LEADER 01511nam 2200361 450 001 9910688590703321 005 20230624210241.0 035 $a(CKB)5400000000044322 035 $a(NjHacI)995400000000044322 035 $a(EXLCZ)995400000000044322 100 $a20230624d2021 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aE-business $ehigher education and intelligence applications /$fedited by Robert M.X. Wu, Marinela Mircea 210 1$aLondon :$cIntechOpen,$d2021. 215 $a1 online resource (170 pages) 311 $a1-83962-463-9 330 $aThis book provides the latest viewpoints of scientific research in the field of e-business. It is organized into three sections: "Higher Education and Digital Economy Development", "Artificial Intelligence in E-Business", and "Business Intelligence Applications". Chapters focus on China's higher education in e-commerce, digital economy development, natural language processing applications in business, Information Technology Governance, Risk and Compliance (IT GRC), business intelligence, and more. 517 $aE-Business 606 $aElectronic commerce 615 0$aElectronic commerce. 676 $a658.872 702 $aWu$b Robert M. X. 702 $aMircea$b Marinela 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910688590703321 996 $aE-business$969975 997 $aUNINA LEADER 01314nam 2200433Ia 450 001 996383582103316 005 20200520144314.0 035 $a(CKB)1000000000591286 035 $a(EEBO)2248565830 035 $a(UnM)99853283 035 $a(MiAaPQ)EBC3314954 035 $a(Au-PeEL)EBL3314954 035 $a(CaPaEBR)ebr5001143 035 $a(OCoLC)927361041 035 $a(EXLCZ)991000000000591286 100 $a19830118d2001 uy 0 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aPanthea$b[electronic resource] /$fby Oscar Wilde 210 $aBlacksburg, VA $cVirginia Tech$d2001 215 $a[28] p 300 $aEditor's dedication signed: Iames Martin. 300 $aL. Viscount St. Albans = Francis Bacon. 300 $aIn verse. 300 $aPrinter's name from STC. 300 $aSignatures: A-C⁴ D² . 300 $a"Appendix to Panthea" has separate dated title page; register is continuous. 300 $aReproduction of the original in the British Library. 330 $aeebo-0018 606 $aEnglish poetry 615 0$aEnglish poetry. 700 $aWilde$b Oscar$f1854-1900.$0118841 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996383582103316 996 $aPanthea$93659085 997 $aUNISA LEADER 04044oam 2200505 c 450 001 9910959743103321 005 20260202090927.0 010 $a9783838270258 010 $a3838270258 024 3 $a9783838270258 035 $a(CKB)4340000000252637 035 $a(MiAaPQ)EBC5276166 035 $a(Perlego)773138 035 $a(ibidem)9783838270258 035 $a(EXLCZ)994340000000252637 100 $a20260202d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAgainst Reason$eSchopenhauer, Beckett and the Aesthetics of Irreducibility$fAnthony Barron, Matthew Feldman 205 $a1st ed. 210 $aHannover$cibidem$d2017 215 $a1 online resource (xxiii, 380 pages) 311 08$a9783838210254 311 08$a3838210255 330 $aAnthony Barron explores the relationship between the philosophy of Schopenhauer and the forms and themes of Beckett?s critical and creative writings. He shows that Beckett?s aesthetic preoccupations are consonant with some of Schopenhauer?s seminal arguments regarding the arational basis of artistic composition and appreciation and the impotence of reason in human affairs. While Beckett?s critical writings are, in places, formidably opaque, this work examines the ways in which such texts can be elucidated when their intertextual affinities with Schopenhauer?s arguments are revealed. Using Schopenhauer?s thought as a presiding interpretative framework, Barron demonstrates how the widespread presence of philosophical and theological ideas in Beckett?s creative texts signifies less about his personal convictions than it does about his authorial aims. He thereby highlights the ways in which discursive ideas were appropriated and manipulated by Beckett for purely literary ends. A central contention of this book is that to judge the place of ideas within Beckett?s art, we should ignore questions of their theoretical persuasiveness and consider their role as purely aesthetic devices, the value of which is revealed in terms of the existential impact they have upon his characters. In each of the chapters that deal with Beckett?s fiction, Barron underscores the artistically energizing tensions that exist between the concepts that Beckett?s characters invoke in their attempts to comprehend the import of their experiences and their conative and affective tribulations which invariably prove resistant to such analysis. Here the means by which such conceptual aporias engender semantic potentialities underpin an exploration of Beckett?s creative assimilation of rational discourse. While the focus of this publication is upon Beckett?s early and middle fiction, which was composed at a time when the relationship between the chaos of quotidian ordeals and the value of rational thought became most acutely relevant for him, numerous cross-references to his dramatic and poetical works are provided in order to highlight the overall significance of these issues within his oeuvre. 330 1 $a?This is a much-needed study on Beckett?s lifelong engagement with Schopenhauer, thoroughly informed by recent discoveries in Beckett studies. It proves beyond doubt that Schopenhauer remained Beckett?s most intimate creative conversation partner, not just in terms of metaphysics, but also in terms of imagery and verbal details.??Professor Erik Tonning, University of Bergen; Author of Samuel Beckett?s Abstract Drama: Works for Stage and Screen 1962?1985 (2007) 606 $aSamuel Beckett 606 $aSchopenhauer 606 $aphilosophy 615 4$aSamuel Beckett 615 4$aSchopenhauer 615 4$aphilosophy 676 $a111.85092 700 $aBarron$b Anthony$4aut$01710620 702 $aFeldman$b Matthew$4aui 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910959743103321 996 $aAgainst reason$94101417 997 $aUNINA