LEADER 01369ntm 2200373Ia 450 001 996383671203316 005 20221108005725.0 035 $a(CKB)1000000000584356 035 $a(EEBO)2240877975 035 $a(OCoLC)9959581400971 035 $a(EXLCZ)991000000000584356 100 $a20060117d1690 uy 0 101 0 $aeng 135 $aurbn||||a|bb| 200 10$a[Grant under the Privy Seal to Thomas Wharton for reimbursement in the purchase and keeping of carriage horses]$b[electronic resource] 210 $d[August 27, 1690] 215 $a2 sheets 300 $aIn ms. 300 $aSigned: Examined by me Thomas Collier Clerk to Mr Auditor Bridges. 300 $aTitle created by cataloger; date suggested by text. 300 $aHarleian mss. 7614 leaves 157-158. 300 $aReproduction of original in the British Library. 330 $aeebo-0018 606 $aFinance, Public$zGreat Britain$xHistory$y1688-1815 607 $aGreat Britain$xHistory$yWilliam and Mary, 1689-1702$vSources 615 0$aFinance, Public$xHistory 712 02$aEngland and Wales.$bLord Privy Seal. 801 0$bUMI 801 1$bUMI 801 2$bUMI 906 $aBOOK 912 $a996383671203316 996 $aGrant under the Privy Seal to Thomas Wharton for reimbursement in the purchase and keeping of carriage horses$92348064 997 $aUNISA LEADER 03325nam 22006615 450 001 9910787628803321 005 20230226050927.0 010 $a1-4426-6959-4 010 $a1-4426-6958-6 024 7 $a10.3138/9781442669581 035 $a(CKB)2670000000502271 035 $a(EBL)3290442 035 $a(SSID)ssj0001107602 035 $a(PQKBManifestationID)12511065 035 $a(PQKBTitleCode)TC0001107602 035 $a(PQKBWorkID)11082360 035 $a(PQKB)10531830 035 $a(CEL)447015 035 $a(OCoLC)870652548 035 $a(CaBNVSL)thg00910402 035 $a(MiAaPQ)EBC3290442 035 $a(MiAaPQ)EBC4670285 035 $a(DE-B1597)497080 035 $a(OCoLC)1078910728 035 $a(DE-B1597)9781442669581 035 $a(OCoLC)865579226 035 $a(MdBmJHUP)musev2_106546 035 $a(EXLCZ)992670000000502271 100 $a20181207d2018 fg 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFederico Fellini $ePainting in Film, Painting on Film /$fHava Aldouby 210 1$aToronto : $cUniversity of Toronto Press, $d[2018] 210 4$dİ2013 215 $a1 online resource (205 p.) 225 1 $aToronto Italian studies 311 $a1-4426-4516-4 311 $a1-4426-1327-0 320 $aIncludes bibliographical references and index. 327 $aFellini, painting on film -- Giulietta degli spiriti : symbolist virgins meet decadent femmes fatales in Art Nouveau interiors -- Toby Dammit : Rembrandt meets Vela?zquez on screen -- Fellini Satyricon : Bruegel meets Klimt in the sewers of Imperial Rome -- Fellini's Casanova : Casanova meets de Chirico on Bo?cklin's Isle of the dead -- Conclusion : "a new hypothesis of the truth" : painting as vehicle of the real in Fellini's films, 1960s-1970s. 330 $a"Federico Fellini professed a desire to create "an entire film made of immobile pictures." In this study, Hava Aldouby uses this quotation as a launching point to analyze Fellini's films as sequences of "pictures" that draw extensively on art history, and particularly painting, as a reservoir of visual imagery. Aldouby employs an innovative pictorial approach that allows her to uncover a wealth of visual evocations overlooked by Fellini scholars over the years. Federico Fellini: Painting in Film, Painting on Film sheds light on the intertextual links between Fellini's films and the works of various artists, from Velazquez to Francis Bacon, by identifying references to specific paintings in his films. Using new archival evidence from Fellini's private library, brought to light for the first time here, Aldouby draws out Fellini's in-depth knowledge of art history and his systematic employment of art-historical allusions."--Publisher's description 410 0$aToronto Italian studies. 606 $aMotion picture producers and directors$zItaly 606 $aArt in motion pictures 607 $aItaly$2fast 615 0$aMotion picture producers and directors 615 0$aArt in motion pictures. 676 $a791.4302/33092 700 $aAldouby$b Hava, $01573861 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910787628803321 996 $aFederico Fellini$93849781 997 $aUNINA