $adigital age. 610 $adocumentary film. 610 $aediting. 610 $aeditorial process. 610 $afilm buffs. 610 $afilm editing. 610 $afilm editors. 610 $afilm historians. 610 $afilm history. 610 $afilm industry. 610 $afilm production. 610 $afilm scholars. 610 $afilm students. 610 $afilm studies. 610 $afilm theory. 610 $afilmmaking process. 610 $aindependent filmmakers. 610 $ainterviews. 610 $amedia studies. 610 $amodern film. 610 $amovie buffs. 610 $anonfiction. 610 $apsychology. 610 $atheatrical productions. 615 0$aMotion pictures$xEditing. 615 0$aMotion picture editors 676 $a777/.55 700 $aOldham$b Gabriella$0914536 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910779251803321 996 $aFirst cut 2$92643610 997 $aUNINA