LEADER 02117nam 2200397 n 450 001 996383871003316 005 20200824121511.0 035 $a(CKB)1000000000587496 035 $a(EEBO)2240857715 035 $a(UnM)99825257e 035 $a(UnM)99825257 035 $a(EXLCZ)991000000000587496 100 $a19930428d1675 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 14$aThe third part of the Quakers quibbles$b[electronic resource] $eBeing a continuation of their quibbles, equivocations, riddles, contradictions, rounds, and confusions, set forth in ten several particulars. Whereunto is added remarks on G.W.'s slight sheet, given forth by him as a reprehension (for want of an answer) to the Second part of the Quakers quibbles. With some further account of their grand mystery of directing the intention. By the same indifferent pen 210 $aLondon $cprinted for F. Smith at the Elephant and Castle in Cornhil, near the Royal Exchange$d1675 215 $a[10], 99, [1] p 300 $a"To the reader" signed: Thomas Thompson, which is a pseudonym. 300 $aGeorge Whitehead, on the title page of his "The timorous reviler sleighted" (Wing W1965), says that the author of the second part of the "Quakers quibbles" is "(by some) suspected to be the author of the two pamphlets, the one entituled, The spirit of the Quakers tryd; the other, Controversie ended." Both of these pamphlets are by Henry Hedworth. 300 $aIn part a reply to: Whitehead, George. The Quakers plainness detecting fallacy. 300 $aAlso issued with the other two parts. 300 $aWith final page of errata. 300 $aReproduction of the original in the Bodleian Library. 330 $aeebo-0014 606 $aSociety of Friends$vControversial literature$vEarly works to 1800 615 0$aSociety of Friends 700 $aHedworth$b Henry$01004358 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996383871003316 996 $aThe third part of the Quakers quibbles$92307004 997 $aUNISA LEADER 02841nam 2200733 450 001 9910791191503321 005 20200520144314.0 010 $a1-78310-499-6 010 $a1-78310-514-3 035 $a(CKB)2550000001309547 035 $a(EBL)1696091 035 $a(SSID)ssj0001261977 035 $a(PQKBManifestationID)11774886 035 $a(PQKBTitleCode)TC0001261977 035 $a(PQKBWorkID)11212178 035 $a(PQKB)10001350 035 $a(SSID)ssj0001683531 035 $a(PQKBManifestationID)16509490 035 $a(PQKBTitleCode)TC0001683531 035 $a(PQKBWorkID)15037996 035 $a(PQKB)11758800 035 $a(MiAaPQ)EBC1696091 035 $a(MiAaPQ)EBC5018561 035 $a(MiAaPQ)EBC4869227 035 $a(Au-PeEL)EBL1696091 035 $a(CaPaEBR)ebr10878971 035 $a(CaONFJC)MIL615132 035 $a(OCoLC)880827419 035 $a(PPN)254793614 035 $a(EXLCZ)992550000001309547 100 $a20140616h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aHokusai /$fEdmond de Goncourt 210 1$aNew York :$cParkstone Press International,$d[2014] 210 4$dİ[2014] 215 $a1 online resource (512 p.) 300 $aDescription based upon print version of record. 311 $a1-78310-128-8 311 $a1-306-83881-9 327 $aLife of Hokusai -- Surimonos, Yellow Books, and Illustrated Novels -- Manga and Sketchbooks -- Poetry Albums, Plates, Panels, and Other Works. 330 $aThrough his elegant brush paintings and masterful woodblocks, Katsushika Hokusai (1760-1849) became one of Japan's most internationally-renowned artists. A master of Ukiyo-e art, he single-handedly transformed the art form from a simple style focused on courtesans and famous actors into a grander style depicting the beauty of nature seen through landscapes and wildlife. His style of art and subject evolved as many times as he changed his name, but Hokusai's talent as an artist remained constant and his influential role in later art movements such as Art Nouveau and Impressionism remains eterna 606 $aArts, Japanese$yEdo period, 1600-1868 606 $aColor prints, Japanese$yEdo period, 1600-1868 606 $aPrintmakers$zJapan$vBiography 606 $aWood-engraving, Japanese$yEdo period, 1600-1868 608 $aBiographies$2lcgft 615 0$aArts, Japanese 615 0$aColor prints, Japanese 615 0$aPrintmakers 615 0$aWood-engraving, Japanese 676 $a769.52 686 $aART000000$2bisacsh 700 $ade Goncourt$b Edmond$0601654 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910791191503321 996 $aHokusai$93714621 997 $aUNINA