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200 04$aThe Church of England's glory, or, The Vindication of episcopacy$b[electronic resource]
210   $aLondon $cPrinted for R.W.$d1688
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300   $aIn verse.
300   $aCaption title.
300   $aImprint from colopon.
300   $aReproduction of original in the Harvard University Library.
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606   $aReligious tolerance$vPoetry
607   $aGreat Britain$xPolitics and government$y1660-1714
615  0$aReligious tolerance
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181   $ctxt
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183   $acr
200 10$aMoving viewers$b[electronic resource] $eAmerican film and the spectator's experience /$fCarl Plantinga
210   $aBerkeley $cUniversity of California Press$dc2009
215   $a1 online resource (295 p.)
300   $aDescription based upon print version of record.
311 0 $a0-520-25695-6 
311 0 $a0-520-25696-4 
320   $aIncludes bibliographical references (p. 253-267) and index.
327   $tFront matter --$tContents --$tIllustrations --$tAcknowledgments --$tIntroduction: Affect and the Movies --$t1. Pleasures, Desires, Fantasies --$t2. Movies and Emotions --$t3. Stories and Sympathies --$t4. The Sensual Medium --$t5. Affective Trajectories and Synesthesia --$t6. Negative Emotions and Sympathetic Narratives --$t7. The Rhetoric of Emotion --$tConclusion: Moving Viewers --$tNotes --$tBibliography --$tIndex
330   $aEveryone knows the thrill of being transported by a film, but what is it that makes movie watching such a compelling emotional experience? In Moving Viewers, Carl Plantinga explores this question and the implications of its answer for aesthetics, the psychology of spectatorship, and the place of movies in culture. Through an in-depth discussion of mainstream Hollywood films, Plantinga investigates what he terms "the paradox of negative emotion" and the function of mainstream narratives as ritualistic fantasies. He describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. He uses cognitive science and philosophical aesthetics to demonstrate why cinema may deliver a similar emotional charge for diverse audiences.
606   $aMotion picture audiences$xPsychology
606   $aMotion pictures$zUnited States
610   $aamerican film.
610   $aaudience theory.
610   $acinema and film.
610   $acognitive science.
610   $acultural studies.
610   $adesires.
610   $aemotional experience.
610   $afilm criticism.
610   $afilm studies.
610   $afilm.
610   $ahollywood films.
610   $amainstream narratives.
610   $amedia studies.
610   $amovie criticism.
610   $amovie studies.
610   $amovie watching.
610   $amovies and emotions.
610   $amovies.
610   $amoving viewers.
610   $anegative emotions.
610   $aphilosophical aesthetics.
610   $apleasures.
610   $apsychology of spectatorship.
610   $aritualistic fantasy.
610   $asensual films.
610   $aspectators.
610   $asympathetic narratives.
610   $asynesthesia.
610   $athe paradox of negative emotion.
610   $awatching a movie.
615  0$aMotion picture audiences$xPsychology.
615  0$aMotion pictures
676   $a302.23/43
700   $aPlantinga$b Carl R$0772726
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906   $aBOOK
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996   $aMoving viewers$91728416
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