LEADER 00846nam a2200229 i 4500 001 991003315069707536 005 20020503190304.0 008 010104s1953 fr ||| | fre 035 $ab10487876-39ule_inst 035 $aEXGIL118672$9ExL 040 $aBiblioteca Interfacoltà$bita 082 0 $a843.912 100 1 $aSaint- Exupéry, Antoine de$0168437 245 10$aLettres de jeunesse, 1923-1931 /$cAntoine de Saint Exupéry ; préface de Renée de Saussine 260 $aParis :$bGallimard,$c1953 300 $a150 p. ;$c19 cm. 907 $a.b10487876$b02-04-14$c27-06-02 912 $a991003315069707536 945 $aLE002 Fr. III B 47$g1$i2002000951946$lle002$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i10563489$z27-06-02 996 $aLettres de jeunesse$91332384 997 $aUNISALENTO 998 $ale002$b01-01-01$cm$da $e-$ffre$gfr $h0$i1 LEADER 01658nam 2200361Ia 450 001 996383451003316 005 20221108020014.0 035 $a(CKB)1000000000599044 035 $a(EEBO)2240906210 035 $a(OCoLC)ocm23729083e 035 $a(OCoLC)23729083 035 $a(EXLCZ)991000000000599044 100 $a19910510d1526 uy | 101 0 $aeng 135 $aurbn#|||a|bb| 200 12$aA sermon had at Paulis by the co[m]mandment of the most reuerend father in God my lorde legate$b[electronic resource] /$fand sayd by John the bysshop of Rochester vpo[n] qui[n]quagesom Sonday ; concernynge certayne heretickes, whiche tha[n] were abiured for holdynge the heresies of Martyn Luther that famous hereticke, and for ye kepyng and reteynyng of his bokes agaynst the ordinance of the bulle of Pope Leo the Tenthe 210 $a[London] $cImprinted at London in Fletestrete in the house of Thomas Berthelet nere to the Cundite at ye signe of Lucrece$d[1526?] 215 $a[62] p 300 $aImprint from colophon. 300 $aDate of imprint suggested by STC (2nd ed.). 300 $a"Cu[m] priuilegio a rege indulto." 300 $aSignatures: A-Gâ´ H³. 300 $aTitle within ornamental border. 300 $aReproduction of original in the Bodleian Library. 330 $aeebo-0203 606 $aSermons, English$y16th century 615 0$aSermons, English 700 $aFisher$b John$cSaint,$f1469-1535.$023804 801 2$bWaOLN 906 $aBOOK 912 $a996383451003316 996 $aA sermon had at Paulis by the comandment of the most reuerend father in God my lorde legate$92396655 997 $aUNISA LEADER 02469nam 2200649 a 450 001 9910962240803321 005 20240516141943.0 010 $a9781283953535 010 $a1283953536 010 $a9781780427225 010 $a1780427220 035 $a(CKB)2670000000170680 035 $a(EBL)886840 035 $a(OCoLC)784886780 035 $a(SSID)ssj0000661071 035 $a(PQKBManifestationID)12309350 035 $a(PQKBTitleCode)TC0000661071 035 $a(PQKBWorkID)10710512 035 $a(PQKB)11773406 035 $a(MiAaPQ)EBC886840 035 $a(Au-PeEL)EBL886840 035 $a(CaPaEBR)ebr10556228 035 $a(CaONFJC)MIL426603 035 $a(PPN)197279309 035 $a(FR-PaCSA)88835797 035 $a(FRCYB88835797)88835797 035 $a(EXLCZ)992670000000170680 100 $a20120515d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBeauty of the beast /$f[author, John Bascom] 205 $a1st ed. 210 $a[New York, N.Y. $cParkstone International$d2012?] 215 $a1 online resource (256 p.) 225 1 $aMega Square 300 $aIncludes index. 311 08$a9781906981457 311 08$a1906981450 327 $aFeatured Artists; SIMPLE NOTION OF BEAUTY; TRUTH AS A CONDITION OF BEAUTY; CONNECTIONS OF ART AND NATURE; HOW BEAUTY IS REACHED AND CULTIVATED; Index of Illustrations 330 $aFor all time, artists have maintained a close relationship with the animal world, which has proved to be an inexhaustible source of inspiration. First, they received inspiration directly from their environment. Next, animals were used in art for their status as domestic friends, symbols of an intimate and familial life, as well as starting points for a fantastic imagination, particularly held in high-esteem during the Renaissance. Later in Orientalism, animal art followed the discovery of exotic fauna which appealed to contemporary artists. The animal and its wild beauty are comprehended here 410 0$aMega Square 606 $aAnimals in art 606 $aAnimals in art$vPictorial works 615 0$aAnimals in art. 615 0$aAnimals in art 676 $a398.21 700 $aBascom$b John$0811334 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910962240803321 996 $aBeauty of the beast$94335862 997 $aUNINA